Language Log

Episode 72 of Gretchen McCulloch's Lingthusiasm podcast is "What If Linguistics – Absurd hypothetical questions with Randall Munroe of xkcd":

What’s the “it’s” in “it’s three pm and hot”? How do you write a cough in the International Phonetic Alphabet? Who is the person most likely to speak similarly to a randomly-selected North American English speaker?

In this episode, your hosts Gretchen McCulloch and Lauren Gawne get enthusiastic about absurd hypothetical linguistic questions with special guest Randall Munroe, creator of the webcomic xkcd and author of What If? 2: Additional Serious Scientific Answers to Absurd Hypothetical Questions. We only wish that there was a little more linguistics in the book. So Randall came on to fill the gap with all his most ridiculous linguistics questions! One of our unresolved questions that we can merely speculate about is our predictions for what the future of English might be like. Are you listening to this episode from more than two decades in the future? Please write in from 2042 or later and let us know how accurate we’ve been!

It's been six years since the movie Arrival arrived in theaters and immediately attracted buzz here on Language Log and elsewhere in the linguaverse. The protagonist Dr. Louise Banks (played by Amy Adams) is a field linguist called upon to communicate with aliens, and the filmmakers took efforts to make that portrayal mirror Dr. Banks' real-life scholarly counterparts. Now comes a new "official retrospective companion book" about the film's creative process called The Art and Science of Arrival by Tanya Lapointe. And it has a section on how linguists reacted to Arrival — including quotes from a couple of Language Log posts.

So there's a particular quirk of English grammar that I've always found quite endearing: the exocentric verb-noun compound agent noun.

It appears in a definite, remarkably narrow period – not more than 150, 200 years – before dying out, leaving loads of legacy words in its wake.

— David Thomas Moore (@dtmooreeditor) September 12, 2022

The title of this article about the Belitung shipwreck (ca. 830 AD) is somewhat misleading (e.g., there is no direct evidence of Malayalam being spoken by any of the protagonists, but it is broadly informative, richly illustrated, and well presented.

"Mongols speaking Malayalam – What a sunken ship says about South India & China’s medieval ties

The silent ceramic objects that survive from medieval Indian Ocean trade carry incredible stories of a time when South Asia had the upper hand over China."

Anirudh Kanisetti

The Print (8 September, 2022)

It's intriguing, at least to me, that the author identifies himself as a "public historian".  He is the author of Lords of the Deccan, a new history of medieval South India.

In Chinese, it is called "qīng líng 清零" (lit., "clear zero").  Because the concept never made sense to me as a practical means for coping with the pandemic coronavirus called SARS-CoV-2, I wrote a post trying to understand what the Chinese authorities mean by it:  see "Dynamic zero" (5/19/22).  In that post, I discussed the problem from many different angles, including:

1. "zero moment point" in robotics
2. "zero-sum game" in mathematics
3. "zero dynamics" in mathematics

If "Zero-COVID" genuinely interests / concerns you, I recommend that you spend some time on the "Dynamic zero" post.  Here I will cite only this brief passage from it:

…before it was rushed into use for the current "zero [Covid control]" policy, "qīng líng 清零" started out in literary texts as an adjective implying "lonely; lonesome; solitary; desolate".  More recently, it was employed in computing as a verb denoting "to reset; to clear the memory".  From there, it was adapted by Chinese epidemiologists in the sense of "to reduce to zero; to zero out".  That may be their goal, but it is not happening, despite their fiercest efforts at FTTIS ("Find, Test, Trace, Isolate and Support").

Not to mention mass prescription of mRNA and other medicines, plus masks.

"Iga Swiatek Teaches Everyone How To Say (Pronounce) Her Name Properly" 

DARPA's AdvaNced airCraft Infrastructure-Less Launch And RecoverY (ANCILLARY) wins my vote for the backronym of the month — though some may feel that it's unfair to pick some medial and final letters while leaving out some initial ones.

Or rather: Against the simplistic interpretation of physics-based abstractions as equal to more complex properties of the physical universe. And narrowing the focus further, it's a big mistake to analyze signals in terms of such abstractions, while pretending that we're analyzing the processes creating those signals, or our perceptions of those signals and processes.  This happens in many ways in many disciplines, but it's especially problematic in speech research.

The subject of today's post is one particular example, namely the use of "Harmonic to Noise Ratio" (HNR) as a measure of hoarseness and such-like aspects of voice quality. Very similar issues arise with all other acoustic measures of speech signals.

I'm not opposed to the use of such measures. I use them myself in research all the time. But there can be serious problems, and it's easy for things to go badly off the rails. For example, HNR  can be strongly affected by background noise, room acoustics, microphone frequency response, microphone placement, and so on. This might just add noise to your data. But if different subject groups are recorded in different places or different ways, you might get serious artefacts.

New article in The Japan Times (9/9/22) by Jennifer O'Donnell: 

"The study of Japanese slang is challenging and never stops. Luckily, it’s also a lot of fun."

Inspired by Wes Robertson’s slang-focused “Scripting Japan” blog, it deals with terms like "Ore shafu da ne wwww おれ社不だねwwww”.

The four w’s you might be able to recognize as the Japanese equivalent to “LOL.” おれ (Ore) means “I,” だね (da ne) is looking for agreement … but what’s 社不 (shafu)?

Well, if you follow Wes Robertson’s slang-focused “Scripting Japan” blog, you’ll know that 社不 is a relatively recent term — more comically self-depreciating than insulting — that refers to someone who is 不適合 (futekigō, incompatible) with 社会 (shakai, society).

Matt Jenkins writes:

Jichang Lulu wrote about 㞞 on the Language Log back in March [see "Selected readings" below], but that post didn't include any reference to    (U+2AA0A).

A story in this morning's Guardian (Alex Finnis, "National Anthem lyrics: How the words will change to God Save The King after the Queen’s death") evokes the (now generally unfair) nickname of Grauniad, spelling King as "Kingn".

I've been told that the issue behind the nickname arose because the Guardian was typeset in Manchester (where it was founded), and then the printed copies were shipped by train to London. There was typically only one edition per day, and so typographical errors could not be corrected in later editions, as they could be for London-based papers, where the edition printed in the wee hours would be superseded by editions printed at intervals throughout the day.

Current text-to-speech systems are pretty good. Their output is almost always comprehensible, and often pretty natural-sounding. But there are still glitches.

This morning, Dick Margulis sent an example of one common problem: inconsistent (and often wrong) stressing of complex nominals:

We have a winding road that we drive with our Google Maps navigator on, to keep us from taking a wrong turn in the woods. We have noticed that "West Woods Road" is rendered with a few different stress patterns as we go from turn to turn, and we can't come up with a hypothesis explaining the variation. Attached is a recording. It's a few minutes long because that's how long the trip takes. The background hum is the car.

I've extracted and concatenated the 11 Google Maps instructions from the four minutes and five seconds of the attached recording:

Today's SMBC: