Language Log

In the discussion of "The cost of commas", RfP wrote  "I would be interested in seeing figures for the difference in the relative use of periods between Franklin and Lodge, in relation to the use of commas and semicolons".

It's obvious that the secular trend in English towards shorter sentences will tend to reduce the frequency of periods, at least in the case of works where periods are rarely used as part of numbers and similar non-phrasal symbols. And therefore the frequency of commas relative to periods should increase, if a similar number of commas were divided by a smaller number of periods. That's actually the opposite of what we see, presumably because each longer sentence in the older works was divided up by a larger number of periods:

And as we'll see, commas may also simply have gone out of fashion in the middle of the 20th century.

"Oh, you've never read The Odyssey???"

Your timing is perfect. Emily Wilson's translation is the best one in literally ages, has that sweet iambic pentameter to give it a "bouncy" feel, & makes dudebros cry that the classic has "gone woke". pic.twitter.com/zN5uSPTJSY

— Librarian Mama (@hyuumanatees) December 26, 2024

Reading PRC articles, they strike me as mostly propagandistic hype and rhetoric, but very little substance.  Simon Cox recognizes that in his "China’s inscrutable economic policy","Drum Tower", Eonomist:

F.R. Leavis, an English-literature don, used to complain about something he called “adjectival insistence”. He was thinking of Joseph Conrad, who was a bit too fond of words like inscrutable, implacable and unspeakable. The effect, Leavis said, was not to magnify but to muffle.

Leavis’s complaint came to my mind recently when I was parsing the latest official statements on China’s economic policy for an article about the tasks policymakers face in the year ahead. The country’s rulers have woken up to the fact that the economy needs help. Many businesses lack consumers and consumers lack confidence. Prices are flat or falling.

From Michael David Johnson:

I found this sign (image below) on Queen's Road West near Exit A of the Sai Ying Pun MTR in Hong Kong. The shop was closed but I think it's a Chinese Medicine shop. Google gives me no results for "recycled bezoar" or "bezoar reciclado," so I seek your knowledge. Bad translation or just something that's not (ever) written in English? I assume from the Portuguese that this must be popular in Macau too?

Jichang Lulu congratulated me on the completion of my continental diabasis.  Since I didn't know the meaning of that word and couldn't readily find a suitable definition for it online (I was familiar with the Anabasis of Xenophon [c. 430-probably 355 or 354 BC], the title of which means "expedition up from"), I simply had to ask him.  The following is what Lulu said in reply:

The use of the term is probably not classically warranted. I meant diabasis (διάβασις, ‘crossing, traversal, passage…’, literally ‘going through’) as a pun on Xenophon's Anabasis (the ‘march up’, i.e., inland, although most of the book is about the march back down to the coast). 

Abbie VanSickle and Philip Kaleta, "Conservative German Princess Says She Hosted Justice Alito at Her Castle", NYT 9/9/2024:

An eccentric German princess who evolved from a 1980s punk style icon to a conservative Catholic known for hobnobbing with far-right figures said on Monday that she hosted Justice Samuel A. Alito Jr. and his wife at her castle during a July 2023 music festival.

Princess Gloria von Thurn und Taxis also told The New York Times that she viewed the justice as “a hero.”

"UCSB Library Acquires Rare Chinese Language Audio Cylinder Recordings", UCSB Library Newsletter (September, 2024)

The UC Santa Barbara Library is excited to announce the recent acquisition of the Paul Georg von Möllendorff Chinese Cylinders, a collection of wax cylinders widely considered to be the first audio recordings from China. The cylinders, recorded in the late 1800s by linguist Möllendorff, contain sixteen recitations of a popular, celebrated poem "Returning Home"' by Tao Yuanming. Möllendorff recorded the poem in various Chinese dialects to document the differences in regional languages at the time. Today, the cylinders provide a rare glimpse into the history of Chinese language and include dialects that are considered critically endangered or extinct.

