Archive for Etymology

Year of the tiger in Japan

The tiger is the coming year's representative in the sexagenary cycle, the 60-term cycle of twelve zodiacal animals combined with five elements / phases in the traditional Chinese calendar; currently used in Japan for years, historically also for days; widely applied in Chinese astrology. (source, see also here, here, here, and here)

In Sinitic languages, the 60-year cycle is known as gānzhī 干支 (Sino-Japanese [on'yomi] pronunciation kanshi), i.e., "(calendrical) heavenly / celestial stems and earthly / terrestrial branches".  In Japanese [kun'yomi], 干支 may also be read as "eto", but that is usually written in kana as えと.

I've often wondered about the etymology of the "eto" pronunciation of 干支.  Here is what Wiktionary tells us:

The combination of (え, e; elder brother) and (と, to; younger brother); the original meaning is 兄弟 (brother). Derived from this term, the elder is adopted as "positive" and "heavenly stems", the younger is adopted as "negative" and "earthly branches".

Not sure I can follow all of that, but at least it is something.

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Fierce, ferocious, formidable; awesome, amazing, astonishing

If there's any Mandarin word that I often wish I could use in English, it is "lìhài 厲害 / 厉害" ("intense; fierce; ferocious; formidable; strict; stern; severe; shrewd; sharp; smart; serious [as of an illness]; cruel; terrible; powerful; amazing; fantastic; impressive"), with tones of "awesome" — and many other nuances, implications, and connotations.

Example sentence:

"Zhège rén hěn lìhài 这个人很厉害 / 這個人很厲害" ("This person is great / amazing", and lots of other things, many of them not so flattering, depending on the context).

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Child child child child child child child child child child child child child

Following on the hoofs of "Sumomomomomomomomo" (11/17/21), here's another good one, from rit majors:


(source)

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The linguistic origins and affiliations of Zen

In the fifth comment to "Artistic Sinograph: Buddha" (11/11/21), stephen reeves says he'd like to hear about the origins of Zen.  This has always been one of my favorite topics, so I'm more than happy to tell it.

"Zen" entered the English lexicon already by 1727.  Here's a succinct, serviceable, popular explanation of its derivation:

[Japanese zen, from Early Middle Chinese dʑian, meditation; also the source of Mandarin chán), from Pali jhānaṃ, from Sanskrit dhyānam, from dhyāti, he meditates.]
 
Word History: Zen, a word that evokes the most characteristic and appealing aspects of Japanese culture for many English speakers, is ultimately of Indo-European origin. The Japanese word zen is a borrowing of a medieval Chinese word (now pronounced chán, in modern Mandarin Chinese) meaning "meditation, contemplation." Chán is one of the many Buddhist terms in Chinese that originate in India, the homeland of Buddhism. A monk named Bodhidharma, said to be of Indian origin, introduced Buddhist traditions emphasizing the practice of meditation to China in the 5th century and established Chan Buddhism. From the 7th century onward, elements of Chan Buddhism began to reach Japan, where chán came to be pronounced zen. The Chinese word chán is a shortening* of chán'nǎ "meditation, contemplation" a borrowing [VHM:  transcription] of the Sanskrit term dhyānam. The Sanskrit word is derived from the Sanskrit root dhyā-, dhī-, "to see, observe," and the Indo-European root behind the Sanskrit is *dheiə-, *dhyā-, "to see, look at." This root also shows up in Greek, where *dhyā- developed into sā-, as in the Common Greek noun *sāma, "sign, distinguishing mark." This noun became sēma in Attic Greek and is the source of English semantic.

Source:  American Heritage® Dictionary of the English Language, Fifth Edition.

*The same thing happened with the Chinese transcription of "Buddha", as we saw in the previous post.  The Chinese have a low tolerance for maintaining the full transcriptions of words from other languages, usually shortening them by one or more syllables.]

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Another early Sinitic disyllabic morpheme: "(unopened) lotus blossom"

I take great pleasure in finding morphemes in early Sinitic that are disyllabic, i.e., neither syllable of which means anything by itself, but acquires meaning only in combination with another morpheme to which it is customarily linked.  I have found hundreds of ancient terms composed of such morphemes and have written about many of them on Language Log ("grape", "coral", "lion", "reindeer", "macaque", "earthworm",  "spider", "phoenix", "sinuous, winding", "awkward", "knot", "pimple", "balloon lute", "harp", and so on and so forth).

