"Sound" at the center, "horn" at the periphery: the shawm and its eastern cousins, part 2
For a good example of how music and musical instruments, together with the words to designate them, could travel long distances in antiquity, we have already taken a look at the case of the shawm: "The shawm and its eastern cousins" (11/16/15). Since writing that post nearly seven years ago, a few more interesting facts about the shawm family have come to light, so it's time to revisit this raucous instrument.
I first encountered this melodic noisemaker in the guise of the Chinese suǒnà 嗩吶. Inasmuch as the Sinographic form has two mouth radicals, that could be to emphasize that it has to do with making sounds, which is definitely true, but that might also indicate that it is a transcription of a foreign word, which is certainly the case. The latter is underscored by the fact that it has the variant orthographic form with a metal radical on the first character: 鎖吶.
So where did the suona come from, and how did it get to China? By investigating suona's linguistic ancestry, we can get a pretty good idea of the route by which it came to the Middle Kingdom.
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