Language Log

From Toni Tan:

Chips Mackinolty sent in this intriguing photograph from Peter Cooke Darwin's tumblr, Life Is A Carnivore:

Or alternatively, were 50,000 Wikipedia word choices actually errors to start with? Andrew McMillen, "Meet the Ultimate WikiGnome: One Man’s Quest to Rid Wikipedia of Exactly One Grammatical Mistake", Medium 2/3/2015:

On a Friday in July 2012, two employees of the Wikimedia Foundation gave a talk at Wikimania, their organization’s annual conference. Maryana Pinchuk and Steven Walling addressed a packed room as they answered a question that has likely popped into the minds of even the most casual users of Wikipedia: who the hell edits the site, and why do they do it?  

Pinchuk and Walling conducted hundreds of interviews to find out. They learned that many serious contributors have an independent streak and thrive off the opportunity to work on any topic they like. Other prolific editors highlight the encyclopedia’s huge global audience or say they derive satisfaction from feeling that their work is of use to someone, no matter how arcane their interests. Then Walling lands on a slide entitled, ‘perfectionism.’ The bespectacled young man pauses, frowning.  

“I feel sometimes that this motivation feels a little bit fuzzy, or a little bit negative in some ways… Like, one of my favorite Wikipedians of all time is this user called Giraffedata,” he says. “He has, like, 15,000 edits, and he’s done almost nothing except fix the incorrect use of ‘comprised of’ in articles.”

Email from CGY.:

I recently read a BBC article detailing some of your work into the uses of 'uh' and 'um' in germanic languages: Ari Daniel Shapiro, "Why we are saying "uh" less and 'um' more", PRI's The World, BBC News 2/7/2014.

I am not a linguist of any sort however I thought you may find some interest in my personal experience. I am a 20 year old English speaking women and I use 'um' almost exclusively as predicted by your research. I am aware that I use 'um' in almost all social situations as I find using 'uh' sounds too sexual. Likewise if I am flirting with someone I find myself using 'uh' almost exclusively.

I thought that this might be the case for others and possibly help provide some explanation for the pattern. Possibly the rise in usage is proportional to the increase in exposure to pornographic material?

A couple of days ago, I mentioned ("Sarah Koenig", 2/5/2015) that David Talkin was releasing a new pitch tracking program called REAPER (available from github at the link). After a few minor improvements in documentation, it's ready for the general public.

The reaper program uses the EpochTracker class to simultaneously estimate the location of voiced-speech "epochs" or glottal closure instants (GCI), voicing state (voiced or unvoiced) and fundamental frequency (F0 or "pitch"). We define the local (instantaneous) F0 as the inverse of the time between successive GCI.

After trying it out, I can recommend it whole-heartedly — it's robust and accurate and fast. It's my new standard pitch tracker.

Most people seem to call it "homophonia" (25,000 ghits), but I'm not even sure what that means:   "Homophonia" (7/31/14).

Following this cartoon in Magic Coffee Hair (8/16/12) and Gretchen McCulloch's article, "What's the Difference Between Homophonia, Homophobia, and Homophonophobia?" (8/1/14) in Lexicon Valley, I'll go with homophonophobia (4,310 ghits), despite the fact that it is a forbidding mouthful, as being a more accurate term for what I want to describe:  an extreme, irrational fear of or aversion to words that sound alike.  In this post, we will discuss homophonophobia, particularly as it relates to Japanese, but also touching upon Vietnamese, Korean, and Chinese manifestations of this type of anxiety disorder.

There are several different sorts of things involved on the perceptual side of the phenomena that people call "vocal fry" and (less often but more appropriately) "vocal creak".

One perceptual issue is the auditory equivalent of the visual "flicker fusion threshold". If regular impulse-like oscillations in air pressure are fast enough, we hear them as a tone; as they get slower and slower, we can increasingly separate the individual pressure pulses as independent events. The threshold at which the pulses fuse into a tonal percept is called "auditory flutter fusion" or sometimes "auditory flicker fusion". The transition between separation and fusion is a gradual one, and in the boundary region, we can hear the pattern in both ways, sometimes as what is called a "creak" sound, because it sounds like the creaking of a sticky hinge.

The other issue is the perceptual effect of pressure oscillations that are irregular as well as relatively low in frequency. Large amounts of random local variation in period sound like the sound of frying food, as bubbles of steam randomly form and pop here and there.

Both creak and fry can happen in human speech vocal-cord oscillation. But what people generally call "vocal fry" is actually more often mostly "vocal creak".

Yesterday, Walt Wolfram gave a talk here under the title "On the Sociolinguistic Legacy of Dr. Martin Luther King Jr: Implications for Linguistic Equality". I was especially interested to learn what they're doing to educate students, faculty, and staff about Language Diversity at NC State:

Just as some folks have a special knack for being able to unravel "The latest word soup from the Bloomberg headline crew", I'm usually able to make sense out of Chinglish that is inscrutable to most readers.  Here's a humdinger sent in by Matt Trevyaud:

Using method: Ready to slice sandwiches and stuffed, in the middle of two sandwiches into a stuffed, hundreds die in a sandwich press, take off the broken edge and die, a lovely delicious sandwich snack is ready.

It's apparently a real set of directions for a sandwich cutter manufactured in China.  When posted, it usually comes with a photograph of the graying, crumpled paper on which the directions are printed in an undistinguished typeface that looks thoroughly authentic.

The latest xkcd, at http://xkcd.com/1483/:

Following up on our recent Vocal Fry discussion ("Freedom Fries"; "You want fries with that?"), Brett Reynolds wrote to suggest that "Sarah Koenig's vocal fry seems to be something new". As evidence, he suggested a contrast between a piece she did in 2000 ("Deal Of A Lifetime", This American Life #162, 6/23/2000) and one from 2014 ("The Alibi: Prologue", This American Life #537, 10/3/2014). Here are the opening passages from those two segments, along with another one from 2000 ("The Mask Behind The Mask", This American Life #151, 1/28/2000), her first for This American Life:

Suzette Haden Elgin, a linguist and feminist science fiction writer, died on January 27 at the age of 78. From io9:

Suzette Haden Elgin, who died last week, was a pioneer of using linguistics in science fiction, creating a whole constructed language in her novel Native Tongue. She was a giant of feminist SF. And she helped bring SF poetry to prominence, while also teaching us to defend ourselves with wit rather than bile.

Elgin had a PhD in linguistics, so it's no surprise that her Native Tongue book trilogy is all about language. The book takes place in a dystopian future, where women have been stripped of all rights when the 19th Amendment to the U.S. Constitution was repealed in 1996. A group of women, who work as part of a corps of linguists who help to communicate with alien races, develop a new secret language for women to use as part of their resistance to their oppression. This language is called Láadan, and Elgin has a whole vocabulary and syntax on her website.

Bloomberg News headlines, as we've observed in the past, often sound like they've been written by someone with a bizarre journalistic strain of aphasia. Consider, as representative samples, "Ebola Fear Stalks Home Hunt for Quarantined Now Released" and "Madonna Addicted to Sweat Dance Plugs Toronto Condos: Mortgages." The latest specimen is especially inscrutable: