Language Log

Today's xkcd:

In Australia, anyhow — "The Macquarie Dictionary Word of the Decade winner is…", 2/4/2021:

[This is a guest post by Nicholas Morrow Williams]

I recently learned by email that an acquaintance is planning to return from London to Philadelphia, and started to close my response with "Bon voyage!" Then I thought about using English instead, but realized that "Good trip!" doesn't work at all. So I chose "Safe travels!", which does work.

This made me wonder about the usage patterns involved — why does French "Bonne chance!" translates to "Good luck" but "Bon voyage" doesn't work as "Good trip"?

From John Brewer:

I was recently listening to the Neil Young song "Barstool Blues" (first released 1975), which I have known and enjoyed since at least the late '80's, when I was struck by a particular line in the lyrics I didn't recall having focused on before. First I was noting the meteorological imagery, but then I noticed that it consisted entirely of monosyllables, thirteen of them in a row.

"Burn off all the fog and let the sun through to the snow."

This made me wonder how statistically improbable or unusual it was to have this long a sequence of consecutive monosyllables, with related wondering as to how that affected the chances that it had been done self-consciously by the writer or just happened without the writer noticing. I would think that LL headquarters might have access to appropriately-coded corpora resources that could address this question, with maybe even some indication as to whether unusually long strings of monosyllables are more common in some contexts or genres or registers than others.

Just to avoid apples-to-oranges comparison problems, I note that if you look at the end of the prior line and the beginning of the following line, these thirteen monosyllables are situated within a longer string of twenty. I personally find a complete semantic/syntactic unit of thirteen more striking than a string of twenty that crosses the boundaries between such units, but maybe the corpus data wouldn't bear me out on that.

Alexander Bolton, "West Virginia governor urges Congress to 'go big' on COVID-19 relief", The Hill 2/1/2021:

West Virginia Gov. Jim Justice, a Republican, on Monday argued that fiscal concerns should be set aside as the nation struggles to recover from the coronavirus pandemic, putting pressure on centrist Sen. Joe Manchin (D-W.Va.) to support a large COVID-19 relief bill.

“We need to understand that trying to be, per se, fiscally responsible at this point in time, with what we’ve got going on in this country — if we actually throw away some money right now, so what?” Justice told CNN in an interview. […]

Justice doubled down on his statement in a follow-up interview with MSNBC in which he urged Congress to “go big.” […]

“At this point in time in this nation, we need to go big. We need to quit counting the egg-sucking legs on the cows and count the cows and just move. And move forward and move right now,” he added.

The following viral Hokkien expression looks like it's written in Japanese hiragana and two Chinese characters, and so it is, but if you only know hiragana and standard Sino-Japanese characters, you won't have the ghost of an idea what it means:

りしれ供さ小

This is the challenge of reading and writing Sinitic topolects in Sinographs.

Even if you read this rather exhaustive article explaining what it means, you won't grasp all of the powerful nuances of this expression that is found on t-shirts, handbags, mugs, and various accessories:

"What Does a Trending T-shirt Say About Taiwanese Identity and Politics?", by Brian Hioe, The News Lens (2/01/21)

Chris Button says that he was looking at the oracle-bone form for wēi 危 ("precarious, precipitous; perilous; high; ridge [of a roof]; dangerous") and noticed that Huang Dekuan (2007 mammoth dictionary of ancient forms of characters) treats it as depicting a qīqì 欹器 ("tilting vessel" or "tipping vessel").  This was:

…an ancient Chinese ceremonial utensil that automatically overturned and spilled its contents once it reached capacity, thus symbolizing moderation and caution. Both Confucian and Daoist Chinese classics include a famous anecdote about the first time Confucius saw a tilting vessel. In the Confucian tradition (e.g., Xunzi) it was also named yòuzuò zhī qì (宥座之器, "vessel on the right of one's seat"), with three positions, the vessel tilts to one side when empty, stands upright when filled halfway, and overturns when filled to the brim—illustrating the philosophical value of the golden mean. In the Daoist tradition, the tilting vessel was named yòuzhī (宥卮, "urging goblet" or "warning goblet"), with two positions, staying upright when empty and overturning when full—illustrating the metaphysical value of emptiness, and later associated with the Zhuangzian zhīyán (卮言, "goblet words") rhetorical device.

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Today's SMBC starts this way:

The most recent Dinosaur Comics:

The mouseover title: "sorry to any jabronis reading this who didn't know yet that they were jabronis. honestly though that's such a jabroni situation to find yourself in"

In our ongoing quest to link up linguistics with archeology, we have had numerous posts involving Iranian-speaking peoples spreading from west to east and bringing culture and language with them.  When I say "culture", I mean technological as well as spiritual, artistic, architectural, and other aspects, plus social customs and political organization.  Because the Iranian-speaking peoples were so active in spreading diverse manifestations of culture, I often refer to them as Kulturvermittlers par excellence.

Among the more prominent features of culture that Iranian-speaking peoples transmitted across Eurasia was metallurgy.  That includes all four of the main metals:  bronze, iron, gold, and silver.  The first two were mainly for weapons and implements, and where they went, they transformed military affairs, agriculture, and daily life.  The changes that bronze and iron brought about amounted to revolutions of civilization.  Gold and silver were primarily for ornament and embellishment, and the Iranian-speaking people created breathtakingly beautiful works of art out of these precious metals

A select quotation from the Confucian Analects (Zǐlù 13.18):

Shè gōng yù Kǒngzǐ yuē:`Wú dǎng yǒu zhígōng zhě, qí fù rǎng yáng, ér zi zhèng zhī. 'Kǒngzǐ yuē:`Wú dǎng zhī zhí zhě yì yú shì. Fù wèi zi yǐn, zi wèi fù yǐn, zhí zài qí zhōng yǐ.'

葉公語孔子曰：「吾黨有直躬者，其父攘羊，而子證之。」孔子曰：「吾黨之直者異於是。父為子隱，子為父隱，直在其中矣。」

The Duke of She informed Confucius, saying, "Among us here there are those who may be styled upright in their conduct. If their father have stolen a sheep, they will bear witness to the fact." Confucius said, "Among us, in our part of the country, those who are upright are different from this. The father conceals the misconduct of the son, and the son conceals the misconduct of the father. Uprightness is to be found in this."  (trans. James Legge)