We have occasionally mentioned Sarmatians on Language Log, but usually in association with the Scythians, of whom we have often spoken (most recently here, with extensive bibliography).
These two peoples of ancient times both spoke languages in the Iranian language family and lived in the area north of the Black Sea. The languages and cultures of the Scythians and Sarmatians were related but distinct. In particular their styles of warfare were different. The Scythians were noted as mounted archers. They may have been the inventors or one of the inventors of the stirrup. The stirrup enabled mounted archers to fire (shoot) arrows reasonably accurately while riding. The Scythians attacked in a mass firing of arrows. If their adversaries were not overwhelmed by the hail of arrows then the Scythians turned and rode to a safe distance for regrouping to mount another mass attack.
ABSTRACT: This article traces the custom in ancient China of placing Western coins in proximity to corpses during burial. Academic attention has focused on the origin of the custom since Marc Aurel Stein initially connected the finding in Turfan of Western coins placed in the mouths or on the eyes of the corpses with Charon's obol, the ancient Greek coin that, similarly placed, paid Charon to ferry the dead to the underworld. Some scholars agreed with Stein's proposal, while others suggested that it was instead a traditional Chinese funerary ritual, unrelated to Greece. This article moves away from over-reliance on written sources and aims at uncovering the patterns underlying this custom, through the collection and analysis of available archaeological material. Results indicate that the custom possibly originated in the Hellenistic practice of Charon's obol and then traveled to China with Sogdian immigrants, developing into a regional funeral ritual in Turfan.
The article reexamines the dating of the earliest Buddhist cave paintings in the ancient Kingdom of Kucha, which was located in what is now Xinjiang, paying particular attention to the site of Kizil. Based on multiple Carbon-14 results spanning thirty years, historical and religious documents, and the author’s in situ research, the dating proposed is earlier than the traditional one, considered to be circa 500 AD. The latter was formulated, close to a century ago, by the scholar-explorer Ernst Waldschmidt on the basis of the “Indo-Iranian” style and is still used in art historical literature. Relying especially on Kucha’s comprehensive history, this paper suggests that the earliest cave paintings might have been coeval with the flourishing of Buddhism in Kucha during the fourth century. Given the centrality of the Tocharian language to the Sarvāstivādin Buddhist school associated with Kucha’s monasteries and the relative stylistic independence of Kucha from India, the author recommends adopting the term “Tocharian style” rather than “Indo-Iranian style” to describe artistic production in Kucha prior to the Tang.
Keywords: Tocharian, Central Asia, Caves
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Wherein we embark upon an inquisition into the divine proportions of the dodecahedron and its congeners, take a peek at the history of accounting, explore the mind of Leonardo da Vinci, and examine the humanistic physics of Werner Heisenberg*.
[*Heisenberg's father was a professor of medieval and modern Greek studies at the University of Munich in Germany. Heisenberg had more a “humanistic” education, i.e. more Latin and Greek than in natural sciences. One morning the young Werner Heisenberg discovered reading Plato's Timaeus a description of the world with regular polyhedra. Heisenberg could not understand why Plato being so rational started to use speculative ideas. But finally he was fascinated by the idea that it could be possible to describe the Universe mathematically. He could not understand why Plato used the Polyhedra as the basic units in his model, but Heisenberg considered that in order to understand the world it is necessary to understand the Physics of the atoms. (source) He contributed to atomic theory through formulating quantum mechanics in terms of matrices and in discovering the uncertainty principle, which states that a particle's position and momentum cannot both be known exactly. (Britannica | Apr 23, 2024)
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We have had an exciting, joyful journey through dodecahedra land, from the archeological discovery of a new specimen in England, to deep, dense discussions about the meaning and purpose of these mysterious objects, to scampering through and clambering over a playground installation of a related form. In this post, I would like to return to the essential twelveness of the dodecahedra.
A little over a year ago, Frank Jacobs published this admirable survey of a mysterious object that has perplexed and preoccupied us for the past week — The Mysterious Dodecahedrons of the Roman Empire, Big Think, Atlas Obscura (5/12/23):
The first of many of these puzzling objects was unearthed almost three centuries ago, and we still don’t know what they were for.
The first part of this series, "Indigo and cabbage", written the day before Thanksgiving in 2023, is one of the most satisfying and fulfilling posts I've ever made. This follow-up is even more of a delight, because here I get to introduce a new paper by anthropologist-linguist-textile expert Elizabeth J. W. Barber, and what a tour de force it is (see below).
