Language Log

Article by Richard Medhurst:

"Dust into Mountains: Patience and Perseverance in Japanese Proverbs", Nippon.com (1/27/23)

Eleven items in three categories

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Strive Another Day

七転び八起き — Nana korobi ya oki. To “fall seven times and get up eight” means to remain unbowed despite repeated failure, and keep striving to achieve something. The phrase is often associated with the round red-and-white figures of Daruma (Bodhidarma), the Buddhist monk whose steadfast meditation led to the withering of his arms and legs.

石の上にも三年 — Ishi no ue ni mo san nen. Sit “on a stone for three years” and finally one can warm it up, in this saying encouraging endurance.

塵も積もれば山となる — Chiri mo tsumoreba yama to naru. “If dust piles up, it will become a mountain.” In other words, many small actions continued over time can lead to unexpectedly large and significant results.

待てば海路の日和あり — Mateba kairo no hiyori ari. “Wait and fine weather will come on the sea routes.” If the outlook is stormy now, it is better to wait for the right conditions than take immediate action.

[This is a guest post by Bill Benzon]

That's the name of a treasured Language Log reader and contributor (see under "Selected Readings").  When I asked him how to write that in Sinoglyphs, he told me that it is this:

飢腸轆轆 / simpl. 饥肠辘辘

Wanting to get the tones, I typed "jichanglulu" into Google Translate (GT), but forgot to click the space bar to make the conversion to characters with Hanyu Pinyin transcription complete with tones.  When I pressed the speaker button to hear how that sounded, what came out was something like Mandarin with an English accent, but still perfectly intelligible:  "jichanglulu".  It resembled the Mandarin produced by the strangers on the street who read off the Pinyin texts handed to them by my wife, Li-ching Chang.  She was always delighted when she heard them pronouncing Mandarin without ever having studied it.  "Jichanglulu" — see, you can say it too!

Adding the tones, we get jīcháng lùlù.  What does this somewhat odd assortment of sounds signify?

GT says "hungry", more literally, "hungry intestines are rumbling".

Just out today, this is one of the longest book reviews I have ever written:

Jack W. Chen, Anatoly Detwyler, Xiao Liu, Christopher M. B. Nugent, and Bruce Rusk, eds., Literary Information in China:  A History (New York:  Columbia University Press, 2021).

Reviewed by Victor H. Mair

MCLC Resource Center Publication (Copyright September, 2022)

I am calling it to your attention because the book under review, which I will refer to here as LIIC, signals a sea change in:

1. Sinology
2. Information technology
3. Academic attitudes toward the study of language and literature

For many reasons, here at Language Log we have had a longstanding interest in the Narts, their language, literature, and lore:

The Nart sagas (Abkhaz: Нарҭаа ражәабжьқәа; Nartaa raƶuabƶkua; Adyghe: Нарт тхыдэжъхэр, romanized: Nart txıdəĵxər; Ossetian: Нарты кадджытæ; Narty kaddžytæ; Nartı kadjıtæ) are a series of tales originating from the North Caucasus. They form much of the basic mythology of the ethnic groups in the area, including Abazin, Abkhaz, Circassian, Ossetian, Karachay–Balkar, and to some extent Chechen–Ingush folklore.

The term nart comes from the Ossetian Nartæ, which is plurale tantum of nar. The derivation of the root nar is of Iranian origin, from Proto-Iranian *nar for 'hero, man', descended from Proto-Indo-European *h₂nḗr. In Chechen, the word nart means 'giant'.

(source)

Over the years, I have come across the expression "red thread" in various and sundry circumstances.  The latest instance was conveyed to me by the French journalist and documentary director, Philippe Grangereau.  As we were working together on an illustrated piece of reportage about the Tarim mummies, he would remind me from time to time that everything that went into the text had to contribute and be related to what he called the "red wire" (speaking in English).  The first several times Philippe used that expression I didn't know what he was talking about.  Finally I asked him how to say it in French.  When he told me "fil rouge", I knew right away that he meant "red thread", and that fit perfectly with my understanding of the need for all the elements in the text to be related to the central narrative thread that ran through it.

From Barbara Phillips Long:

In the last week, I have read several "summer reading" columns. It occurs to me it might be interesting to know if there are books with linguists as major characters. Are there?