First, a few words about the text, after which I will introduce the Sinologist who undertook this monumental philological task, Manfred W. Frühauf.

English:

The Mu Tianzi Zhuan, or Records of [King] Mu, the Son of Heaven, is con­sider­ed to be the ear­liest and longest ex­tant trav­e­logue in Chinese literature. It describes the jour­neys of King Mu (r. 976-922 BC or 956-918 BC) of the Zhou Dynasty (c.1046-256 BC) to the farthest corners of his realm and beyond in the 10th century BC. Harnessing his famous eight noble steeds he visits dis­tant clans and nations such as the Quanrong, Chiwu, and Jusou, exchanging gifts with all of them; he scales the awe-inspiring Kunlun mountains and meets with legendary Xiwangmu ("Queen Mother of the West"); he watches exotic animals, and he orders his men to mine huge quantities of precious jade for transport back to his cap­i­tal. The travelogue ends with a de­tailed account of the mourning ceremonies during the burial of a favorite lady of the king.

From Jeff DeMarco:

The fanfic fourth book in the sāntǐ 三体 ("three-body [problem]") series, translated by Ken Liu has the following sentence:

Women dressed in flowing silk dresses oared elegant barges over the placid waterways, singing folk ditties in the gentle, refined accents of the Wu topolect …

Read the rest of this entry »

There has long been a suspicion that the first Chinese translator of Lady Chatterley's Lover (1928/1932), Ráo Shùyī 饒述一, about whom next to nothing is known, was actually the scholar and theoretician of aesthetics, Zhū Guāngqián 朱光潛 (1897-1986).

To give a little bit of background about the nature of the two translations of the novel, here is the abstract of a recent scholarly article comparing them:

This article discusses how sex-related content is rendered in two Chinese translations of D. H. Lawrence's Lady Chatterley's Lover: Rao Shuyi (1936) and Zhao Susu (2004). It is found that Rao's translation features explicitness, flexibility and Europeanization, while Zhao's translation features conservativeness and domestication. And the observed features in the two translations regarding sex-related content are explained from perspectives of social and historical background, translation purpose and intended readership, and patronage. Index Terms–Lady Chatterley's Lover, translation, sexuality

Zhu, Kun. "The Translation of Sex-related Content in Lady Chatterley's Lover in China." Theory and Practice in Language Studies, vol. 10, no. 8, Aug. 2020, pp. 933+. Gale Literature Resource Center.

Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-forty-seventh issue:

"Metric Montage in Chinese Poetry," by Conal Boyce.

https://sino-platonic.org/complete/spp347_metric_montage_chinese_poetry.pdf

Keywords: Chinese poetry; metric montage; Shěn Zhōu; Lǐ Bái; Lǐ Hè; Frodsham

Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-forty-sixth issue: "The Imagery of House Geckos and Tokay Geckos in Imperial Era Chinese Literature," by Olivia Anna Rovsing Milburn.

Keywords: House geckos; Tokay geckos; Chinese literature; virginity tests; magic; rain-making

In preparation for my run across Nebraska during the month of June, I'm boning up on the land, culture, and history of the state.  It wasn't long in my researches before I encountered the esteemed writer Marie Sandoz (1896-1966).  Hers is one of the most touching stories about a writer, nay, a human being, that I have ever read.  She has much to tell us about her language background and preferences, and how she had to struggle with her publishers to retain them in the face of standardization.

She became one of the West's foremost writers, and wrote extensively about pioneer life and the Plains Indians.

Marie Susette Sandoz was born on May 11, 1896 near Hay Springs, Nebraska, the eldest of six children born to Swiss immigrants, Jules and Mary Elizabeth (Fehr) Sandoz. Until the age of 9, she spoke only German. Her father was said to be a violent and domineering man, who disapproved of her writing and reading. Her childhood was spent in hard labor on the home farm, and she developed snow blindness in one eye after a day spent digging the family's cattle out of a snowdrift.