Language Log

Xinyi Ye came upon this post on Zhīhū 知乎 ("Did you know?"), a Chinese social media site that is comparable to Quora:

Rúhé kàndài huíguó rénshì shuōhuà jiádài Yīngwén?

如何看待回国人士说话夹带英文？

"How should we view / treat people returning to China [from abroad] who mix English in their speech?"

The author is Ren Zeyu, who seems to be an anime artist, based on the bio of his account.

Listen to Malaysian comedian Nigel Ng (aka "Uncle Roger"), who has had his Weibo and bilibili social media accounts banned due to "violation of relevant regulations":

The ban comes one day after Ng uploaded this clip to various social media platforms. pic.twitter.com/8Wwf2aTrfZ

— Aaron Busch (@tripperhead) May 19, 2023

[This is a guest post by Conal Boyce]

A tale of five mothers, two of whom got rich, one of whom became infamous, 

and two of whom were to meet each other later in the bilingual alphabet soup shown below.

(Suitable for playing "This little piggy went to market, and this little piggy…"?)

Here's a poor guy in Shanghai complaining about their lockdowns:

The human cost of this awful lockdown is unfathomable, people are being driven to the brink, the mental health cost is immeasurable, this man sums up how many are feeling at the moment pic.twitter.com/0kBGPwiNEE

— Winston Sterzel (@serpentza) April 7, 2022

Spectacular code-switching:

Boris Johnson, speaking outside the Capitol, says it’s time for the French to “prenez un grip” and “donnez-moi un break” after the spat over a U.K. submarine deal with the U.S. and Australia pic.twitter.com/FpVywohTjK

— Kitty Donaldson (@kitty_donaldson) September 22, 2021

[This is a guest post by Ying-Che Li]

Being Taiwanese myself, I very much appreciate Victor’s frequent attention to Taiwanese code utility, code crossing, and other linguistic phenomena, which interestingly reflect Taiwan’s current political and cultural atmosphere.

I have several immediate comments after reading Victor’s two recent postings on Taiwanese. As I became immersed in writing, though, it has turned into a longish reflection unexpectedly.

1 I admire Victor’s (and others’) explication of layers of nuances and his insightful ideas on the ‘vulgar’ expression discussed.

2 To me, the ‘vulgar’ and the intentionally sexual implication in the Taiwanese expression was here used as a specifically reactionary retort to the notorious internet and campaign speech vulgarities of Kaohsiung mayor, Han Kuo-yu (Kuomintang [KMT] presidential candidate), which invariably exhibit his sexually explicit tendencies and his chauvinism (and his womanizing habits). Han, unfortunately, attracts huge followers (many of whom are descendants of 眷村 juancun, the military dependent villages, Han being one himself), even now, and they take his big promises, such as 大家發大財 dajia fa dacai,  ‘I’ll make everyone rich’ (echoing Trump’s slogan of ‘making America great’) at their face value.

Liwei Jiao sent in this screenshot:

[This is a guest post by Alex Baumans]

I recently became aware of the Chinese idol survival programme 'Youth with you', which has resulted in the formation of the group The 9. I got to wondering about the members' names. The group consists of XIN Liu, Esther Yu, Kiki Xu, Yan Yu, Shaking, Babymonster An, Xiaotang Zhao, Snow Kong and K Lu. Of these, only Zhao Xiaotang strikes me as an original Chinese name. As my Mandarin is non existent, I can only guess at the derivation of the other stage names.

From an anonymous correspondent, who photographed it at Alibaba's Hangzhou campus — in, ahem, a restroom:

Read here now: the fine profile of my friend and research collaborator Julie Washington in the April issue of the Atlantic magazine. It’s been out for a while but you might not have seen it if, as in Madison WI where I live, it’s still February (we had the biggest snowstorm of the season this week). Julie is a professor at Georgia State University and the head of their program in Communication Sciences and Disorders. She’s an expert on the structure, acquisition, and use of African American English (AAE), and her research focuses on how use of the dialect affects reading achievement and educational progress, the assessment of children’s language and reading, and the identification of developmental language and reading disorders. The article describes her view that children who speak AAE in the home and community will make better progress in learning to read, and in school, if they can code switch between AAE and the mainstream dialect, often termed (though not by her) "standard" American English.

In my introductory undergraduate course on English words, and in most undergraduate introductory courses on linguistics, students are invited to reflect on language and identity—how the way you speak communicates information about who you are—which they are typically very interested in. This isn't my beat, professionally speaking, but as a linguist I have a duty to help my students think through some of these issues (and, if they get interested, point them in the right direction to get really educated). To get started, I often play this one-minute clip of a Meshach Taylor Fresh Air interview from 1990, which is usually a good starting point for some discussion.

But Fresh Air (yes I'm a Terry Gross fangirl) also recently ran an interview with the biracial South African host of the Daily Show, Trevor Noah, which contained this ten-minute motherlode of a reflection on multilingualism, language choice, racism, acceptable targets of mimicry, vocabulary size, Trump's communicative abilities, resentment of accented speech… whew. I'm just going to leave it here for your edification and enjoyment. Maybe one of our more sociolinguistically expert Language Loggers will provide some more detailed commentary later. For my part — well, I just invite you to think about what kind of 500-word essay you'd write for a Ling 101 class with this 10-minute clip as your prompt.

To hear the whole interview, or read the transcript, visit the NPR Fresh Air page.

In Sixth Tone, Fan Yiying has written an article that leaves me reeling:

"Hip Song Gives Karl Marx Good Rap:  Theme music for a Marx-focused television show is a hit with Chinese youth."

The video of the song is posted here (unfortunately, you have to wait 40 seconds to get through the ads). And here is the audio:

We've mentioned that special brand of Singaporean English on Language Log from time to time, most recently just a few days ago:

"New Singaporean and Hong Kong terms in the OED" (5/12/16)

So what is it, really?