Archive for Intonation

Mandarin with an English accent

Something very funny happened to me earlier today, funny enough that I would like to share it with all Language Log readers who may be desirous of something more than a cup of coffee to perk them up on a gray, midweek morning.

I entered the following Mandarin expression into Google Translate and wanted to hear it pronounced by the machine:  衷心感謝 ("heartfelt thanks").  So I clicked on the speaker button, but, by mistake, I had it set to English rather than to Chinese.  What I heard was Mandarin with an English accent!

When set to Chinese, the machine pronounces 衷心感謝 properly and precisely:  zhōngxīn gǎnxiè.  When set erroneously to English, it sounds like an American reading out romanized Mandarin, with the "correct" suprasegmental intonation and all, but, of course, paying absolutely no attention to lexical tones.  Amazingly, it's still understandable, which replicates the experiments my wife used to make by going up to strangers on American streets and asking them to read pinyin Mandarin to native speakers.  She was always triumphant when the native speakers could understand most of what the English speakers were reading.

I had the machine read 衷心感謝 in French, Spanish, Italian, German, and other languages, and they all had their own special "flavor".

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Particles are not unimportant

People studying Sinitic and other languages featuring particles tend to deemphasize them as some sort of window dressing — ornament, elaboration — not much different from intonation or emphasis.  Witness this comment by an accomplished student of several Asian languages:

Unfortunately, these particles play only a peripheral role in Western (Latin-based) accounts of grammar and therefore miss out on the scrutiny given to other parts of speech. I know that my Vietnamese teachers dismissed them as 'meaningless'. This is a pity since they play an incredibly important role in conveying meaning. In fact, the ability to use them properly is half the battle in learning to sound like a native!

It would be an interesting exercise to do an interlinguistic comparison of these kinds of particles, but first you would need to develop a systematic analysis of the nuances they convey (affirmation, confirmation, tentativeness, contradiction, etc.).

Particles may convey essential aspectual, modal, structural, and other functions.  Here's some evidence for the importance of particles from the language acquisition experience of a bilingual child.

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"Happy Birthday" melody formed from tones

A PRC graduate student in Chinese literature at Indiana University sent along this clever arrangement of "Happy Birthday":

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Upaya: the joy of teaching Classical Chinese

One of my favorite books for everyday living is Irma S. Rombauer's Joy of Cooking.  The author's cheerful approach to her craft in the kitchen is similar to my jubilant upāya उपाय ("expedient pedagogical means; skill-in-means; skillful means" > fāngbiàn 方便 ["convenient"]) in the classroom.

In my classes, especially Introduction to Literary Sinitic / Classical Chinese (LS/CC), we don't just read through texts with the aid of vocabularies, commentaries, annotations, and grammar notes.  We live the texts, act them out, draw them on the board, debate them, chant them, analyze them, get at their profound philosophical significance, plumb their esthetic depths.

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Omnibus Chinglish, part 2

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Double positives, part 2

The following tweet is from four years ago, but it's still relevant today.  Moreover, in reading through the replies to this tweet, I see interesting references to African American Vernacular English (AAVE) and remarkable resonances to Russian, including Vladimir Putin's "meddling".

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Canine intonations

I live in a duplex.  Even though the two houses are separated by a thick brick wall, I sometimes hear sounds coming from my neighbor's place.  The most conspicuous are the vocalizations made by her dog, Izzy.

Izzy is some kind of South Carolina coon hound.  We live in Swarthmore, Pennsylvania, but my neighbor got her female dog from a rescue service in South Carolina.

Izzy is quirky.  She is unique.  I have never heard any other dog like her.  She doesn't just bark; she talks.  Izzy's voice projects emphasis, querulousness, inquiry, complaint, displeasure, joy, dismay, and a whole range of other emotions and intentions.  Sometimes she seems to be talking to herself (muttering and mumbling), and sometimes she seems to be communicating with her owner or other people around her.

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I feel like "I feel like"

[This is a guest post by Pamela Kyle Crossley]

Just read the blog post on this. I feel like "I feel like" is one of those passive-aggressive tics that came in in the 1980/1990s, related to that thing where people turned statements into questions by raising their pitch at the end of a sentence (which I think was originally a California-ism). That fake question stuff was passive-aggressive, and students used it addictively, particularly in discussion. "I'm asking, right? Not stating? So nobody can criticize me, right? I'm just asking a question? If I'm wrong, don't be harsh on me, right? I'm just asking?"  Very destructive. Students need to be able to make statements.

