Language Log

(TCM = Traditional Chinese Medicine) 

Photograph of a small portion of specimen jars at the Won Institute of Graduate Studies northeast of Philadelphia in Warminster, Pennsylvania:

That's the name of a treasured Language Log reader and contributor (see under "Selected Readings").  When I asked him how to write that in Sinoglyphs, he told me that it is this:

飢腸轆轆 / simpl. 饥肠辘辘

Wanting to get the tones, I typed "jichanglulu" into Google Translate (GT), but forgot to click the space bar to make the conversion to characters with Hanyu Pinyin transcription complete with tones.  When I pressed the speaker button to hear how that sounded, what came out was something like Mandarin with an English accent, but still perfectly intelligible:  "jichanglulu".  It resembled the Mandarin produced by the strangers on the street who read off the Pinyin texts handed to them by my wife, Li-ching Chang.  She was always delighted when she heard them pronouncing Mandarin without ever having studied it.  "Jichanglulu" — see, you can say it too!

Adding the tones, we get jīcháng lùlù.  What does this somewhat odd assortment of sounds signify?

GT says "hungry", more literally, "hungry intestines are rumbling".

I have always felt that binoms are a key to studying early vernacular Sinitic.  (See "Selected readings" below for useful references on this topic.)  Now we have a valuable research tool for access to and analysis of premodern Sinitic binoms, which fall within the purview of the tabulated listings introduced here: Thomas van Hoey and Arthur Lewis Thompson, The Chinese Ideophone Database (CHIDEOD), Cahiers de Linguistique Asie Orientale, 26 Oct 2020.

This story (referencing Australian ABC News [1/13/22], with video)  has been doing the rounds in the Taiwan media:

"Chinese bachelorette locked in blind date's apartment after Henan's snap lockdown:

Woman says her date's performance under lockdown left much to be desired"

By Liam Gibson, Taiwan News (1/14/22)

This extraordinary report begins thus:

An unmarried Chinese woman surnamed Wang (王) had her blind date dramatically extended by several days after authorities announced an immediate lockdown.

Mark Swofford sent in this photograph of a clever, curious sign at an automobile repair shop in Taiwan:

In his major July 1 speech celebrating the 100th anniversary of the CCP, one of Xi Jinping's many pronouncements featuring "blood" was this:

yù xuè fèn zhàn

浴血奋战/ 浴血奮戰

lit., "bathe blood energetic / rousing / fierce battle / fight"

i.e., "fight hard in bloody battles; a bloody fight"

It is hard to pronounce four 4th tones in a row.  Indeed, in normal speech, it is virtually impossible to do so.  When four 4th tones occur in succession, some sort of natural sandhi will arise to obviate that condition.  Most people I know who pronounce this quadrisyllabic expression will convert the third syllable to a light first tone.

Aside from the consonants, vowels, and tones, when one begins the study of Mandarin, one of the first things one learns about the pronunciation of the language is that you cannot have two 3rd tones in succession:  the first one has to become a 2nd tone, e.g., Nǐ hǎo –> Ní hǎo 你好 ("How are you?").

Subtitle:  Virtuous / disgusting behavior / character

There's a common Mandarin put down that is much favored by Peking shopgirls:

Qiáo nǐ nà dé xìng ("Just look at that virtuous / disgusting behavior of yours!")

Readers will notice that I did not provide characters, since in truth there is a real problem knowing which character to choose for the last syllable.  There's no question whatsoever that it is pronounced in an emphatic fourth tone, which would make one think that it should be written as 性 ("nature; character").  The problem is that underlying the unmistakable fourth tone is an actual second tone, which should in fact be written as 行 ("conduct; behavior").

What's going on here?

I have a student whose given name is Zǐhàn 子菡.  The first character means "child; son; offspring; seed; small thing", plus lots of other things, for which see here.  The second character is much more problematic, since it doesn't mean anything by itself, but only in combination, as in the disyllabic word hàndàn 菡萏 (literary term for "lotus flower, especially one that has not blossomed")

Reconstructions

• Middle Sinitic: /ɦʌm^X  dʌm^X/

(Zhengzhang): /*ɡuːmʔ  l'oːmʔ/

(source)

As is my habit with my many students from other countries, I asked 子菡 if — following what is indicated in dictionaries — I were pronouncing her name correctly:  Zǐhàn.  She acknowledged that Zǐhàn is indeed the canonical pronunciation as given in lexicographical sources, but that people — including she herself — actually pronounce her name as Zǐhán.  Oh, woe is me!  That sort of blew my mind away.  It's not enough to be scrupulously observant of canonical prescription for pronunciation, I must needs learn another, noncanonical, pronunciation for the 菡 of 子菡's given name.

