Language Log

Chris Brannick posted this photograph of a fan on his Facebook page:

We just posted on a calligraphic ambigram that means both "go" and "Hong Kong":  "'Go Hong Kong!'" (6/12/19).  Here's another one that does not require rotation:

(Source)

Whether in English or in Chinese (Xiānggǎng jiāyóu 香港加油!), "Go Hong Kong!" has been blocked and censored on the Chinese internet because of the massive protests against the hated extradition bill that Xi Jinping is trying to force upon the city.  However, through the magic of Chinese calligraphy, there's a way to get around the ban against this cheer:

Klaus Nuber writes: "Sometime ago I saw the sign of this 'Asia Palast' with the logo consisting of the two chairs and the round dingus between. Is this logo just cute or has it a hanzi background?"

For International Women's Day, Google made one of its doodles — this one with quotations from various women from around the world. Each is given its own distinctive typography. Several languages and scripts appear.

I recently became aware of a viral new meme in China, but didn't know what it meant or even how to pronounce it.  The characters are 盘他, which superficially, literally would seem to mean "plate him / her / it".  Of course, that doesn't make sense, so 盘他 flummoxed me for quite a while.

Since the expression seemed so alien and odd, I thought that maybe the second character had a special topolectal pronunciation and would have pronounced the whole expression as pán tuō, but that was just a wild guess, and it wasn't long before I learned that the term should be pronounced "pán tā", the usual way for those two characters.

I still didn't know what "pán tā 盘他" meant.

From the Los Angeles Loyolan, the student newspaper of Loyola Marymount University:

I learned this term from an important article by David Bandurski in today's (10/17/18) The Guardian, "China's new diplomacy in Europe has a name: broken porcelain:  Beijing's message to Sweden and beyond – criticise us, and we'll topple your agenda – won't win it any hearts and minds".

The relevant Chinese expression is pèngcí 碰瓷, which literally means "bump porcelain" (think pèngpèngchē 碰碰车 ["bumper cars"]).  How did pèngcí 碰瓷 ("bump porcelain") become embroiled with diplomacy and international politics?

In the middle of last month, I participated in a double book launch by Cambria Press in Singapore (links here, here, and here).  The event was held at one of Singapore's most outstanding art galleries, called iPreciation (links here and here).  This is what I saw as soon as I walked in the door:

Japanese artists depicted almost anything imaginable concerning humans, animals, and the natural world, and they did so with great skill and emotional power.  One sub-genre of Japanese painting that I recently became aware of is that of the fart battle (hōhi gassen 放屁合戦):

"21 Classic Images Of Japanese Fart Battles From The 19th Century", by Wyatt Redd, ati (7/23/18)

Henry Cooke (aka "prehensile" on GitHub) has hatched a fascinating techno-artistic experiment. He set up two Amazon Echos to talk back and forth, each repeating a text to the other, with every iteration introducing new errors. His initial inspiration was "I Am Sitting in a Room," a 1969 work of acoustic art by Alvin Lucier, in which a text is recorded and re-recorded until all that is left is the hum of resonant frequencies in the room. (You can watch a 2014 performance with Lucier here.) Rather than replicate Lucier's text, Cooke created new ones for the two Echos to vocalize, with an added wrinkle: iterations of the texts follow the Oulipo S+7 constraint, in which each noun is replaced by another noun appearing seven steps away in the dictionary. You can see the first ten iterations (using Amazon Polly to synthesize different voices) in this video.

On the weekend of January 19-20, 2018, there was a Tangut Workshop at Yale University.  Organized by Valerie Hansen and sponsored by the Yale Council of East Asian Studies, this was an intense, exciting learning experience for the 35 or so people who were in the room most of the time.

Many readers may be scratching their heads and asking, "Tangut?  What's that?  And why should we at Language Log be concerned with it?"

Zhao Mengfu 趙孟頫 (1254-1322) is one of the most famous painters in the history of Chinese art.  Many of his priceless works still exist, and he was even honored by having a 167 kilometer-diameter feature on Mercury (132.4° west, 87.3° south), the "Chao Meng-Fu crater", named after him.

When Zhao Mengfu's name came up in a discussion on connoisseurship in one of my classes a few days ago, I almost fell off my chair upon hearing a graduate student from mainland China pronounce it as "Zhao Mengtiao".  Where did she learn that strange pronunciation for this ultrafamous artist's name?  Did she hear it from her teachers?  Her classmates?  Or was she just making a wild guess based on what she thought the ostensible phonophore, zhào 兆, would yield?  However she came up with "Zhao Mengtiao", the effect upon hearing it would be akin to hearing someone say "Michelanjump" or "Leonardo da Jump".