Annie Joy Williams, "The Last Days of the Southern Drawl", The Atlantic 1/4/2026:
By the end of my life, there may be no one left who speaks like my father outside the hollers and the one-horse towns.
On Sundays after church, my family would pile into our crank-window GMC truck and head to Kentucky Fried Chicken. “Can I get me some of them tater wedges?” my father would say into the speaker, while my sisters and I giggled in the back seat. My dad has always had a southern accent: His words fall out of his mouth the way molasses would sound if it could speak, thick and slow. But his “KFC voice,” as my sisters and I call it, is country. It’s watered-down on work calls and during debates with his West Coast relatives. But it comes out around fellow cattle farmers and old friends from Kentucky, where he grew up.
My mother’s accent isn’t quite as strong. She’s a therapist, and she can hide it when she speaks with her patients and calls in prescriptions. But you can always hear it in her church-pew greetings, and when she says goodnight: “See you in the a.m., Lawd willin’.”
I was always clear on one fact: I wasn’t going to have a southern accent when I grew up. I was raised in Murfreesboro, Tennessee, near Nashville, where the accents grow stronger with each mile you travel from the city. I watched people snicker at the redneck characters on television who always seemed to play the town idiot. I knew what the accent was supposed to convey: sweet but simpleminded. When I was 15 and my family went to New York for the first time, the bellhop at our hotel laughed when my mom and I spoke; he said he’d never met cowgirls before. That was when I decided: No one was going to know I was from the South from my voice alone.
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