Language Log

[This is a guest post by Nathan Hopson]

An unfortunate cultural misunderstanding has occurred in the attached image:

Mark Swofford sent this photograph of a dish on a menu in a Taiwanese restaurant chain:

Boogaloo is in the news these days, in reference to what a recent Forbes article calls "a loose group of far-right individuals who are pro-gun, anti-government, and believe that another civil war in America is imminent". The politics is complex and evolving, as a USA Today article explains:

[T]here are various facets to the loosely organized group: One generally stems from its original ties to neo-Nazis and white supremacists, while a newer facet is libertarian.

"There's a lot of overlap and the boundary is blurry because they both evolved together," said Alex Newhouse, digital research lead at Middlebury Institute's Center on Terrorism, Extremism, and Counterterrorism. "It is very difficult to know if the 'boogaloo boi' you see standing in the middle of the street at a protest is there in solidarity or to incite violence."

For further details, see the Wikipedia entry for "Boogaloo movement". The term's linguistic history poses the puzzle of how the name of a Latinx and Black dance fashion came to be adopted by white supremacists:

Since 1979, being in a department that proudly called itself "Oriental Studies", a distinguished component of which was Arabic Studies, I had often heard of "maqama" and was quite aware that it was a virtuoso literary form:

Maqāmah (مقامة, pl. maqāmāt, مقامات, literally "assemblies") are an (originally) Arabic prosimetric literary genre which alternates the Arabic rhymed prose known as Saj‘ with intervals of poetry in which rhetorical extravagance is conspicuous.

Source

Now, a new rendering of al-Ḥarīrī's masterpiece of the genre by Michael Cooperson, titled simply Impostures, attempts to convey in English the wild exuberance of the language of the original:

"Fiction: Fifty Approaches to an Antic Arabic Masterpiece:  The Maqāmāt shows off all that Arabic can do. This translation shows off English in the same flattering light."  By Sam Sacks, Wall Street Journal (June 26, 2020)

Of the hundreds of pandemic memes that come to me, this is one that I didn't fully understand when I first received it:

In the PRC, you'd best not say anything about COVID-19.  It's more or less forbidden for citizens to talk about it, much less question the government's handling of the CRISIS (not a "dangerous opportunity").  Even the name and the very existence of the disease are highly problematic.  Still, despite all the draconian censorship, people figure out various ways to circumvent the prohibitions and express their feelings and opinions.

"The coronavirus is inspiring memes, parodies and art in Asia as a way to cope", by David Pierson, Los Angeles Times (3/6/20)

"‘Noodles’ and ‘Pandas’: Chinese People Are Using Secret Code to Talk About Coronavirus Online".  "'Vietnamese pho noodles,' anyone?", by David Gilbert, VICE (3/6/20)

Tweet from Joshua Wong 黃之鋒, Secretary-General of Demosistō:

Here is Winnie The Flu that we call as #WTF

Credit to Yeahman Tse via Legend Bricks LEGO Forum pic.twitter.com/q04K7QfAku

— Joshua Wong 黃之鋒 😷 (@joshuawongcf) February 24, 2020

As we have seen over and over again, banning, blocking, and censorship of the internet make it almost impossible for Chinese citizens to openly discuss anything that is slightly sensitive on the political scale (see "Selected readings" below).  But netizens are highly resourceful, and they have continuously been able to think of creative ways to comment on current affairs through punning and other linguistic maneuvers.

"Chinese netizens declare 'Vegetable English' defeats 'Korea Fish' in Taiwan election:  Chinese netizens mock censors by describing Taiwanese presidential candidates as 'Vegetable English,' 'Korea Fish'"

By Keoni Everington, Taiwan News, Staff Writer (1/12/20)

Carl Johnson sent in this nice bilingual pun:

The magic of Chinese characters. Another reason why #HongKong people should preserve traditional characters. pic.twitter.com/ss3v4UEVZh

— Rachel Cheung (@rachel_cheung1) October 5, 2019

From the Facebook page of the Hong Kong poet, Tammy Ho Lai-Ming, president of PEN Hong Kong, as reproduced in Andrea Lingenfelter, "At This Moment, Everyone Is a Revolution: The Poems of Tammy Ho Lai-Ming and the Hong Kong Crisis", Blog // Los Angeles Review of Books (8/4/19):

Echo Huang from Quartz (7/5/19) has written a fun and interesting article on Shanghai’s new waste sorting rules:

"'What kind of rubbish are you?': China’s first serious trash-sorting rule is driving Shanghai crazy"

Echo also has a related Chinese version.

"Starting Monday (July 1), individuals and businesses in China’s financial capital who fail to separate trash correctly face fines and even a lower social credit rating (link in Chinese) that could make it hard to get a bank loan."

The following "sticker" / image macro showing the "Shanghai aunties" (Shànghǎi āyí 上海阿姨) who help people sort their trash is a favorite of Weibo microbloggers:

Hanasaki, a curious term, depending on how you read and interpret it:  "flower blooming" > "scab"

A Japanese correspondent asked me the following set of questions (below, after the page break) about the name of a Yosakoi-Sōran dance group.  I'm not sure what the meaning of "Yosakoi" is, other than that it is the designation of a festival in Kochi Prefecture where this type of dancing originated in the early 90s.  I've watched a few videos of Yosakoi-Sōran dance and find it fascinating and stimulating because it is extremely energetic and combines traditional Japanese dance moves with contemporary Western-influenced street dance routines.  It is accompanied with rhythmic beating of naruko 鳴子 ("clappers") and repeated shouts of "sōran そうらん" (with a long "o", i.e., "ō").  I'm not certain what that means either, since there are many homophonous expressions with quite different meanings; one that might be applicable here is 騒乱, meaning "disturbance; riot; mayhem" for the uninhibited, sweeping gestures characteristic of the dance.  More likely, though, it is derived from the chant of fishermen to encourage themselves as they went about their work of hauling nets, pulling ropes, and so forth, in which case it would perhaps mean roughly "that's right" or "like that".

N.B.:  When the Japanese correspondent says "Chinese symbols", he seems to mean just "Chinese characters", i.e., kanji.