Language Log

In my latest Word Routes column on the Visual Thesaurus, I take a look at Harry McCracken's excellent historical analysis of the word fanboy, from something of an in-joke among underground cartoonists in the '70s to an all-purpose techie put-down in the '00s. I throw into the mix the acronymic mnemonic FANBOYS, standing for for, and, nor, but, or, yet, and so, a list that is supposed to constitute a class of "coordinating conjunctions" that pattern alike. Geoff Pullum has already noted the bogosity of this list here, and my column relies on further dismantling of the FANBOYS myth by Brett Reynolds of English, Jack and Karl Hagen of Polysyllabic. My final question:

What I'm wondering is, could there have been any cross-pollination between the grammatical mnemonic and the fanboys of comics, science fiction, and the like? If teachers of English composition were keeping FANBOY(S) alive as an acronym in the '50s and '60s, perhaps that had an indirect effect on those underground cartoonists who started using it in the '70s. That's assuming they were paying attention during their language-arts classes and not just reading comic books!

Read the whole column here.

Following up on earlier LL posts about language training in the U.S. military (e.g. "The interpreter shortage", 10/17/2005; "Linguistics in 1940", 3/11/2007) Jim Gordon sent a pointer to Roger Dingman's Deciphering the Rising Sun: Navy and Marine Corps Codebreakers, Translators and Interpreters in the Pacific War, Naval Institute Press, 2009. From a review by Ian Nish at the Japan Society:

Professor Dingman has based this enlightening study on extended interviews with former officers in the US Navy and Marine Corps who are now in their upper 80s. But he has also made much use of the unpublished memoirs to be found in the Navy Language School Collection in the Norlin Library, University of Colorado at Boulder where they were trained. It is a tribute to the US government – and the British for that matter – that they appreciated the importance of training linguists during the Asia-Pacific war and had the foresight to recruit and train personnel not of Japanese ancestry to study the Japanese language with a view to serving as language officers. Dingman concludes that it was a successful experiment and draws a painful parallel with the Bush administration’s decision to invade Iraq:

“In June 2002 America teetered on the cusp of a war in Iraq that has lasted longer than the titanic struggle which the World War II language officers fought… It led to swift military victory, but true peace has proven elusive in the disastrously mismanaged, occupation that followed… those in our armed forces charged with carrying out their orders lacked knowledge of Iraq’s history and culture and of the language of its people. (pp. 249-50)”

The Apple is a site "where teachers meet and learn". It has a page where teachers can supposedly learn from "11 Grammar Mistakes to Avoid". And guess what: as Steve Jones has pointed out to Language Log, not a single one of these alleged grammar mistakes is both (a) genuinely relevant to English grammar and (b) actually a mistake. It is truly extraordinary what garbage teachers are exposed to when it comes to matters of how to describe what is and what is not grammatical in Standard English.

Jason Kottke links to a "Grammar Challenge" devised by David Foster Wallace and posted by a student of Wallace's, Amy McDaniel. What's noteworthy is that Kottke reports getting 0/10. Kottke is a thoughtful, creative English prose stylist, and Wallace thought that these questions were basic ones that should be taught in any undergraduate class. Kottke seems to think the problem lies with him. I take a different view: this test is useless. Just imagine a chemistry quiz that accomplished working chemists could not pass. What would you make of such a quiz? I myself would question its author's competence at devising chemistry quizzes.

My waggish friend Steven Levine sent me, a little while back, a page from a grade school workbook on writing (I don't know which one, nor do I much care; this page is a not at all remarkable instance of the workbook genre). Here's the text of exercise 125, "Interesting Sentences":

A good sentence should be interesting.

"I have a dog" is not a good sentence with which to begin a story. [Note the very formal fronted preposition; no stranded prepositions! Possibly the writer of this sentence genuinely believes that "preposition at end" is ungrammatical, or maybe the writer is just trying to model "the best grammar" for the kids.] If you are writing a story about your dog that was lost, it would be better to begin the story, "Last week my dog Shep ran away from home."

Can you change the following sentences into interesting sentences? [Note that this is an instruction to change the sentences, not an actual question.]

The sentences are:

1. I have a bicycle.
2. Charlie has a goat.
3. I have a dress.
4. Brother gave me a wagon.
5. I have a pony.
6. My shoes are new.

(and there's a line at the end labeled: My score……………….)

There's a lot that could be said about this exercise, but here are a few observations.