[Guest post by San Duanmu.  Please note that San's remarks were written before Sara de Rose's post ("part 2") on the same subject earlier this evening.]

In response to Victor’s request, I am offering some comments on qing 清 (clear) and zhuo 濁 (muddy), two commonly used terms in traditional Chinese phonology. I shall follow the outlines suggested by Victor as well.

1. When and how did the terms arise?

According to Tang (2016: 32), the terms were used linguistically in a ten-volume book 《聲類》 (Sound Categories) by 李登 (LI Deng) during 三國時期 (Three Kingdoms period, 220-280). The book was later lost, but references to it can be found in other books that survived.

According to YU Min 俞敏, in Li Ji《禮記》 (the Book of Rites), compiled by followers of Confucius (孔子 551-479 BC), the terms were also used to discuss music, as in “长者浊也……短者清也” (long ones give a muddy sound… short ones give a clear sound). If long and short refer to the shape of an instrument, then ‘muddy’ ought to mean a lower tone and ‘clear’ a higher tone. The exact relation between the terms used in music and those in sound classification is open to interpretation.

2. How do the terms function within traditional Chinese phonology?

In traditional Chinese phonology, qing 清 (clear) and zhuo 濁 (muddy) are used to classify consonants. In addition, each is further divided into two sub-categories. Therefore, there are four categories of consonants, shown in the table below, with samples in IPA (International Phonetic Alphabet).

[This is a guest post by Sara de Rose]

I am currently writing a paper outlining the similarities between the Mesopotamian and ancient Chinese tonal systems, which will be published in Sino-Platonic Papers.

I have a question for those of you knowledgeable in ancient Chinese music. It concerns the terms "clear" (qīng 清) and "muddy (zhuó 濁), which were discussed a few days ago on Language Log:  "'Clear' and 'turbid' in Chinese phonology" (11/29/20). Before I pose my question, here’s a quick synopsis of what is known about the Mesopotamian tonal system:

Cuneiform tablets translated since the early 1960s show that, for over a millennium, from at least 1800 BC onward, the Mesopotamians used seven diatonic modes – scales that are closely related to the Western, seven-note major scale.

This was supposedly Marco Polo's word for Japan.  It has recently come back in vogue for films, games, etc.  It would seem that "Jipangu" (also spelled "Zipangu") is cognate with Jap. Nihonkoku / Nipponkoku, Ch. Rìběnguó 日本國, Kor. Ilbon-guk, Viet. Nhật Bản Quốc , but in none of the Chinese topolects I'm aware of does it sound quite like that.  Certainly it would not work for the southern or other topolects that have an entering tone final -k (or some -t) for the last of the three syllables.  Ditto for Japanese, Korean, and Vietnamese.

Even the Sinitic topolects without an entering tone final don't have the right vowel shape / quality at the end to match the -u of Jipangu.

Maybe Marco Polo got it from Persian, the lingua franca of international diplomacy in his time.  Could it be that the phonotactics of Persian could not tolerate / represent any of the Sinitic topolectal forms of 國 directly but transformed one of them into something that sounded to Marco Polo like -gu?

Did Marco Polo get "Jipangu" from the Mongols?  If so, from whom did the Mongols get it?

Wiktionary entry for 日本國.

Wiktionary entry for 國.

There are three ways to say "Monday" in Mandarin:

zhōu yī 週一
lǐbài yī 禮拜一 (you can also say this in the shortened form bài yī 拜一)
xīngqí yī / xīngqīyī 星期一

As usual with my classes at Penn, most of my students are from mainland China.  I asked one of them to pronounce those three ways of saying "Monday".  A student from Shandong who speaks beautiful Mandarin read them this way:

zhōu yī 週一
lǐbài yī 禮拜一
xīngqīyì 星期一

Some folks think that intonation never overrides tones, but I'm convinced on the basis of empirical evidence that it does.

For example:

Nǐ xiǎng gàn hā 你想干哈 –> Nǐ xiǎng gàn há 你想干哈 ("what do you want to do?") — especially in the Northeast.

Here are some other examples — all of them provided by native speakers of MSM (Modern Standard Mandarin):