Language Log

This has apparently been around for awhile, but I'm seeing it now for the first time:

Many years ago, I predicted that — due to the exigencies of technological change and the increasing tempo of life — China would willy-nilly gravitate either toward romanization of Mandarin (and the other Sinitic languages) or the gradual adoption of English for many aspects of written communication (e.g., business, science, medicine) because they are perceived as faster and more efficient.  In truth, I thought, and still do think, that there would be a transitional period during which both processes transpired, though naturally Chinese characters would continue to be used as well.  The evidence with which we are daily confronted, much of it presented in Language Log posts, confirms that my suspicions are being borne out.

• "Pace of life speeds up as study reveals we're walking faster than ever" (Daily Mail, 5/2/07)
• "How technology is turning us into faster talkers" (CBC News, 10/31/11)
• "Science says that technology is speeding up our brains’ perception of time" (ScienceAlert, 11/19/15)
• "The creed of speed" (The Economist, 12/5/15)
• James Gleick, Faster: The Acceleration of Just About Everything (Pantheon, 1999)
• Judy Wajcman, The Acceleration of Life in Digital Capitalism (The University of Chicago Press, 2014)
• Alvin Toffler, Future Shock (Random House, 1970)

It's only January, yet we may have already seen this year's winner in the category of Misapprehensions about Chinese Characters and the Nature of Language.  It appears in Xiaolu Guo's "‘Is this what the west is really like?’ How it felt to leave China for Britain" (The Guardian, 1/10/17).  Ms. Guo's long essay, an adapted extract from her forthcoming Once Upon a Time in the East: A Story of Growing Up, is preceded by this dismal epigraph:

Desperate to find somewhere she could live and work as she wished, Xiaolu Guo moved from Beijing to London in 2002. But from the weather to the language and the people, nothing was as she expected.

Poor Xiaolu Guo!

From Li Wei on Facebook:

Alex Baumans sent in this photograph of the logo of a Korean food truck in Belgium, run by one San-Ho Park Correwyn:

In my introductory undergraduate course on English words, and in most undergraduate introductory courses on linguistics, students are invited to reflect on language and identity—how the way you speak communicates information about who you are—which they are typically very interested in. This isn't my beat, professionally speaking, but as a linguist I have a duty to help my students think through some of these issues (and, if they get interested, point them in the right direction to get really educated). To get started, I often play this one-minute clip of a Meshach Taylor Fresh Air interview from 1990, which is usually a good starting point for some discussion.

But Fresh Air (yes I'm a Terry Gross fangirl) also recently ran an interview with the biracial South African host of the Daily Show, Trevor Noah, which contained this ten-minute motherlode of a reflection on multilingualism, language choice, racism, acceptable targets of mimicry, vocabulary size, Trump's communicative abilities, resentment of accented speech… whew. I'm just going to leave it here for your edification and enjoyment. Maybe one of our more sociolinguistically expert Language Loggers will provide some more detailed commentary later. For my part — well, I just invite you to think about what kind of 500-word essay you'd write for a Ling 101 class with this 10-minute clip as your prompt.

To hear the whole interview, or read the transcript, visit the NPR Fresh Air page.

Ryan of Singapore sent me photographs of a section from a Chinese almanac that amounts to a ten-page English phrasebook phonetically annotated in Cantonese. Here are two of the pages (as usual, click to embiggen):

The news these days, I find, seldom merits a smile. But at one news story I heard at lunchtime today I actually laughed out loud, alone in my kitchen. Michel Barnier, charged with heading the EU side in the complex forthcoming negotiations that will set the terms for the UK's exit from the European Union, has found a way to hurt the British more deeply, and put them more at a disadvantage, than I ever would have thought possible. It is so fiendish it ought to be illegal, yet it violates no law or basic principle of human rights. It is simply wonderful in its passive-aggressive hostility. I take my hat off to him. He has announced that he wants all the negotiations with the British team to be conducted in French.

From Coby Lubliner:

I have lately been watching an Australian TV series, "Serangoon Road," taking place in Singapore in the 1960s. The dialogue is mostly in English, but when it isn't it's in Mandarin, both among the Chinese and between them and the main character, an Australian who speaks it. I have so far heard no trace of any other Chinese. Is that realistic?

Bruce Humes saw this on NYT’s bilingual website in an article today entitled "China’s Leader Wears Many Hats, but Only One Jacket"*:

Time for Chinese New Year celebrations.  This is the year of the Monkey.  In this article from the online China Times, the customary couplet (it's more of a singlet in this case) on red paper features an interlingual pun: the characters 金猴 ("golden monkey"), when read in Mandarin, are pronounced jīn hóu, which is a near homophone for the Taiwanese chin-hó 真好 ("truly good", i.e., "excellent").  Thus roughly the "peaceful golden monkey" becomes "peace is wonderful".

Michael Cannings sent in this photograph:

Thorin Engeseth writes:

I am a big fan of the English musician Tricky, who recently released an album with a song on it called "Beijing to Berlin".

According to an email his marketing team sent out:

The enigmatic voice on the single's A-side, "Beijing To Berlin," belongs to the Chinese rapper and producer Ivy 艾菲. Tricky explains: "I was in Beijing for a show and I met this guy who managed her. She's so different! So raw! The strange thing is, I've had the track for a while but I only just found out that she’s not rapping in Chinese. I ain’t got a clue what language it is. I have no idea. It might be completely made up but whatever it is, it sounds wicked."

I'm attaching a link to a video of the song here. I know very little about the languages of China, and am wondering if this song (a rap song) could just be in very heavily accented English, or is she making sounds up as she goes?