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Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-fifty-fourth issue: "Handling Chinese Characters on Computers: Three Recent Studies" (pdf), by J. Marshall Unger (August, 2024).
Abstract
Writing systems with large character sets pose significant technological challenges, and not all researchers focus on the same aspects of those challenges or of the various attempts that have been made to meet them. A comparative reading of three recent books—The Chinese Computer by Thomas Mullaney (2024), Kingdom of Characters by Jing Tsu (2022), and Codes of Modernity by Uluğ Kuzuoğlu (2023)—makes this abundantly clear. All deal with the ways in which influential users of Chinese characters have responded to the demands of modern technology, but differ from one another considerably in scope and their selection and treatment of relevant information long known to linguists and historians.
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Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-fifty-third issue: "Speaking and Writing: Studies in Vernacular Aspects of Middle Period Chinese Culture" (pdf), edited by Victor H. Mair (August, 2024).
Foreword
The three papers in this collection were written for my seminar on Middle Vernacular Sinitic (MVS). They cover a wide variety of topics, from epistolary style to social mores, to philosophy and religion. They reveal how a vernacular ethos informs the thought and life of men and women from different social classes and distinguishes them from those who adhere to a more strictly classical outlook. Although they are on quite dissimilar subjects, this trio of papers harmonize in their delineation of the implications of vernacularity for belief and perception. Taken together, they compel one to consider seriously what causes some people to tilt more to the vernacular side and others to cling to classicism. While the authors of these papers do not aim to arrive at a common conclusion on the meaning of the vernacular-classical divide, the readers who probe beneath the surface of all three papers will undoubtedly find facets that refract and reflect themes that bind them into a unified body of inquiry.
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Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-fifty-second issue: "Dramatic Transformations of Sinography in East Asia and the World" (pdf), edited by Victor H. Mair (August, 2024).
Foreword
The three papers in this collection were written for my “Language, Script, and Society in China” course during the fall semester of 2023. All three of them are concerned with radical changes made to Sinographic script during its adjustment to modernity.
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Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-fifty-first issue: "Placing Western Coins Near the Deceased in Ancient China: The Origin of a Custom," by Pin LYU:
ABSTRACT: This article traces the custom in ancient China of placing Western coins in proximity to corpses during burial. Academic attention has focused on the origin of the custom since Marc Aurel Stein initially connected the finding in Turfan of Western coins placed in the mouths or on the eyes of the corpses with Charon's obol, the ancient Greek coin that, similarly placed, paid Charon to ferry the dead to the underworld. Some scholars agreed with Stein's proposal, while others suggested that it was instead a traditional Chinese funerary ritual, unrelated to Greece. This article moves away from over-reliance on written sources and aims at uncovering the patterns underlying this custom, through the collection and analysis of available archaeological material. Results indicate that the custom possibly originated in the Hellenistic practice of Charon's obol and then traveled to China with Sogdian immigrants, developing into a regional funeral ritual in Turfan.
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Tangutologists and Old Chinese aficionados take note: the whole 2024 Festschrift for M.V. Sofronov, produced on the occasion of his 90th birthday in 2019, is now available via C. Harbsmeier's academia page: https://t.co/hGUhgrgauE pic.twitter.com/zH7zxY0YjG
— Wolfgang Behr (@behrwolf) June 27, 2024
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Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-forty-ninth issue — Benjamin Porteous, "Reading Genesis 22 and Analects 18 in Late Antiquity":
ABSTRACT: This paper compares modes of scriptural interpretation from two ends of the Eurasian landmass in the late antique period (400–600 CE). Juxtaposing midrashim on Genesis with the Lunyi yishu 論語義疏, a famous expository commentary on the Confucian Analects, the paper argues that the difference between late-antique Confucian and Jewish commentarial practice lies in differing senses of responsibility for the sacred text. The Lunyu yishu curates the full Analects text, while midrashim presuppose a reader who turns elsewhere for the full version of the Hebrew Bible. The paper provides full typologies of commentarial technique in the midrashim and the Lunyu yishu; this is designed to assist comparison and further understanding of the practice of medieval Chinese commentary.
