Language Log

On May 9, M. Paul Shore sent this note to me:

A belated thank-you for the April 22nd Galuppi (1706-1785) link*.  I’d never heard of him.  That whole Baroque-to-Classical transition phase is a fascinating and enjoyable but underappreciated one.  The composers from that phase who get the most attention (and deservedly so) are two of J.S. Bach’s sons, J.C. and C.P.E.

*"A bridge between Baroque & Classical"

• "How Six Minnesotans Are Preserving Their Rare Languages." Das, Shubhanjana. Sahan Journal, April 28, 2026. https://sahanjournal.com/arts-culture/native-speakers-rare-languages-minnesota/.

• "An Inverse Correlation between Structural Linguistic and Human Genetic Diversity." Graff, Anna et al. Proceedings of the National Academy of Sciences 123, no. 18 (May 5, 2026): e2526762123. https://www.pnas.org/doi/abs/10.1073/pnas.2526762123.

Project Kino (3/23/26)

In "Poem in the key of what" (10/9/2006), I blogged about a paper by Maartje Schreuder, Laura van Eerten and Dicky Gilbers, "Speaking in major and minor keys". Its abstract:

In music the difference between sad and cheerful melodies is often indicated as a difference between a minor and a major key. In order to investigate whether the same difference can be found in language, we analyzed intonation contours in emotional speech. We made cluster analyses in order to find out which fundamental frequencies were most present in the contours. Furthermore, we analyzed the musical scores of sad and cheerful speech as well. In the pitch contours of all speakers we found intervals of three semitones in sad passages and intervals of four semitones in cheerful passages. We therefore conclude that emotional speech melody, just as musical melody, involves major and minor modalities.

I expressed some skepticism:

The idea behind this paper is that the pitch contours of speech naturally express the same sorts of melodic intervals that occur in music. This is an old idea, prominent already in Paṇini's work two and a half millennia ago, but Schreuder et al. have a new idea about how to look for the phenomenon. While it's clear that musical intervals are part of the stylized forms of speech that we call "chanting", I've always been skeptical that well-defined intervals (in the sense of small-integer ratios of pitch values) play a role in unchanted speech. I'll explain some reasons for my skepticism later in this post. However, it would be fun to be wrong on this one.

Yesterday I pointed out the trombonish glissando in Bobby Vinton's "Blue Velvet"; today, during my morning ablutions, on the radio I heard a jazz singer do a whole song sounding like a musical instrument.  I don't think there was any digital or electronic assistance, just his natually endowed voice.

Just listened to the classic rendition of that song by Bobby Vinton. I was struck by the way he executed the long drawn-out glissando from the close back rounded vowel to the voiced labiodental fricative.

That's the title of a 9:23 video by a mysterious figure named Ming that was posted a month ago and that I happened upon several days later:

'Tis the season of sneezing, and I'm doing a lot of it these days.  At 5 AM this morning, I was awakened by my own sneezing.   It was completely unpremeditated and unexpected.  The sounds that came out were aaah-HOOOOO!!!!!  Low level / high rising.  

The conventional representation of this sound in writing is "achoo".  Other variations include "kerchoo" and "hachao", etc.  In German, I think that the sound of a sneeze is represented as "hatschee" and in Japanese it is "hakushon".

This morning, the sound that I explosively emitted was aaah-HOOOOO!!!!!  Twice.

Since I have a large, Alpine schnoz that acts as an echo chamber, causing the sound to reverberate in my nasal passages, it is extremely loud and ends shrilly.  It can be heard a block away, or all the way down the turn of the corridor from my office to the departmental office about 40 paces distant.

Julesy just keeps getting better and better:

I don't know why, but the first time I came upon this marvelous site, in Mark's March 5, 2021 post, it didn't make much of an impression on me.  Maybe I was too busy to explore it at that time or was just not in the right mood.  Four days ago, however, when my old Peace Corps buddy, Bob Kambic, called it to my attention, Radio Garden just blew my mind away.  I kept exclaiming, "This is the most exciting, happiest day of my life!"

From Alex Baumans:

Hyeri needs translation by Haneul while talking with Kiss of Life! #kissoflife #키스오브라이프 #혜리

https://www.youtube.com/shorts/zv6hFvQyiDM