Not surprisingly, my post on /men tuh list/ yesterday was not well received. I tossed it out, stirred the pot, and it bubbled up. Many readers, some angry, have written me to tell me how utterly wrong my syllabification was. I fully agree.  But that wasn’t what I wanted to communicate. I don’t really care how Mentalist syllabifies the name of that TV program. My point, obviously made too obscurely, or too subtly, or too ineptly, had nothing to do with the phonological property of a word. It had to do with children learning how to read. Language Log readers set me straight, but also they were unanimous in saying that the phonologically correct division of mentalist produces two words totally unrelated to the meaning of that word, men and list. I could be very wrong (not unusual for me), but when children find these two unrelated words in mentalist as they try to split the word into phonologically accurate syllables, the result seems counterproductive to the process of learning to read. As heretical as this may sound, I suspect that sometimes a correct analysis of something can actually hinder rather than help children learn new tasks.

A new cop show called Mentalist has been one of the big hits of this season’s television fare. It features Simon Baker as a former fortune teller turned honest by renouncing his former fraudulent practice and now working with an unlikely bunch of California Bureau of Investigation officers to catch the bad guys. What caught my eye, however, was the title of the show, which is broken into what the writers believe to be the syllables of Mentalist:

/’men – tuh—list/    noun

Okay, the second syllable is actually /t / plus schwa, but I don’t have a keyboard with a schwa, so you understand what I mean by the /-uh/.

Reporting from the geriatric desk at Language Log Plaza: I retired from the classroom almost 13 years ago and I sometimes miss teaching linguistics to my students. I’ve continued to consult with lawyers on their criminal and civil law cases and I still write articles and books, but I’ve found that I rather miss my daily contact with students. So, in an effort to keep some kind of contact alive, I set up my website in such a way that if people who want access to some of my papers on it, they first have to email me and tell me something about themselves and why they want access to this material.

Even when the information they give me is minimal, I usually give them my password anyway. We often have two or three email exchanges about their questions, but most of the time I never hear from them again. Once in a while I actually get an opportunity to teach that is more than simply giving them access to my published papers. One example of this bears some amplification. Here’s the story.

There's a fact-and-graph-packed post over at Pinyin News on "US post-secondary enrollments in foreign languages and the position of Mandarin". The post's "basic points up front":

• Spanish has more enrollments than all other foreign languages put together.
• By far the biggest enrollment boom since 1990 has not been for Mandarin but for American Sign Language.
• The boom in enrollments in Arabic also surpasses that for Mandarin.
• Mandarin is indeed growing in popularity — but in recent years only at the undergraduate level.
• Japanese continues to be more popular than Mandarin, though by an ever-smaller margin.
• Mandarin is the seventh most studied foreign language in U.S. post-secondary schools, behind Spanish (which leads Mandarin by a ratio of 16:1), French, German, American Sign Language, Italian, and Japanese.
• Relatively speaking, enrollments in foreign languages are much lower than they were 30 years ago.

In response to my post on the relative difficulty of learning to read in English ("Ghoti and choughs again", 8/16/2008), Mark Seidenberg sent a note raising an interesting question about the relationship between writing systems and the morphology of the languages they represent:

It is my informal observation that the shallow orthographies are associated with languages that have relatively complex morphology (inflectional and/or derivational). Classic examples would be Serbo-Croatian, Russian, Finnish and German (though of course these languages aren't all morphologically complex in the same way). I mean complex relative to other languages like English. The deep orthographies are associated with languages such as English and Chinese, which have relatively simple morphological systems. Perhaps this observation is correct (though mixed systems such as Japanese present a potential challenge); perhaps your readers would be able to generate counterexamples. Still, if the general trend holds, the question would then be why properties of the writing system trade off against properties of the language.

English is not the worst imaginable choice as a medium of international communication — Chinese would be worse, among a few others. But on the whole, it's seriously bad luck for the human species that English happened to hit the linguistic jackpot. The problem is not the English language itself, which I love dearly and would otherwise be happy to recommend to others. The problem is the way that English is written, which is really, really hard to learn, in comparison to most other languages with an alphabetic writing system.

At the recent Acoustics 2008 meeting, I heard a presentation that reminded me of a mystery that I've been wondering about for nearly two decades. The paper presented was Maria Uther et al., "Training of English vowel perception by Finnish speakers to focus on spectral rather than durational cues", JASA 123(5):3566, 2008. And the mystery is why HVPT — a simple, quick, and inexpensive technique for helping adults to learn the sounds of new languages — is not widely used.

Apparently Mark and I overlapped in Paris! Who knew. I was there for une journée d'études for the CNRS project Temptypac, which was fun and interesting, plus of course being in Paris is always superbe…

My French is up to most basic communication needs, but my husband's isn't, so we shopped around a bit for a phrasebook to help him maximize touristic enjoyment while I linguistified. We found four suitable candidate pocket phrasebooks. One cost 5 euros rather than 7. It also happened to be the one that included the all-important phrase, "Je voudrais cinq tranches de jambon, s'il vous plaît", without which phrase one cannot navigate Paris at all. But the main deciding factor for us, besides the extremely valuable euros, was the pronunciation guides.