Language Log

New article in Japan Times (1/21/22) by Eric Margolis:  "Translator trip-ups: What do they mean for learning Japanese?"  It is so rich in insights that I will quote from it liberally (well, the whole kit and caboodle, broken up a bit):

In the recent issue of the literary magazine Monkey, which publishes new and old Japanese writing translated into English, a dozen literary translators dished out their thoughts on the hardest words to translate from Japanese into English. These choices ranged from the omnipresent いらっしゃいませ (irasshaimase), which is used as a greeting when entering a store, to sentence endings like the emphatic よ (yo) and the interrogative かしら(kashira, I wonder?).

Examining the words chosen by these translators can shed light on why communication between languages requires so much more than one-to-one translation. It also demonstrates how important it is to have a high level of cultural understanding for speaking fluent Japanese.

I want to take a look at five of these words and dive into why they’re significant and how Japanese learners can embrace and grow by using them. These words are: いらっしゃいませ、おじさん/おばさん (ojisan/obasan, mister/missus), 懐かしい (natsukashii, nostalgic), はあ(hā, an interjection) and 心 (kokoro, heart). Why did translators choose these words as being hard — even impossible — to translate? As we’ll soon see, the parenthetical definitions are woefully insufficient. We’ll need to dive deeper.

Kasha Patel, "Covid-19 may have seasons for different temperature zones, study suggests", WaPo 1/28/2022:

Aerosol researcher and co-author Chang-Yu Wu explained that local humidity and temperature play vital roles in the size of the virus’s particles, which can influence its life span in the air. Drier atmospheres in colder regions will induce water evaporation from the particles, shrinking their size and allowing them to float in the air for longer periods. People also tend to seek shelter inside in colder environments and expose themselves to recirculated air that potentially contains the virus.

The air in humid, hotter environments contains more water, which can condense onto the virus particles, make them bigger and theoretically fall to the ground faster. Wu compares the particles to a rock in this case — the more mass, the faster it falls.

Via Jeff DeMarco on Facebook comes this imagined conversation between the leaders of China and Hong Kong, Xi Jinping and Carrie Lam.

From Dotno Pount:

I received this poster in Chinese and thought you would enjoy it! It captures the Catch-22 of talents and careers very nicely, I think.

From S. Robert Ramsey:

Zhuang women posed for a photograph

Pictured here is a zhèn lóu shénqì 震楼神器 ("magical floor shaker"):

In his "The Good Word" column of The Atlantic (1/24/22), Caleb Madison has a new article, "Why We’re All Shooketh:  The term is online slang of Biblical proportions".  The first two paragraphs:

Lately modern life has felt all too biblical. Plagues, massive weather events, tribal divisions, demagogic leadership … and people using words like shooketh. The phrase I’m shooketh was first uttered by the comedian Christine Sydelko in a YouTube video uploaded to her account in 2017 (she was expressing her shock at having been recognized by a fan at Boston Market). The adjective shooketh took off as a way to lend biblical proportions to awestruck confusion. But the linguistic journey to its creation spans the evolution of the English language, connecting Early Modern English, turn-of-the-century adventure novels, and Twitter slang.

When we want to transform verbs like shake into adjectives, we typically use something called a participle, either present or past. The present participle of shake is shaking, as in “I’m shaking.” The past participle would be “I’m shaken.” But, for some reason, in the 19th century, the simple past tense, shook, took hold. In Robert Louis Stevenson’s 1883 adventure classic Treasure Island, Long John Silver admits, “I’ll not deny neither but what some of my people was shook—maybe all was shook; maybe I was shook myself.” And 14 years later, in Rudyard Kipling’s Captains Courageous, the form reappears within a now-common collocation with up when Dan Troop exclaims, “Well, you was shook up and silly.”

From S. Robert Ramsey:

The Naxi Story of Creation and the Great Flood

Trying to clear up the confusion between the two is a battle we have been waging for decades, and nowhere is the problem more severe than in the study of Sinitic languages and the Sinographic script.  The crisis (not a "danger + opportunity"!) has come to the surface again this month with the appearance of a new book by Jing Tsu titled Kingdom of Characters: The Language Revolution That Made China Modern (Riverhead Books, 2022).

The publication of Tsu's book has generated a lot of excitement, publicity, and reviews.  Here I would like to call attention to the brief remarks of an anonymous correspondent (a famous, reclusive linguist) that are right on target:

Reimagining "antiquated" Chinese

Reproduced below is the text of a book review in Science that you may not have seen. It is classified as "Linguistics", though the reviewer is a historian at Cal State Poly, Pomona. Notice that Chinese is assumed to be "antiquated" and in need of being "reimagined"!  There is simply no sign of Science understanding the difference between a human language and a writing system. This is consistent with the way they have always treated linguistics; they have no idea what the subject really is.

This story (referencing Australian ABC News [1/13/22], with video)  has been doing the rounds in the Taiwan media:

"Chinese bachelorette locked in blind date's apartment after Henan's snap lockdown:

Woman says her date's performance under lockdown left much to be desired"

By Liam Gibson, Taiwan News (1/14/22)

This extraordinary report begins thus:

An unmarried Chinese woman surnamed Wang (王) had her blind date dramatically extended by several days after authorities announced an immediate lockdown.

From B.D.:

I recently moved to Zürich, and the experience of living in a German-speaking canton has made me aware of a linguistic oddity in English that I'm having difficulty explaining adequately.

My bank app sends me notifications like "100 CHF have been deducted from your account." The "have" in that sentence always reminds me that English is not the programmers' first language.

In German, you'd always use the plural verb form for more than 1 of a unit, but in English, you generally treat such quantities as mass nouns: 100 francs _is_ a lot, 100 kilos _is_ heavy, etc… Except that rule doesn't seem to work for liquids, and I'm not sure why.

You wouldn't say "3 gallons of milk is in the fridge", or "3 liters of water is in the pitcher," for example. I tried to rationalize the first case by saying I'm thinking of three physical gallon jugs of milk, but that doesn't work for water in a pitcher.

A recent blog on Miao/Hmong posted on Language Log reminded Chau Wu of an earlier news report from Taiwan about a 5th grade girl from Hla'alua (Lā'ālǔwa zú 拉阿魯哇族) who won a speech competition using her native language (article in Chinese).

"With fewer than 10 native speakers and an ethnic population of 400 people, Saaroa (= Hla'alua) is considered critically endangered," according to the article on Saaroa language in Wikipedia.

The province of Yunnan in the far south is home to more ethnic minorities and languages than any other part of China (25 out of 56 recognized groups, 38% of the population).  The Bai are one of the more unusual groups among them.

Bai children—in Yunnan, China