Language Log

Under "Frontiers of recycling", Brian Leiter tweeted this charming sign:

https://twitter.com/BrianLeiter/status/1386724001540624384

I've often heard of important discoveries at Tel Lachish, and I have a special interest in the origins of the alphabet, which I consider one of the most important inventions in the history of humankind.  So when I saw the title of this article, I perked up instantaneously.

"Archaeologists Think They’ve Found Missing Link in Origin of the Alphabet

A three and a half millennia old milk jar fragment unearthed at Tel Lachish in Israel has caused quite a bit of excitement."

By Candida Moss, The Daily Beast, Updated Apr. 25, 2021 8:18AM ET / Published Apr. 25, 2021 8:17AM ET

An anonymous collector recently sent me photographs of a handscroll featuring eight manifestations of Guanyin (Skt. Avalokiteśvara), the Bodhisattva of Compassion painted on silk, circa 1940s.  A striking feature of this handscroll is that each painting of one of the manifestations is accompanied by a vertical Manchu inscription on the upper right side.  The Manchu writing looks genuine, but it has some characteristics that give one pause.  The paintings also have some aspects that are disquieting.  In this post, l will reproduce only the first and last paintings, but will also provide some other illustrations for comparative purposes.

Sign at a fruit stand:

[This is a guest post by Nathan Hopson]

I never thought this day would come.

From convenience stores to high-end luxury retailers, the daily soundscape of Japan is punctuated by millions upon millions of calls of “Irassshaimase!” It’s a greeting so pervasive that it becomes one of the most searing impressions of the country for first-time tourists, and for those of us who live here long-term it’s hard to imagine Japan without it. But perhaps now we will have to. The unthinkable, it seems, has been thought.

Irasshaimase (いらっしゃいませ) is a formal imperative form. It comes from the root verb irassharu (いらっしゃる), a “polite” verb that can mean to come, go, or be. The simple imperative is irasshai (いらっしゃい), which, though more unusual these days, can still be stumbled upon if you escape some of the more formalized spaces of the mainstream bourgeois economy. Both irasshaimase and irasshai mean, more or less, “Come on over!” or “Come on in!” In its modern incarnation, used primarily to greet customers who have already entered a store or restaurant, the nuance of irasshaimase is closer to “Welcome!” Occasionally you’ll hear it paired with “Goyukkuri dōzo” (ごゆっくりどうぞ), in other words, “Please take your time.”

Today's xkcd:

A gēnpìchóng 跟屁虫 (lit., "follow-fart-bug / worm") is somebody who tags along after someone else so as to smell his farts, i.e., someone who follows another person all the time, a copycat, a shadow, a flatterer, sycophant, boot / ass licker, kiss-ass, yes man.

And here's a cute little tutorial about how to be a gēnpìchóng:  

This morning, by chance, I learned about the great urban center of Caral in Peru, 120 miles north of Lima.  It was occupied between ca. 26th century BC and 20th century BC and had more than 3,000 inhabitants.  It was said to be the oldest urban center in the Americas and the largest for the 3rd millennium BC.  Caral had many impressive architectural structures, including temples, an amphitheater, and pyramids that predate the Egyptian pyramids by approximately a century.

What attracted my attention the most, however, is this:

Among the artifacts found at Caral is a knotted textile piece that the excavators have labelled a quipu. They write that the artifact is evidence that the quipu record keeping system, a method involving knots tied in textiles that was brought to its highest development by the Inca Empire, was older than any archaeologist previously had determined. Evidence has emerged that the quipu also may have recorded logographic information in the same way writing does. Gary Urton has suggested that the quipus used a binary system that could record phonological or logographic data.

(source)

Recently published in the Wall Street Journal:

"Tokyo’s Anti-Olympic Movement Ask: Why Haven’t the Games Been Canceled? The Japanese public remains opposed to the Tokyo Olympics as coronavirus cases surge across the country", by Alastair Gale, WSJ, April 14, 2021

From Jen Sorensen:

We all know about the Silk Road (which is actually a recent term), and some of us also know about the Bronze Road, the Iron Road, the Horse and Chariot Road, the Fur Road, the Glass Road, the Spice Road, and the Tea Road.  Now we really have to take seriously the existence of a Wool Road.

As I have often noted, I began my international investigation of the mummies of the Tarim Basin as a genetics project in 1991, since that was around the time that it became possible to study ancient DNA.  After four years of diligent collection and analysis, I grew disenchanted with the expected precision of genetics research, and in 1995 I returned to Eastern Central Asia (ECA) with Elizabeth Barber and Irene Good, prehistoric textile specialists, to study the archeologically recovered textiles of the region.  The results of their work turned out to yield tremendously valuable and revealing results about the origins and technology of the ancient textiles we examined.

From John Brewer:

Not sure if Language Log typically has a "travel page" section, but those readers in or near the NYC area who are vaccinated or otherwise not locked down might be interested in an exhibit at the Grolier Club in Manhattan that I visited a few days ago and will remain there until mid-May. It's called "Taming the Tongue in the Heyday of English Grammar (1711-1851," and includes sixty-odd different volumes from that time frame offering analysis, instruction, prescriptivist guidance, and/or complete crackpottery on the subject. They are all from the personal collection of the famous and/or notorious Bryan Garner. Admission is free but you need to book a time-slot 48 hours in advance via their website so they can limit the number of visitors to a pandemic-suitable total.

More details here (you may need to click on the "Second Floor Gallery" tab).

From today's Doonesbury: