Archive for Diglossia and digraphia
October 4, 2017 @ 6:38 am· Filed by Victor Mair under Bilingualism, Diglossia and digraphia, Puns
Yep, just like that. This expression is very common on the Chinese internet, messaging, chatting, etc. now, but — for those of us who are not in the know — what does it mean?
I'll just give one hint: nǐ 你 means "you".
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September 8, 2017 @ 11:42 pm· Filed by Victor Mair under Borrowing, Diglossia and digraphia, Morphology
Photograph taken by a Russian friend of Nikita Kuzmin at a Starbucks in Shenyang, northeast China:
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July 29, 2017 @ 7:45 am· Filed by Victor Mair under Diglossia and digraphia, Errors, Language teaching and learning, Writing
Following on yesterday's post ("The naturalness of emerging digraphia" [7/28/17]), Alex Wang tells me, "parents and supplementary educators often post photos like these on their WeChat moments". Here's an example of one that he sent along:
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July 28, 2017 @ 6:11 pm· Filed by Victor Mair under Diglossia and digraphia, Tones, Writing
From David Moser:
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July 3, 2017 @ 9:30 am· Filed by Victor Mair under Diglossia and digraphia, Language and advertising, Signs, Writing systems
From Jim Breen:
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April 24, 2017 @ 6:07 pm· Filed by Victor Mair under Bilingualism, Diglossia and digraphia, Multilingualism, Writing systems
Christopher Alderton saw this flyer on his way to work a few days ago:
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March 17, 2017 @ 10:53 am· Filed by Victor Mair under Diglossia and digraphia, Spelling
B JS sent in this interesting example of using Pinyin ("spelling") as a subtext for notional meaning rendered in characters from Baidu tieba [Post Bar] (though sometimes when I look for this post it seems to get scrubbed by the censors):
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February 16, 2017 @ 8:52 pm· Filed by Victor Mair under Diglossia and digraphia, Writing systems
As soon as I saw the reports about the mobile PaPaPa vans roaming the streets of Chengdu (see "PaPaPa" [2/15/17]), I immediately thought of a similar expression with a similar meaning that I heard forty years ago. On that occasion, someone described to me the actions of a man who was trying (unsuccessfully) to get an erection as "PiaPiaPia". Since that was the first time I had heard that expression, I didn't know for sure what it meant, but I could pretty well guess.
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February 15, 2017 @ 10:06 pm· Filed by Victor Mair under Diglossia and digraphia, Language and advertising, Signs
My, my! What does the signage on this van in Chengdu, Sichuan Province (China) say?

From: "Chinese firm ordered to remove sexually suggestive Valentine’s Day advertisements" (SCMP, 2/15/17).
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February 5, 2017 @ 6:02 pm· Filed by Victor Mair under Diglossia and digraphia, Multilingualism, Topolects, Writing systems
Message in a store window @ 826 Valencia, San Francisco:
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January 29, 2017 @ 8:38 am· Filed by Victor Mair under Borrowing, Diglossia and digraphia, Language and computers, Style and register, Topolects, Translation
The inability of Google Translate, Microsoft Translator, Baidu Fanyi, and other translation services to correctly render jī nián dàjí 鸡年大吉 ("may the / your year of the chicken be greatly auspicious!") in various languages points up a vital distinction that I have long wanted to make, and now is as good a time as ever. Namely, just as you could not expect these translation services to handle Cantonese, Shanghainese, Taiwanese, etc. (unless specifically and separately programmed to do so), we should not expect them to deal with Literary Sinitic / Classical Chinese (LS / CC).
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November 23, 2016 @ 4:43 pm· Filed by Victor Mair under Diglossia and digraphia, Writing systems
Speaking of biscriptalism, Guy Almog called my attention to an interesting project called Aravrit (that is, Arabic + Hebrew [ivrit]).
From the home page:
Aravrit is a project of utopian nature. It presents a set of hybrid letters merging Hebrew and Arabic.
This new writing system is composed of an Arabic letter on the upper half and a Hebrew letter on the bottom half. The characteristic features of each letter were retained, however in both languages the fusion required some compromises to be made, yet maintaining readability and with limited detriment to the original script. In Aravrit, one can read the language he/she chooses, without ignoring the other one, which is always present.
Judging from Aravrit's Facebook page, many of the details of this new, hybrid script were inspired by features found on Yemenite manuscripts.
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October 15, 2016 @ 8:21 pm· Filed by Victor Mair under Diglossia and digraphia, Language and computers, Tones, Transcription, Writing systems
A father speaks
[This is a guest post by Alex Wang, following up his remarks in "Learning to read and write Chinese" (7/11/16).]
The more I learn Chinese to teach my younger son Chinese reading and writing the more I realize for lack of better word how “ridiculous” it is for a “significant / modern” country to use such a reading and writing system. Perhaps I may be wrong because I’m not informed.
To provide some background, I grew up speaking only Chinese in the house. I went to Saturday school for a few years to learn a little bit of reading and writing but mostly forgot all of it by the time I came to Shenzhen 9 years ago. I did not learn pinyin; I was taught Bopomofo which I have forgotten entirely. I say this so that you understand my relative fluency in the spoken language. On reading characters, I can now recognize perhaps several hundred.
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