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Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-forty-eighth issue:
"A Historical Perspective on the Central Asian Kingdom of Kucha," by Angela F. Howard.
http://www.sino-platonic.org/complete/spp348_kucha.pdf
ABSTRACT
The article reexamines the dating of the earliest Buddhist cave paintings in the ancient Kingdom of Kucha, which was located in what is now Xinjiang, paying particular attention to the site of Kizil. Based on multiple Carbon-14 results spanning thirty years, historical and religious documents, and the author’s in situ research, the dating proposed is earlier than the traditional one, considered to be circa 500 AD. The latter was formulated, close to a century ago, by the scholar-explorer Ernst Waldschmidt on the basis of the “Indo-Iranian” style and is still used in art historical literature. Relying especially on Kucha’s comprehensive history, this paper suggests that the earliest cave paintings might have been coeval with the flourishing of Buddhism in Kucha during the fourth century. Given the centrality of the Tocharian language to the Sarvāstivādin Buddhist school associated with Kucha’s monasteries and the relative stylistic independence of Kucha from India, the author recommends adopting the term “Tocharian style” rather than “Indo-Iranian style” to describe artistic production in Kucha prior to the Tang.
Keywords: Tocharian, Central Asia, Caves
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Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-forty-sixth issue: "The Imagery of House Geckos and Tokay Geckos in Imperial Era Chinese Literature," by Olivia Anna Rovsing Milburn.
Keywords: House geckos; Tokay geckos; Chinese literature; virginity tests; magic; rain-making
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The first part of this series, "Indigo and cabbage", written the day before Thanksgiving in 2023, is one of the most satisfying and fulfilling posts I've ever made. This follow-up is even more of a delight, because here I get to introduce a new paper by anthropologist-linguist-textile expert Elizabeth J. W. Barber, and what a tour de force it is (see below).
Here I give an extended account of her scholarship, especially her early activities in the computer analysis of Chinese, because she was instrumental in helping to make that possible at its foundational stage.
She earned a bachelor's degree from Bryn Mawr College in Archaeology and Greek in 1962. Her chief mentor was Mabel Lang from whom she learned Linear B and who advised her honors thesis on Linear A. In addition to Lang, Wayland wrote her thesis under Emmett L. Bennett Jr. Her thesis used computer indices of the Hagia Triada Linear A texts in an attempt to decipher its signs and symbols. The computer indices were made via punched cards, a method which was preceded by the work of Alice E. Kober on Linear B. She earned her PhD from Yale University in linguistics in 1968. Her doctoral study at Yale University was supervised by Sydney Lamb, under whom she wrote her dissertation, "The Computer Aided Analysis of Undeciphered Ancient Texts."
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Given that we've been discussing astronomy / astrology and their relationship to the alphabet so intensely in recent weeks, I'm pleased to announce this important conference that is about to be convened: “The Power of the Planets: The Social History of Astral Sciences Between East and West”, May 20–21, 2024, Dipartimento di Beni Culturali – Università di Bologna (Ravenna, Italy).
I warmly recommend that you take a close look at the header images of two objects in The Cleveland Museum of Art: Mirror with a Coiling Dragon, China, Tang Dynasty 618-907 (https://www.clevelandart.org/art/1995.367), Drachma – Sasanian, Iran, reign of Hormizd II, 4th century (https://www.clevelandart.org/art/1966.738).
The quality of the photographs is extraordinarily fine and detailed. Using the zoom and expand functions, you can see things not clearly visible to the naked eye. Especially noteworthy is the jagged dorsal fin / frill / spine that runs along the back of the dragon on the Tang mirror and is a conspicuous counterpart of many species of dinosaurs.
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In our studies of the transmission of Indo-European language and culture across the Eurasian continent, one of the most vital research topics is that of horse-drawn wheeled vehicles. During this past semester, I taught one of the most satisfying courses of my entire half-century career, namely, "Horses and humans". Among the many engrossing subjects that we confronted are the nomenclature for wheeled vehicles, how horses were hitched to them, and so forth. Many of these questions are now authoritatively answered in the following paper by three of the world's most distinguished scholars of equine equipage.
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Sino-Platonic Papers is pleased to announce the publication of its three-hundred-and-forty-fourth issue:
"From Chariot to Carriage: Wheeled Vehicles and Developments in Draft and Harnessing in Ancient China," by Joost H. Crouwel, Gail Brownrigg, and Katheryn Linduff.
https://sino-platonic.org/complete/spp344_chariot_to_carriage_in_ancient_china.pdf
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If someone is investigating texts, they can concentrate on the subject / content / style / linguistic nature of the writing. Increasingly, however, scholars have begun to concentrate on the objects and materials on which the writing takes place. From this, they tease out all sorts of interesting information about the social, political, and economic aspects of the texts. A new book on this topic is Thomas Kelly's The Inscription of Things: Writing and Materiality in Early Modern China (New York: Columbia University Press, 2023).
Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.
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