Language Log

[This is a guest post by Michael Broughton.]

I had an interesting Rorschach encounter with the oracle bone graph for woman a couple of years back. Oddly, this experience came in a rather roundabout way through an investigation into the character for interpretation, yi 譯. At the time, I was starting my Chinese translation business and wanted to come up with a meaningful logo for the business. I thought that an investigation into the character yi 譯 might help to inspire some ideas, and so I tried to do a little bit of digging into why it was written the way it was. Of note, the Liji (Book of Rites) has four characters for interpreting officials, as James Legge wrote in his elegant translation:

To make what was in their minds apprehended, and to communicate their likings and desires, (there were officers) – in the east, called transmitters (ji 寄); in the south, representationists (xiang 象); in the west, Di-dis (didi 狄鞮); and in the north, interpreters (yi 譯).

FAKE ACCENTS | Stand-up Comedy by Niv Prakasam

Julesy's knowledge of linguistics is not restricted to East Asia:

For English speakers, a mind-boggling letter to the editor on linguistic gender from the Times Literary Supplement (3/9/25):

Masculine and feminine

In Cristina Rivera Garza’s Death Takes Me, reviewed by Lucy Popescu (In Brief, April 18), a character points out that “in Spanish, the word victim, or victima, is always feminine”. This is evidently true, but it would be wrong to draw conclusions regarding any inherently gendered notions of victimhood from this fact; the Spanish word for person (la persona) is also feminine, but it does not therefore follow that persons are essentially female.

[This is a guest post by German Dziebel, commenting on "PIE *gene- *gwen-" (8/10/23).]

I will strike a dissenting note here. The two roots in question – *g’enH1 and *gʷenH2 are likely cognates. There seems to be a non-random distribution of palatalized and labialized velars in IE stems with nasals – palatovelars are favored in stems with m, while labiovelars are favored in stems with n. E.g.,

nGʷ roots: *nogʷno- 'naked', *nogʷt- 'night', *snoigʷho- 'snow', *h₂ongʷo- 'anoint', *h1ngwni- 'fire', *negʷhro- 'kidney', *gʷenh₂ 'wife', *kʷoino- 'price', *penkʷe- '5', *h₁lengʷʰ- 'light', *gʷʰen- 'slay, strike', *sengʷh- 'sing', *neigʷ- 'wash' 

vs.

mG'-roots: *H3moiǵhlo- (assimilated to njegull(ë) in Gheg Alb), *meǵh₂s 'great', *meh₂ǵ- 'smear, anoint', *ǵheyōm 'winter', *dheǵhōm 'earth', *ḱoimo- 'household, family', *mreǵh-, *mosgho- 'brain', *h₂melǵ- 'milk', *smeḱur 'chin, beard', *deḱm̥ '10', *h1ḱm̥tóm '100' *h₂émǵʰu- 'narrow' (Hitt hamenk- 'tie, bind').

"Siting Yao’s bilingual dictionary translates Chinese lesbian slang:  The London-based graphic designer illustrates unique language expressions and humorous anecdotes in her colourful, graphic guide to queer code."  By Ellis Tree, It's Nice That (4 July 2024)

[This is a guest post by Charles Belov.  To show what a dedicated, eclectic listener of Asian popular media Charles is, I've left his signature block intact.]

As a frequent, essentially monolingual consumer of Asian popular media, one of the issues for me has always been how translations succeed or fail at communicating both the particular Asian culture and how it can be expressed meaningfully in English. ¿Where does the translation reflect current or past Asian culture and where does it reflect American or British culture of the audience?

A term of concern for me at the moment is "cíxióngtóngtǐ 雌雄同體" (lit. "male female same body"), which Wiktionary translates as "hermaphrodite." However, Wiktionary also notes in the English entry for "hermaphrodite" that this term is now considered offensive and that "intersex" is the preferred term.

This is one of the most novel theories on the Voynich manuscript (Beinecke MS408; early 15th c.) that I've ever encountered, and there are many.

The Voynich Manuscript, Dr Johannes Hartlieb and the Encipherment of Women’s Secrets, by Keagan Brewer and Michelle L Lewis, Social History of Medicine, hkad099 (22 March 2024)

Keywords:  Voynich manuscript, Dr Johannes Hartlieb, women’s secrets, sex, gynaecology

Most Language Log readers are aware that the Japanese writing system consists of three major components — kanji (sinoglyhs), hiragana (cursive syllabary), and katakana (block syllabary).  I would argue that rōmaji (roman letters) are a fourth component, as they are in the Chinese writing system.

How do people decide when to switch among the different components of the Japanese writing system?  Of course, custom and usage determine when to use one and when to use another.  (It's a bit like masculine, feminine, and neuter in gender based languages [a frequent and recent topic on Language Log] — you don't ask why, you just do it].)  In most cases, convention has fixed which of the three main components of the writing system is used for a particular purpose.  On the other hand, since I began learning Japanese half a century ago, I noticed a fairly conspicuous slippage regarding what I had been led to believe were predetermined practices.

Sanae Heist, a senior studying linguistics at Columbia University, brought this whole matter to the surface when she wrote to me as follows:

[Prefatory note:  The Chinese author of this guest post, TCI (encrypted acronym to protect her identity) holds a humanities M.A. from a top tier American research university which she attended from 2016 to 2018.  She has been employed for several years as an adviser to  students in China who desire to study abroad (especially the USA) in high school, college, or university.  Her statement will be followed by the remarks of a long experienced, well established practitioner of that profession (application counselor) in China who explains its aims and modus operandi.

The author (TCI) emphasizes what she considers to be a lack of logic in Chinese thought.  It is ironic that her focus is very much on the gender of personal pronouns at a time when many people in America are trying to do away with or downplay that aspect of personal pronouns.  Before dismissing what she says out of hand, bear in mind that for TCI it is a cri de coeur.  She grew up in China learning one system of thought, came to America and struggled to learn another, and now she has gone back to China and is trying to teach the next generation of students who want to come to America and think like Americans how to be less fraught in learning this new way of thinking.

From Jeff DeMarco:

This is the de Young Museum in San Francisco, doubling down the -x construction for Spanish: Bienvenidxs.

Are most Spanish speakers ok with this?

I also note that none of the Chinese language materials use simplified characters (viz., huānyíng 歡迎 but not 欢迎).  Is this a snub against the mainland? They do feature a dress made up of images of Mao….

Masterful essay by the Music Director of Symphony Nova Scotia.

"Maestro, Maestra, or Holly?"

We asked our Music Director Holly Mathieson how she prefers to be referred to on the podium!

Her reply may surprise you — or not:

The earliest record we have of the Italian term Maestro in connection to music is from 1724 (maestro di cappella, which translates as Master of the Chapel, similar to the German Kapellmeister). By the end of that century, there is evidence of it being used more generally in Italy as a single word, referring to a master or great teacher of music, or a composer. Etymologically, it shares its roots with the Latin magister, the offshoots of which include the musical term Maestoso, which instructs us to play majestically or in a stately manner, as well as more common language descendants such as magisterial and magistrate, words which connect to ideas of qualified authority.