Language Log

Alex Baumans sent in this photograph of the logo of a Korean food truck in Belgium, run by one San-Ho Park Correwyn:

Last month, in "Apostrophe in Hebrew" (11/22/16), we saw an "s" and an apostrophe incorporated in Hebrew writing.  Here, on top of a taxi, from left to right it says "taxi", and from right to left it says מוֹנִית ("taxi").

Many's the time that we have encountered biscriptalism in the Sinosphere and elsewhere (see here, here, here, and here).

Now Jenny Chu has sent in this photograph of an interesting ad, currently in Hong Kong's MTR, which fuses Japanese- and Korean-appearing lettering with English, presumably in order to seem in touch with the latest trends.

In "Inside the world of Chinese science fiction, with 'Three Body Problem' translator Ken Liu" (Quartz, 12/2/16), Nikhil Sonnad conducts an interview with the sci-fi author and translator of the Sān tǐ 三体 (Three-Body [Problem]) series by Liú Cíxīn 刘慈欣.

Speaking of biscriptalism, Guy Almog called my attention to an interesting project called Aravrit (that is, Arabic + Hebrew [ivrit]).

We've already looked at the use of an apostrophe in Hangul.  Now Wendy Heller has sent in this photograph of a shop sign in Haifa, Israel:

Many of the debates over Chinese language issues that keep coming up on Language Log and elsewhere may be attributed to a small number of basic misunderstandings and disagreements concerning the relationship between speech and writing.

From Donald Clarke:

The sign seems straightforwardly to be a warning that this is a "dangerous construction site".  The more you look at it, however, the more questions arise.

The Love Love Rock festival, a music event in Xindian, New Taipei City, uses an interesting version of the character aì 愛 ("love") for its branding.  Certain elements of the character are duplicated (and some reversed) to convey the double 愛 (aìaì).

We have looked at the Chinese typewriter again and again:

"Chinese Typewriter" (6/30/09)

"Chinese typewriter, part 2" (4/17/11)

"Chinese character inputting" (10/17/15)

By now we are thoroughly familiar with this unwieldy contraption.  Given that it has long since been consigned to the museum, where it properly belongs, it is strange that some folks continue to tout it as the wave of the future in information processing.

Via Jason Cox, a Facebook post by Pochung Pektiong Chen:

This morning, an instructor in Jiangsu province, who has been teaching Chinese Culture in college English classes for 12 years and has also been giving lectures on Chinese Culture to international students, wrote to ask about the possibility of becoming a visiting scholar at Penn for half a year.  She introduced herself to me as Lǐ Fǔluòwá 李甫洛娃.  Her name threw me for a loop.

"Hefty award offered for deciphering oracle bone characters" (China Daily, 10/28/16):

The National Museum of Chinese Writing on Thursday launched an award program to encourage people from around the world to help decipher oracle bone inscriptions.

According to the museum based in Anyang City in central China's Henan Province, where oracle bones and script were discovered from the Ruins of Yin over 110 years ago, the program will offer 100,000 yuan ($14,700) for each unknown character to be deciphered.

Inscriptions on tortoise shells and animal bones represent the original characters of the Chinese written language. They date back to the Shang Dynasty (1600-1046 BC).

Chinese characters constitute the oldest continuously used writing system in the world. The logograms convey both meaning and pronunciation.

To date, archaeologists around the world have discovered some 4,000 bone inscription characters by studying 160,000 relics, but only 1,600 of the characters have been deciphered.