Language Log

Cartoon by K. L. Ricks:

The idea of real people interacting in virtual worlds has been a staple of SF writing at least since the 1980s. There have been networked multi-player games at least since the 1970s, and of course such games have become a big deal in recent years. And more and more, the meetings that I'm involved in have some or all participants joining via internet-based virtual meeting software, like Skype, Zoom, Chime, etc.

From Alex Baumans:

This has just popped up in my Facebook feed, so I have no idea where this comes from, or whether it has been doing the rounds. Anyway, for someone who regularly uses a spelling system with diacritics, it all seems a bit silly and parochial.

Semiotically, on beyond the metal umlaut!

According to Know Your Meme,

That Wasn't Very Cash Money of You is a catchphrase associated with a drawing of the character Sayaka Miki from Puella Magi Madoka Magica wearing sunglasses. The phrase uses "cash money" to mean "cool." The image was turned into an exploitable in which other characters say the phrase, and the phrase itself has been paired with images of other characters, usually wearing sunglasses.

Fraser Howie called my attention to these two articles that look at language usage in Singapore from quite different angles:

"Revealed: The World’s Best Non-Native English Speaking Countries, 2019", by Anna Papadopoulos, Ceoworld (November 5, 2019)

"Singapore has almost wiped out its mother tongues:  Elderly speakers of Cantonese, Hakka and Hokkien sometimes cannot talk to their own grandchildren", Asia (Feb 22nd 2020)

From John Berenberg — "Coronavirus fears empty streets":

Language Log has been blogging on the "crisis = danger + opportunity" trope since at least 2005.  Our latest iteration is "'Crisis = danger + opportunity' redux" (2/19/20), with a list of references to earlier posts in the series.  By now, the "crisis" meme has become so dull and hackneyed that Tianyu M. Fang has subjected it to a withering deconstruction / reconstruction:

https://twitter.com/tianyuf/status/1233844564475174912

According to Yannis Haralambous, "Grapholinguistics, TEX, and a June 2020 conference in Paris", TUGboat 2020:

Grapholinguistics is the discipline dealing with the study of the written modality of language.

At this point, the reader may ask some very pertinent questions:“Why have I never heard of grapholinguistics?” “If this is a subfield of linguistics, like psycholinguistics or sociolinguistics, why isn’t it taught in Universities?” “And why libraries do not abound of books about it?”

Our recent discussions about syllabicity ("Readings" below) made me wonder whether it's possible to have syllables, words, and whole sentences without vowels.  That led me to this example from Nuxalk on Omniglot:

Sample

clhp'xwlhtlhplhhskwts' / xłp̓χʷłtłpłłskʷc̓

IPA transcription

xɬpʼχʷɬtʰɬpʰɬːskʷʰt͡sʼ

Translation

Then he had had in his possession a bunchberry plant.

This is an example of a word with no vowels, something that is quite common in Nuxalk.

Souce: Nater, Hank F. (1984). The Bella Coola Language. Mercury Series; Canadian Ethnology Service (No. 92). Ottawa: National Museums of Canada.

Joe Farrell wrote in to ask:

Do you know whether the word "handbook" (Gk encheiridion, Lat (liber) manualis) can be found in any other ancient or medieval languages? And, if so, whether it is clearly a loan word or it simply arises spontaneously in different languages from a similar conceptual and material relationship between books and hands.

Listen to this sound, and describe it in the comments below:

You can learn what the sound is, and why I care how you hear it, after the fold.

The old hymn and blues song of that title have been very much on my mind during the last couple of months.

George Hunt Smyttan (1856)

Forty days and forty nights
You were fasting in the wild;
Forty days and forty nights,
Tempted, and yet undefiled….

Muddy Waters (1956)

Forty days and forty nights, since my baby left this town
Sun shinin' all day long, but the rain keep falling down
She's my life I need her so, why she left I just don't know….

These are very different kinds of songs, yet they are both focused on a period of forty days and forty nights.  I've been thinking about these songs a lot in the current climate of far-reaching quarantines against the novel coronavirus epidemic centered on Wuhan, Hubei Province, China.

Changing norms about public display of certain words, as exemplified in the display windows of a local store: