Language Log

Source: China Media Project (12/7/2022)
THE CMP DICTIONARY: Socialite 媛
By XINYU DENG

Once signifying graceful women of a distinguished background, the term “socialite,” or yuan (媛), has in recent years become a misogynistic umbrella term used on digital platforms in China to disparage women who advertise fancy lifestyles. The term has also been used by state-run media to roundly criticize perceived materialistic excesses, reinforcing their unfair association with femininity.

The Chinese word yuàn (媛) has traditionally referred to the “virtuous and comely woman” as mentioned in the Shuowen Jiezi (说文解字), a Chinese dictionary compiled in the Han dynasty. Since 2020, however, the word has rapidly evolved — or perhaps devolved — into a catchall word used on the Chinese internet, and also in state media, to denigrate modern-day beauties as disgraceful and degenerate.

When I first heard of this phenomenon about three years ago, I could scarcely believe my ears.  I was told in no uncertain terms that, by and large, Chinese women (especially in their 20s and 30s, but even in their teens) much more enjoy watching or reading about men making out than engaging in hetero- or homosexual love themselves.  I know of several Chinese women who write such literature and supplement their income with it.

The genre is explored in considerable depth by Helen Sullivan in this Guardian article (3/12/23):

China’s ‘rotten girls’ are escaping into erotic fiction about gay men

Danmei is by some measures the most popular genre of fiction for women in China, and its popularity hasn’t gone unnoticed by the Communist party

In case you hadn't heard:

"Cambridge Dictionary updates definition of ‘woman’ to include trans women"

By Timothy Bella, Washington Post
December 13, 2022

A few paragraphs excerpted from the article:

Below are the opening paragraphs of a review by Richard Foltz in Caucasus Survey (2022), 1-2 [10.30965/23761202-bja10006; published by Brill].

Warwick Ball,The Eurasian Steppe: People, Movement, Ideas, Edinburgh:  Edinburgh University Press, 2022. 414+xix pp. ISBN: 978-1-4744-8806-8, £19.99 (pbk).

The work under review is a revised and expanded edition of the author’s earlier The Gates of Asia: The Eurasian Steppe and the Limits of Europe (London:  East & West Publishing, 2015), although he prefers to describe it as “a new book rather than a new edition” (p.4). In taking on the vast sweep of Eurasian steppe history, the author’s stated aim is “to focus on those subjects that shaped Europe, even at the cost of glossing over the effect on other regions such as the Middle East, South Asia, or China” (p.3).  Ball is an archaeologist, so it is not surprising that the book draws heavily on archaeology, although he ventures as well in to other topics such as language, ethnicity, mythology, and art (the possible echoes of Scythian motifs in art nouveau, for example).

Size-wise, Estonia (45,339 sq. km; 17,500 sq. m) is much larger than Philadelphia (369.59 sq. km; 142.7 sq. m), but, in terms of population, Philadelphia (1,603,797) is slightly bigger than Estonia (1,313,796).  I have been to Estonia, and was utterly captivated by the wealth of its art and architecture, the depth of its history, the quality of its education, and the accomplishments of its people.  Among many other distinctions, Estonia is at the forefront of research in genetics, which is what brought me there during my period of research on the mummies of Central Asia.

Now, as you will discover from this post, Estonia is worthy of wonder for its fascinating language as well.  Some of the special features of Estonian are well presented in the following article that was published a couple of days ago:

Puzzle Monday: How To Be on Time in Estonia

by Alex Bellos, Atlas Obscura (November 7, 2022)

——

In Estonia, there is no sex and no future.

The term "judo", which sport / martial art ("as a physical, mental, and moral pedagogy" [source]) was only created in 1882 by Jigoro Kano 嘉納治五郎 (1860-1938).  What I find amazing is that jūdō / MSM róudào 柔道 ("soft / flexible / gentle / supple / mild / yielding way") comes right out of the Yìjīng 易經 (Book / Classic of Change[s]).  Of course, traditional Japanese scholars have always been learned in the Chinese classics, so it shouldn't be too surprising that they would draw on the classics for terminology and ideas that had great meaning for them.  But I'm curious whether Jigoro Kano explicitly referred to the Yìjīng in any of his writings about jūdō 柔道.

The PRC authorities have always policed human behavior and thought, but especially during the last half year or so and particularly toward young people, for whatever reason, they have been coming on more gangbusters than usual.

First they went after the phenomenon of tǎngpíng 躺平 ("lying flat"), i.e., those who chose to opt out of the cutthroat rat race.  Then they chastised niángpào 娘炮 ("effeminate men"), i.e., girlie boys and men.  The social minders even drew a bead on jīngfēn 精芬  for socially averse millennials who identified themselves as spiritually Finnish.  These were serious efforts to squelch such unwanted tendencies in the population.  Now they have taken quite a different turn and are aiming at an altogether different target:  beautiful women.  Strange to say, they are coupling this campaign against female pulchritude with a crusade against Buddhism.

Well, it's not that strange after all, since communism has never been fond of religion, and Buddhism has often been persecuted by Chinese regimes, almost from the time of its arrival in the Middle Kingdom nearly two millennia ago.  Even the combination of feminine beauty and Buddhism reveals a certain psychological fixation on the baldness and celibacy of nuns in traditional Chinese society.

Recent article on gender and language teaching:

How Language Classes Are Moving Past the Gender Binary

Languages that contain only “he” and “she” pronouns pose problems for communicating about gender identity. Here’s how some language teachers are helping.

By Molly Lipson, NYT     Sept. 1, 2021

Selections from the article:

…

This Chinese article is about a man who has made a living by painting slogans and ads on village walls for thirty years. Some of the slogans are rather bizarre, as may be seen by looking at the many photographs in the article.

The article says it is such a well-paying job that the man was able to buy 6 apartments in his hometown with his earnings. Painting on walls is one of the major ways to advertise or propagate goods and ideas in the countryside.

There are many examples of such signs in the article, but I couldn't understand all of them upon first glance, so I wondered if the country folk would be able to read the signs. I asked a number of my graduate students from China, and they all said, yes, the country folk not only would be able to read them, but would enjoy them and would be motivated to buy the products and services promoted by the signs.

Something seemed amiss from the very first words of this video:

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