Language Log

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[The following is a guest post by Georgi Mladenov]

I am another student who seems to have hit a brick wall in learning Mandarin, and I would like to ask you for advice. I have thoroughly read most of your forum posts and I totally share your opinions on language learning, especially as expressed in this post.

Your post captures my situation in its entirety. "The first year of learning Mandarin was pure torture in the classroom" – it feels as if I had written that! In short, I have been studying Chinese in Taiwan for more than a year. I am fluent in English, German, Russian and Bulgarian, I have a B2 level in Polish, Spanish and Serbian, my French is quite good, my Latin is quite decent, and I also know some Hungarian.

However, my disappointment with Chinese teaching methods has been growing daily. No matter what language I learned, the main focus of any beginner's course has always been on pronunciation and mastering any peculiar "tricky" sounds. Not here, though. I personally know quite a few people who have passed TOCFL Level 3 and 4 (reading and listening) and still have no tones! Or students who still say "zh" instead of "z", or "s" instead of "sh", not to mention that many students do not differentiate between "zh" and "j", "sh" and "x", "ch" and "q". And most teachers still try to persuade us how bad Pinyin is.

From Greg Ralph:

[The following is a guest post by Nathan Hopson]

The results are in from the 11th Kanji Creation Contest (Sōsaku Kanji Kontesuto), sponsored by Sankei Shinbun newspaper and the Shirakawa Shizuka Institute of East Asian Characters and Culture at Ritsumeikan University. Out of a total of over 26,000 entries in the general, high school, and elementary and middle school divisions, the overall winner was a very 2020 take on the character 座 (za, “to sit”).

Example 1

Fig. 1 Standard (left) and prizewinning creative kanji for “to sit.”

The character (in both its standard and creative forms) is made up of three elements:

1. 广
2. 土
3. 人

Of these, it is the last that is subtly manipulated here. That element, also an independent kanji in its own right, means “person.” By moving the two “people” apart, the contest winner expressed the idea of “sitting apart,” or social distancing.

From r/TikTokCringe via Reddit:

@gegethejing

Reply to @gegethejing Chinese Fergie comin ATCHU 🎤🎵 #fyp #comedy #chinese #asian #growingupasian #lyric #fergie #singing ib: @ggnohadid

♬ original sound – ♡ Gege Jing ♡

John Bellezza, an archeologist and cultural historian whose work focuses on the pre-Buddhist heritage of Tibet and the Western Himalaya, and who has lived in high Asia for three decades, sent me the following two photographs of inscriptions that he took at Lake Gnam-mtsho, Tibet (TAR):

Anyone who has studied the history of writing in China is aware that the earliest manifestation of the Sinitic script dates to around the 13th century BC, under the Shang Dynasty (ca. 1600- BC).  It is referred to as jiǎgǔwén 甲骨文 ("oracle bone writing") and was used primarily (almost exclusively) for the purpose of divination.  The most ideal bones for this purpose were ox scapulae, since they were broad and flat, and had other suitable properties, which I shall describe below.

The bones used for divination were prepared by cleaning and then having indentations drilled into their surface, but not all the way through.  A hot poker was applied to the declivities, causing cracks to radiate from the heated focal point.  This cracking was called bǔ卜, a pictograph of the lines that form in a heat-stressed bone.

No, that's not a mistake.

My son just called me about some Hindi books I wanted him to order for me.  He asked, "Do they have to be in Romanization, or is it all right if they are in Devangari?"

The way he said the word "Devangari" made me chuckle.  Of course, with a name like Thomas Krishna Mair, and having been around me and my Sanskrit and Hindi books for the first two decades of his life, he was familiar with the word and knew that it was the script in which those languages are written.

Two days ago, I was going through past issues of Sino-Platonic Papers, all the way back to the first one in 1986.  I was pleasantly surprised to come across this one by my late, lamented colleague, Ludo Rocher:

"Orality and Textuality in the Indian Context," Sino-Platonic Papers, 49 (October, 1994), 1-3 of 1-28.  (free pdf)

As soon as I started reading it, I had a strong sensation that Ludo's paper speaks powerfully to the enigma of the overwhelming dominance of Indians in spelling bee competitions, about which we have so many times puzzled here on Language Log (see "Selected readings" below).

Persuasive 14:09 YouTube video of Aiong Taigi explaining why he doesn't use Chinese characters (Hàn-jī 漢字) on his channel, but instead sticks to Romanization (Lomaji) as much as possible:  A'ióng, lí sī án-chóaⁿ bô teh ēng Hàn-jī? 【阿勇，汝是安盞無塊用漢字？】:

Article in BBC yesterday:

"Nüshu:  China's secret female-only language", by Andrew Lofthouse (10/1/20)

Here's what it looks like:

Nüshu is a women's-only script that was passed down from mothers to
their daughters in feudal-society China (Credit: CPA Mediat Pte Ltd/Alamy)

A protester holds a placard that reads "Do not forget 831 terror attack, truth needs to be seen on CCTV" during a demonstration at a Hong Kong mall on Aug. 30 on the eve of the first anniversary of the Prince Edward MTR station incident when police stormed the station to make arrests during massive anti-government protests. (Photo: AFP)

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From Nick Tursi: