Archive for Language and religion

Charon's obol

Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-fifty-first issue:  "Placing Western Coins Near the Deceased in Ancient China: The Origin of a Custom," by Pin LYU:

ABSTRACT: This article traces the custom in ancient China of placing Western coins in proximity to corpses during burial. Academic attention has focused on the origin of the custom since Marc Aurel Stein initially connected the finding in Turfan of Western coins placed in the mouths or on the eyes of the corpses with Charon's obol, the ancient Greek coin that, similarly placed, paid Charon to ferry the dead to the underworld. Some scholars agreed with Stein's proposal, while others suggested that it was instead a traditional Chinese funerary ritual, unrelated to Greece. This article moves away from over-reliance on written sources and aims at uncovering the patterns underlying this custom, through the collection and analysis of available archaeological material. Results indicate that the custom possibly originated in the Hellenistic practice of Charon's obol and then traveled to China with Sogdian immigrants, developing into a regional funeral ritual in Turfan.

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Comparative scriptural interpretation of the midrashim and the Analects

Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-forty-ninth issue — Benjamin Porteous, "Reading Genesis 22 and Analects 18 in Late Antiquity":

ABSTRACT: This paper compares modes of scriptural interpretation from two ends of the Eurasian landmass in the late antique period (400–600 CE). Juxtaposing midrashim on Genesis with the Lunyi yishu 論語義疏, a famous expository commentary on the Confucian Analects, the paper argues that the difference between late-antique Confucian and Jewish commentarial practice lies in differing senses of responsibility for the sacred text. The Lunyu yishu curates the full Analects text, while midrashim presuppose a reader who turns elsewhere for the full version of the Hebrew Bible. The paper provides full typologies of commentarial technique in the midrashim and the Lunyu yishu; this is designed to assist comparison and further understanding of the practice of medieval Chinese commentary.

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Virgin birth

It's surprising (at least to me) that this seemingly oxymoronic belief is so widespread.  Check out this quote from Christopher Hitchens in “Religion Kills” from his 2007 book God Is Not Great: How Religion Poisons Everything

…the Greek demigod Perseus was born when the god Jupiter visited the virgin Danae as a shower of gold…The god Buddha was born through an opening in his mother’s flank. Catlicus the serpent-skirted caught a little ball of feathers from the sky and hid it in her bosom, and the Aztec god Huitzilopochtli was thus conceived. The virgin Nana took a pomegranate from the tree water by the blood of the slain Agdestris, laid it in her bosom, and gave birth to the god Attis.  The virgin daughter of a Mongol king awoke one night and found herself bathed in a great light, which caused her to give birth to Genghis Khan. Krishna was born of the virgin Devaka. Horus was born of the virgin Isis. Mercury was born of the virgin Maia. Romulus was born of the virgin Rhea Sylvia.

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Sinicization of language and culture (architecture in particular)

Before and after the recently completed sinicization of the Grand Mosque of Shadian, Yunnan, in southwest China:

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"Lord of Heaven" in ancient Sino-Iranian

[This is a guest post by Chris Button about xiān 祆 (usually defined in English as:
 
Ahura Mazda, god of the Zoroastrians 
 
From: Shuowen Jiezi, circa 2nd century AD
 
Xiān: húshén yě. [Pinyin]Xian is the god of the foreigners.
 
(source)
 
The two components of the 祆 glyph are shì / ("show, reveal, manifest; spirit") and tiān ("sky, heaven, celestial").
 
Although hugely important in the history of religions in China, the etymology of xiān 祆 is highly elusive.  Through close attention to the phonology of the glyph and its components, Chris aims to ferret out the source of a possible loanword.]
 
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I've been pondering over 祆 EMC xɛn "Ahura Mazda, Zoroastrianism" for a while and its possible relationship with 天 EMC tʰɛn "heaven" (compare 忝 EMC tʰɛmˀ with 天/祆 as phonetic in the top half). 

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An eccentric translation of the bible

[This is a guest post by IA]

Speaking of religion and language, among the various 'sacred name Bibles' the most interesting I've seen is called the Literal English Version. (Though there is certainly nothing 'literal' about it in the sense of Young's Literal Translation.) It's online here.
 
Here are some quotes from it.

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Spelling with Chinese character(istic)s, pt. 5

Serious questions about "religion" in Sinitic

Below the fold is for advanced specialists in Chinese philology, theology, and lexicography.  Even for them, it is recommended that readers prepare themselves by reviewing "Spelling with Chinese character(istic)s, pt. 4" (7/4/16).

[This is a guest post by IA]

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Persophone Muslim population in China

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Sinoglyphic scripts for Sinitic and non-Sinitic languages in East / Southeast Asia

Forthcoming from De Gruyter, July 14, 2024 (ISBN: 9783111382746):

Vernacular Chinese-Character Manuscripts from East and Southeast Asia, edited by: David Holm.

Volume 40 in the series Studies in Manuscript Cultures

Keywords: Asia; vernacular; ritual; library collections; recitation

Topics:  Asian Literature; Asian and Pacific Studies; Dialectology; Linguistics and Semiotics; Literary Studies; Literature of other Nations and Languages; Southeast Asia; Textual Scholarship; Theoretical Frameworks and Disciplines

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Ask Language Log: Syriac Christian tombstone inscription from Mongol period East Asia

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St. Victor (the Abbey): the language of plans, elevations, sections, and perspectives

Before reading the following article, I didn't even know there was a St. Victor, let alone an Abbey of St. Victor that was established in 1108 near Notre-Dame Cathedral, at the beginning of the "Twelfth-Century Renaissance", in Paris.

The surprising history of architectural drawing in the West

The subtle art of elevation.
 
Architectural drawing speaks of mathematical precision, but its roots lie in the theological exegesis of a prophetic book

Karl Kinsella, Aeon (12/21/23)

Here's a quick tutorial from the National Design Academy on the architectural language alluded to in the title of this post:

What’s the Difference Between a Plan, Elevation and a Section?

This brief guide uses an ingenious way of looking at an orange from four viewpoints to explain these four main terms of architectural language.  Armed with this fundamental knowledge, let us now join Karl Kinsella in learning about the architectural drawings of the Abbey of St. Victor and other Western religious edifices.  I should preface my overview of Kinsella's article by pointing out the it is accompanied by seven extraordinary period illustrations.

Kinsella begins with Vitruvius' De architectura in the 1st c. BC and moves quickly to the 15th c. when "the artist and architect Leon Battista Alberti, in his brief mention of architectural drawings, assumes that they are done only by architects."  Then comes the real story:

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Tax(es): kanji of the year 2023

The breathless moment when "zei 税" is written by Mori Seihan, the head priest of the magnificent Kiyomizudera in eastern Kyoto (1:32):

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Slap varieties

Sunny Jhatti wrote to me: "I didn't know what 'pimp slap' meant till I saw this."

After witnessing her astonishing diatribe, Conal Boyce said:

I felt like I needed to take a shower.

(Adding insult to injury, google failed to elucidate 'Skims' for me. Had to look elsewhere to get an inkling of what that recurrent theme was about.)

I found the presenter's self-introduction here. She even has her own YouTube channel and other social media platforms.  Her handle is Genevieve Akal.  She is a Gnostic Priestess and Nun.  From the pieties expressed on her homepage, I would never have imagined that she could indulge in such vile vitriol.

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