Language Log

From Daniel Sterman:

There’s an old joke about computer programmers (or mathematicians, or logicians). Ask them “Is X right or wrong?” and they’ll answer “Yes”. Because, indeed, either X is right or it is wrong.

[This is a guest post by Nathan Hopson]

I know you've written a lot about character amnesia in the greater Sinosphere. But I think I witnessed the related, but significantly different, phenomenon of (grammatical) particle amnesia (or perhaps, "drift") during a recent trip to Hawaii.

As you know, Hawaii has a large nikkei* population. This is especially true in and around Honolulu, where I was for the Japanese Studies Association conference last week. In addition to an extraordinary number of Japanese tourists, Oahu is home to nisei,** sansei,*** and many people of mixed heritage. Japanese signs abound, and Japanese is spoken in many hotels, restaurants, and stores.

[*an American of Japanese descent.]
[**second generation; ***third generation]

It's only January, yet we may have already seen this year's winner in the category of Misapprehensions about Chinese Characters and the Nature of Language.  It appears in Xiaolu Guo's "‘Is this what the west is really like?’ How it felt to leave China for Britain" (The Guardian, 1/10/17).  Ms. Guo's long essay, an adapted extract from her forthcoming Once Upon a Time in the East: A Story of Growing Up, is preceded by this dismal epigraph:

Desperate to find somewhere she could live and work as she wished, Xiaolu Guo moved from Beijing to London in 2002. But from the weather to the language and the people, nothing was as she expected.

Poor Xiaolu Guo!

David Brooks may be a fantasy-nonfiction author manqué, but Jorge Luis Borges has set a standard in that space that's hard to match. From  "Tlön, Uqbar, Orbis Tertius", in Ficciones:

There are no nouns in the hypothetical Ursprache of Tlön, which is the source of the living language and the dialects; there are impersonal verbs qualified by monosyllabic suffixes or prefixes which have the force of adverbs. For example, there is no word corresponding to the noun moon, but there is a verb to moon or to moondle. The moon rose over the sea would be written hlör u fang axaxaxas mlö, or, to put it in order: upward beyond the constant flow there was moondling. (Xul Solar translates it succinctly: upward, behind the onstreaming it mooned.)

Federico Escobar pointed me to an essay by David Brooks, "The 2016 Sidney Awards, Part I", NYT 12/27/2016:

Perry Link once noticed that Chinese writers use more verbs in their sentences whereas English writers use more nouns. For example, in one passage from the 18th-century Chinese novel “Dream of the Red Chamber,” Cao Xueqin uses 130 nouns and 166 verbs. In a similar passage from “Oliver Twist,” Charles Dickens uses 96 nouns and 38 verbs. […]

Link notes that Indo-European languages tend to use nouns even when verbs might be more appropriate. Think of the economic concept inflation. We describe it as a thing we can combat, or whip or fight. But it’s really a process.

Link takes this thought in a very philosophical direction, but it set me wondering how much our thinking is muddled because we describe actions as things. For example, we say someone has knowledge, happiness or faith (a lot of faith or a little faith, a strong faith or a weak faith); but faith, knowledge and happiness are activities, not objects.

Of course I wondered about this, since David Brooks was post-truth before post-truth was cool (see e.g. "Reality v. Brooks", 6/1/2015). And it's likely to puzzle both philosophers and psychologists to be told that they view faith, knowledge, and happiness as objects.

So I went to the cited essay — Perry Link, "The Mind: Less Puzzling in Chinese?", NYRB 6/30/2016.

A Korean chain coffee shop, Caffe Bene, recently opened a branch at 38th and Chestnut in University City, Philadelphia.  This is a design on one of the walls:

A neighbor of mine, a respectable woman retired from medical practice, set a number of friends of hers a one-question quiz this week. The puzzle was to identify an item she recently purchased, based solely on what was stated on the tag attached to it. The tag said this (I reproduce it carefully, preserving the strange punctuation, line breaks, capitalization, and grammar, but replacing two searchable proper nouns by xxxxxxxx because they might provide clues):

ABOUT xxxxxxxx
He comfortable
He elastic
He quickly dry
He let you unfettered experience and indulgence. Please! Hurry up
No matter where you are. No matter what you do.
Let xxxxxxxx Change your life,
Become your friends, Partner,
Part of life

After reading "A new English word" (11/30/16), Yixue Yang sent me the following interesting note on "lihai" ("awesome / awful") in action in China today:

Helen Sims-Williams has a new post on The Philological Society Blog:

"Understanding the loss of inflection" (11/23/16)

Helen takes what might superficially seem to be a dry and dreary topic and turns it into a lively, stimulating essay.  Here's how it begins:

Many of the debates over Chinese language issues that keep coming up on Language Log and elsewhere may be attributed to a small number of basic misunderstandings and disagreements concerning the relationship between speech and writing.

Yesterday, Buzzfeed published an article titled "This Woman Ate A Pork Bun In A Typhoon And Now Everyone Loves Her" (9/28/16).  It featured this drawing:

The Economist, in a leader last April about the Panama Papers revelation, which I really should have brought to your attention sooner (it fell through the cracks of my life), told us that "The daughters of Azerbaijan's president appear secretly to control gold mines."

They appear secretly? Where are these secret appearances? Are they scheduled in advance, or do they occur randomly? And how would a secret appearance help to control a gold mine?

In The Japan Times (9/12/16), Mark Schreiber writes:  "Can Japanese speakers really read Chinese? It depends on what you mean by ‘read’".