A few weeks ago, I got an interesting email from Jean Charconnet, referencing a 9/10/2026 LLOG post, noting general issues about the logic of analogies and metaphors, and offering to submit a guest post on the topic.
Philadelphia seems to attract Google Maps weirdness. The last time I opened a map to verify some local directions, it popped up an image of the Grand Concourse ceiling of the 30th St. Amtrak station, identified as "Philidelphia Train ticket office":
[emphasis added] Martial law in the US would mean the temporary replacement of government and regular law enforcement by a solely military force.
Standard civil liberties, such as freedom of speech, assembly, or protection from detention without trial, are all suspended in the case of martial law being enacted.
The president has already tried to claim greater federal control over elections, which under the Constitution are administered primarily at the state and local levels of government.
In February, he said Republicans should nationalize boating in at least 15 places.
The United States also totally rejects any attempt to construct a globalist scheme to control for the artificial intelligence being spoken of so much now, hereinafter officially called Super Intelligence, changing the name, and that the use of the word "artificial" makes intelligence fake. It makes it sound fake. And it is not fake. It's actually amazing, but we have to be careful. In fact, it is exactly the opposite of what it purports.
From this point forward, all of United States documents and, hopefully the world's will be changed to use the much more accurate term "super" as opposed to "artificial". So it's Super Intelligence. In other words, welcome to the new world of Super Intelligence-SI. SI, let's see if that goes, it sounds much better. It is much better, and it's much more accurate. Let's see if I have any power. Maybe I do, and maybe I don't. We're going to find out pretty soon.
As counterpoint to Scott Alexander's impressive "King Ludd" exploration, consider this thematic image from The Spectator magazine ("The autistocracy: the men on the spectrum who rule our world"), featuring caricatures of Elon Musk, Dario Amodei, and Sam Altman engaged in modeling a cubical world:
In "A correlate of animacy" (9/27/2008) I noted that "A traditional and characteristic example of the role of animacy in English syntax is the way it affects the choice between the two ways of expressing genitive relations, X's Y vs. the Y of X.". I illustrated the effect with this table (from the days when Google gave estimated counts for search results):
Open eye claims to have solved the Navia Stokes Millennium problem.
Elsewhere in the transcript we get 'OpenMai', 'openi', and 'Omei' as references to OpenAI, which you'd think Gemini would "know" about. And Gemini somehow "knows" to capitalize "Navia Stokes Millennium", but not to spell Naviercorrectly.
There are plenty of other errors, some odder than others, e.g. 'Sam Outman' for "Sam Altman", as you can see for yourself in the transcript and subtitling.
The maxim "today's morphology is yesterday's syntax," coined by linguist Thomas Givon, means that grammatical word endings and affixes (morphology) evolve over time from separate, independent words once used together in phrases and sentences (syntax).