There are two main reasons why I pay particular attention to such disyllabic morphemes:

1. Their numerousness certifies that early Sinitic was not exclusively monosyllabic (a widespread misconception), if we go by its Sinographic form in the latter part of the first millennium BC.

2. Many of these disyllabic morphemes have cognates (i.e., originate) in non-Sinitic languages (e.g., Iranian, Tocharian), which shows that Sinitic language (and culture) did not develop in isolation, but evolved in close association with other languages and cultures.

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Om, sumo, and the universality of sound

From Zihan Guo:

A Japanese expression I came upon in a reading from Takami sensei's class reminded me of the "om" you mentioned weeks ago in our class.

阿吽の呼吸(aun'nokokyū あうんのこきゅう)
 
It refers to the synchronization of breathing of sumo opponents before a match. I read about this in an article about an interview with a sumo wrestler. But the "aun あうん" part lingered in my mind. Then I realized that it was the Japanese transliteration of the "om" that you were telling the class that encompassed all sounds:  "a" and "un" signify the beginning and end of the cosmos respectively, or so wikipedia explains. The Japanese phrase means a harmonious, non-verbal communication.

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Backhill, Pekin, Peking, Beijing

Yesterday, while doing research for a paper on medieval Dunhuang popular narratives (biànwén 變文 ["transformation texts"]), I did a Google search for the Peking Library, where some of the bianwen manuscripts are kept.  Instead of the national library of China in Peking / Beijing in the PRC, I was led to the Pekin Public Library in Illinois.  That prompted me to ponder the fact that this Illinois city followed the French pronunciation, Pékin, of the Chinese capital when it took its name, rather than the English Peking.

Following the official Hanyu Pinyin Romanization of the PRC, English now transcribes 北京 ("Northern Capital") as Beijing (Běijīng [pèi.tɕíŋ]).  But until recently this was not always the case for English, much less for dozens of other languages around the world.  Thirty-one years ago, in "Backhill / Peking / Beijing" (see "Selected readings" below), Bosat Man wrote (p. 6):

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A poster with an uncommon character denoting a common Cantonese word

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Cantonese ad for teppan steak

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Another early polysyllabic Sinitic word

In various publications and Language Log posts over the years, I have collected scores of old polysyllabic words (e.g., those for reindeer, phoenix, coral, spider, earthworm, butterfly, dragonfly, balloon lute, meandering / winding, etc.), which proves that Sinitic has never been strictly monosyllabic, although that is a common misapprehension, even among many scholars.  The reason I call the one featured in this post "another early polysyllabic Sinitic word" is because I don't think I've ever pointed it out before.

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Domo arigato, Mr. Roboto

Given this:

"Measure words for robots" (9/4/21)

and this:

"Arigatō" (9/3/21),

I could not help but think of this:

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Arigatō

There's probably no other Japanese word that is better known to the world than "arigatō".  In this little essay, Kaki Okumura attempts to explain why "there is difficulty" means "thank you".  This is something that I have often pondered myself, but is that all there is to it?  And what about the alleged Buddhist aspects of the expression?

Even the rather full etymology I've quoted below doesn't do full justice to the word.

"The Strange Thing About Writing ‘Thank You’ in Japanese:  When life is full of good miracles"

Kaki Okumura, Medium (8/27/21)

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Reinterpretation of Xianbei qifen ("grass") and its reflection in Mongolic

[This is a guest post by Penglin Wang]

The Chinese transcription of foreign words has made a unique and valuable contribution to our understanding of linguistic situations in early Inner Asia, but it was sometimes inevitably fraught with logographic confusion and scribal errors. Even given quite advanced word-processing and printing in modern times, one can hardly prevent miswriting or misspelling from happening. In ancient China, presumably, it was historians and other authors who heard foreign words spoken and jotted them down, and then further changes developed through the involvement of scribes, typographers, and printers, with each possibly committing their own miswritings and infelicities. It is therefore necessary to reinterpret certain transcriptions on the basis of the known philological and linguistic relevance of what came to be written down.

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