Archive for Writing

Exercising the brain: handwriting vs. typing

Elegant writing by hand has always been a trial for me.  The harder I try to make my handwriting presentable, the more it turns out looking like chicken scratches.  I'll never forget how my second grade teacher, Mrs. Kiefer, was in despair over my poor penmanship, almost to the point of crying.  "Vicky," she would say, "you are such a good student in all other respects, why can't you write better?"  It's the same way with my brother Denis.  Watching him write, and seeing the product as it emerges on the page, it is obvious that forming letters on the page is a kind of suffering for him.  And yet, both Denis and I prefer to compose whatever we really care about on paper — be it a poem, an essay, or just random thoughts.

I'm a super fast typist, and I can spew out things on a computer screen almost as fast as I normally talk.  It's easy as abc.  When I do so, however, I'm not thinking, I'm just gurgitating.

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Unknown language #17

Shared by Sup Gau in the Facebook group "Language Nerds":

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Two brushes in one hand — virtuoso calligraphy

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Still more Mongolic

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Writing on things

If someone is investigating texts, they can concentrate on the subject / content / style / linguistic nature of the writing.  Increasingly, however, scholars have begun to concentrate on the objects and materials on which the writing takes place.  From this, they tease out all sorts of interesting information about the social, political, and economic aspects of the texts.  A new book on this topic is Thomas Kelly's The Inscription of Things:  Writing and Materiality in Early Modern China (New York:  Columbia University Press, 2023).

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.

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China Babel

My basement is full of unpublished manuscripts.  I call it the "Dungeon", because it is dark, dank, and crowded with books and papers — much worse than my office, which has achieved a fabled reputation for its crampedness — and very cold in the winter, though it does have a wonderful bay window on the eastern side where I can look out at the flora, fauna, and foliage to rest my eyes and mind from time to time.

Three of the most significant manuscripts in the Dungeon that remained unpublished for decades are:

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Wheat and word: astronomy and the origins of the alphabet

Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-forty-first issue:

"On the Origins of the Alphabet: Orion/Osiris in Need of a Head/Seed, the Roots of Writing, the Neolithic Europe Word as Sun/Seed System (NEWS), and a Solution to the Tartaria and Gradeshnista Tablets," by Brian R. Pellar.

http://www.sino-platonic.org/complete/spp341_alphabet_orion_osiris.pdf

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AI writes sinoglyphs

From Jeff DeMarco:

A Chinese friend has been experimenting with AI, the result being guǐzi 鬼子 ("ghost characters"). We’ve seen something similar, but the hànzì 汉字 ("sinoglyph") manipulation is almost artistic. Have you encountered this before?

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Hurting the feelings of the Chinese people in Tokyo?

Sign outside a Tokyo restaurant:


(source)

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Scrambled strokes

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Decryption of a difficult script

Photograph accompanying a New York Times article, with the following caption: "Merle Goldman explaining the Chinese characters for the word China":


(source)

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Tax(es): kanji of the year 2023

The breathless moment when "zei 税" is written by Mori Seihan, the head priest of the magnificent Kiyomizudera in eastern Kyoto (1:32):

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Eddie Bauer

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