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Hummed "I don't know"

Following up on yesterday's "Dinosaur Intonation" post, here's Ryan North performing four repetitions of the contour featured in his comic:

His comment: "I fear I may have over estimated how universal it is but it's common here in Southern Ontario and I've never encountered anyone in my travels who didn't recognize it, or at least who couldn't figure it out from context and then asked me about it. I'm really curious to see the results of this survey!"

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When intonation overrides tone, part 6

Subtitle:  Virtuous / disgusting behavior / character

There's a common Mandarin put down that is much favored by Peking shopgirls:

Qiáo nǐ nà dé xìng ("Just look at that virtuous / disgusting behavior of yours!")

Readers will notice that I did not provide characters, since in truth there is a real problem knowing which character to choose for the last syllable.  There's no question whatsoever that it is pronounced in an emphatic fourth tone, which would make one think that it should be written as 性 ("nature; character").  The problem is that underlying the unmistakable fourth tone is an actual second tone, which should in fact be written as 行 ("conduct; behavior").

What's going on here?

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When intonation overrides tone, part 5

There are three ways to say "Monday" in Mandarin:

zhōu yī 週一
lǐbài yī 禮拜一 (you can also say this in the shortened form bài yī 拜一)
xīngqí yī / xīngqīyī 星期一

As usual with my classes at Penn, most of my students are from mainland China.  I asked one of them to pronounce those three ways of saying "Monday".  A student from Shandong who speaks beautiful Mandarin read them this way:

zhōu yī 週一
lǐbài yī 禮拜一
xīngqīyì 星期一

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When intonation overrides tone, part 4

Some folks think that intonation never overrides tones, but I'm convinced on the basis of empirical evidence that it does.

For example:

Nǐ xiǎng gàn hā 你想干哈 –> Nǐ xiǎng gàn há 你想干哈 ("what do you want to do?") — especially in the Northeast.

Here are some other examples — all of them provided by native speakers of MSM (Modern Standard Mandarin):

A.
 
1. 不( bù ["no"]):Sometimes, I would say  不 ( bú) even though there is no falling tone character after  不 to invoke tone sandhi, such as "我不  ( bú)". This happens when somebody asks me to do something I don't like, I will say 不 ( bú) to express my rejection. 
 
2.中间 (zhōngjiān ["in; among; between; amidst"]): Sometimes, I would say 中间 (zhōngjiàn)to emphasize the place.  I think most people will commonly pronounce this phrase as  中间 (zhōngjiàn), but it is "wrong". 
 
3. 都 (dōu ["all"]):   I will pronounce this character as dóu when I want to emphasize the meaning "all." For example, 我都  (dóu) 写完了 I finish them all, 他都 (dóu) 吃完了,he ate them all. But here, I am thinking about whether I am influenced by 东北 Northeastern / dongbei topolect because I think dongbei people will commonly use the pronunciation dóu .

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A Chinese citizen's thoughts on Matt Pottinger's speech in Mandarin

The CCP government has done its utmost to prevent Chinese citizens from viewing Matt Pottinger's remarkable May Fourth speech (see "Selected Readings" below) or even from reading about it or expressing their ideas concerning it.  Yet some of them have taken the risk of using illegal VPNs to jump the Great Firewall (GFW) and have managed to see Pottinger's presentation with their own eyes.  Among those who have watched the video of Pottinger's speech, some have dared to express their reactions to it.  Here is one:

I watched Matt Pottinger's message. His Chinese is excellent except for his stressing on more than necessary words that makes him sound a bit unnatural like machine-generated. Had he been acquainted with the subtleness of spoken Chinese, he would definitely qualify for an A+.

Not surprisingly, his message can't be watched within the GFW. What's on the news are the slams and abuses on the message from the official media. Some curious people might wonder what the original message is and climb over the walls to explore. There are quite a few comments on the official news demanding access to the original message of Pottinger so that people may "join the government to criticize".

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