Martin Delson sent in this interesting puzzler:

I'm participating in an international virtual book-club where all participants are bilingual in German and English. For some reason, the book that the group chose to read is Convenience Store Woman by Sayaka Murata, translated by Ginny Tapley Takemori.
 
Wikipedia tells me the Japanese title is "Konbini ningen (コンビニ人間)".
 
A pair of sentences, not far into the book, reads as follows in the English translation
 
"The first at the cash register was the same little old lady who had been the first through the door. I stood at the till, mentally running through the manual as she put her basket containing a choux crème, a sandwich, and several rice balls down on the counter."

Received from Nathan Hopson:

[This is a guest post by Sara de Rose, responding to requests for more information on the subject prompted by her previous post.]

This post discusses a possible connection between the Mesopotamian tonal system, documented on cuneiform tablets that span over 1000 years (from 1800 BC to 500 BC), and the musical system of ancient China. For a more detailed discussion, see the paper "A Proposed Mesopotamian Origin for the Ancient Musical and Musico-Cosmological Systems of the West and China", Sino-Platonic Papers, 320 (December, 2021) written by myself, Sara de Rose.

Since 1996, twenty-three harps (Chinese: “konghou”) that resemble the angular harp that was invented in Mesopotamia circa 2000 BC have been found in the graves of the Tarim mummies, in Xinjiang Uyghur Autonomous Region, an area of modern-day, western China. These harps date from 1000 BC to 200 BC (see photo).

This guest post by Mark Dow is an excerpt from an interview conducted via email in May/June 2021. The complete interview appears in PN Review #263 (Jan./Feb. 2022).

 Nigel Fabb is Professor of Literary Linguistics at the University of Strathclyde in Glasgow. His books include What is Poetry: Language and Memory in the Poems of the World (Cambridge 2015); with Morris Halle, Meter in Poetry: a New Theory (Cambridge 2008); Language and literary structure: the linguistic analysis of form in verse and narrative (Cambridge 2002); and Linguistics and Literature (Blackwell 1997). In 2022 he will have two new books, Thrills, epiphany, sublime: how literature surprises us. (Anthem) and with Venla Sykäri (eds.) Rhyme and Rhyming in Verbal Art, Song and Language (Studia Fennica Folkloristica).

Mark Dow is author of Plain Talk Rising (poems) and American Gulag: Inside U.S. Immigration Prisons (California).

East Asians have been addicted to strange stories for millennia.  Many of these fall under the rubric of guài 怪 ("strange"), e.g., zhìguài 志怪 ("records of anomalies"), the name of one of the earliest genres of strange stories in China.

One of the strangest aspects about East Asian strange tales is that perhaps the most famous collection of all was written by a Westerner, Lafcadio Hearn (1850-1904).

With this post, I will begin a series on the nature of the Arabic group of languages.  My reason for doing so is that many people are badly confused about just what "Arabic" (a Semitic group) signifies when it comes to language, almost as badly confused as most people are about "Chinese" (linguistically more properly referred to as Sinitic).

For a basic, foundational statement, here are the opening two paragraphs of the Wikipedia article on "Arabic":

Arabic (اَلْعَرَبِيَّةُ, al-ʿarabiyyah [al ʕaraˈbijːa] (listen) or عَرَبِيّ, ʿarabīy [ˈʕarabiː] (listen) or [ʕaraˈbij]) is a Semitic language that first emerged in the 1st to 4th centuries CE. It is the lingua franca of the Arab world and the liturgical language of Islam. It is named after the Arabs, a term initially used to describe peoples living in the Arabian Peninsula bounded by eastern Egypt in the west, Mesopotamia in the east, and the Anti-Lebanon mountains and northern Syria in the north, as perceived by ancient Greek geographers. The ISO assigns language codes to 32 varieties of Arabic, including its standard form, Modern Standard Arabic, also referred to as Literary Arabic, which is modernized Classical Arabic. This distinction exists primarily among Western linguists; Arabic speakers themselves generally do not distinguish between Modern Standard Arabic and Classical Arabic, but rather refer to both as al-ʿarabiyyatu l-fuṣḥā (اَلعَرَبِيَّةُ ٱلْفُصْحَىٰ "the eloquent Arabic") or simply al-fuṣḥā (اَلْفُصْحَىٰ).