Here I give an extended account of her scholarship, especially her early activities in the computer analysis of Chinese, because she was instrumental in helping to make that possible at its foundational stage.
She earned a bachelor's degree from Bryn Mawr College in Archaeology and Greek in 1962. Her chief mentor was Mabel Lang from whom she learned Linear B and who advised her honors thesis on Linear A. In addition to Lang, Wayland wrote her thesis under Emmett L. Bennett Jr. Her thesis used computer indices of the Hagia Triada Linear A texts in an attempt to decipher its signs and symbols. The computer indices were made via punched cards, a method which was preceded by the work of Alice E. Kober on Linear B. She earned her PhD from Yale University in linguistics in 1968. Her doctoral study at Yale University was supervised by Sydney Lamb, under whom she wrote her dissertation, "The Computer Aided Analysis of Undeciphered Ancient Texts."
By now, we have conclusively traced the path of the domesticated horse from the area around the southern Urals and Pontic Steppe through Central Asia to East Asia. It's time to pay more attention to another equid, this one not so glamorous, but still redoubtable in its own formidable way: Equus asinus asinus.
Samira Müller, Milad Abedi, Wolfgang Behr, and Patrick Wertmann, "Following the Donkey’s Trail (Part I): a Linguistic and Archaeological Study on the Introduction of Domestic Donkeys to China", International Journal of Eurasian Linguistics, 6 (2024), 104–144. (pdf)
Abstract
How and when did domestic donkeys arrive in China? This article sets out to uncover the donkeys’ forgotten trail from West Asia across the Iranian plateau to China, using archaeological, art historical, philological, and linguistic evidence. Following Parpola and Janhunen’s (2011) contribution to our understanding of the Indian wild ass and Mitchell’s (2018) overview of the history of the domestic donkey in West Asia and the Mediterranean, we will attempt to shed light on the transmission of the beast of burden to Eastern Eurasia.
I warmly recommend that you take a close look at the header images of two objects in The Cleveland Museum of Art: Mirror with a Coiling Dragon, China, Tang Dynasty 618-907 (https://www.clevelandart.org/art/1995.367), Drachma – Sasanian, Iran, reign of Hormizd II, 4th century (https://www.clevelandart.org/art/1966.738).
The quality of the photographs is extraordinarily fine and detailed. Using the zoom and expand functions, you can see things not clearly visible to the naked eye. Especially noteworthy is the jagged dorsal fin / frill / spine that runs along the back of the dragon on the Tang mirror and is a conspicuous counterpart of many species of dinosaurs.
In our studies of the transmission of Indo-European language and culture across the Eurasian continent, one of the most vital research topics is that of horse-drawn wheeled vehicles. During this past semester, I taught one of the most satisfying courses of my entire half-century career, namely, "Horses and humans". Among the many engrossing subjects that we confronted are the nomenclature for wheeled vehicles, how horses were hitched to them, and so forth. Many of these questions are now authoritatively answered in the following paper by three of the world's most distinguished scholars of equine equipage.
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Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-forty-fourth issue:
"From Chariot to Carriage: Wheeled Vehicles and Developments in Draft and Harnessing in Ancient China," by Joost H. Crouwel, Gail Brownrigg, and Katheryn Linduff.
We're talking about the griffin / griffon / gryphon (Ancient Greek: γρύψ, romanized: grýps; Classical Latin: grȳps or grȳpus; Late and Medieval Latin: gryphes, grypho etc.; Old French: griffon), "a legendary creature with the body, tail, and back legs of a lion, and the head and wings of an eagle with its talons on the front legs". (source)
Wolfgang Behr called my attention to an interesting paper by Olga Gorodetskaya (Guō Jìngyún 郭静云) and Lixin Guo 郭立新, who teach at National Chung-cheng University in Chiayi, Taiwan and at Sun Yat-sen University in Guangzhou, China, which hints at early West-East (Mesopotamia-East Asia) contact, an ongoing concern of ours here at Language Log:
Liǎng hé liúyù ānzǔ shényīng zài dìguó shíqí de yǎnbiàn jì yīngshī yìshòu xíngxiàng de xíngchéng
两河流域安祖神鹰在帝国时期的演变暨鹰狮翼兽形象的形成
"The evolution of the Anzu condor in Mesopotamia during the imperial period and the formation of the image of the griffin-winged beast
The paper is available from Academia here. Although the text is in Chinese (11 pages of small print in three columns), it is replete with scores of illustrations (mostly drawings of seals and seal impressions), and has a lengthy bibliography consisting of dozens of publications, mostly in European languages and again mostly about seals and their impressions.