Language Log

Robert Hay writes:

There's a Korean pitcher in the majors named Seung-Hwang Oh who was just traded to the Colorado Rockies. Both his previous uniform numbers, 26 and 22, were already taken, so he got number 18, leading to this realization by Sung Min Kim on Twitter:

https://twitter.com/sung_minkim/status/1023410771743596544

[*cheesesteak; hoagie]

Recently, a new phrase has swept through the internet in China:  dìyù tuōyóupíng 地域拖油瓶.

People who introduced me to this expression told me that it refers to somebody who is not good at or who is unfamiliar with things associated with the place where he / she is from.  Of course, I had no problem with dìyù 地域, which means "region(al)", but I couldn't quite grasp the nuances of 拖油瓶 in this phrase.

Originally a Wu topolecticism, syllable by syllable it literally means "drag (along) oil bottle", but as a whole it signifies "children from the previous marriage of a woman who is about to remarry" (Wiktionary); "(derog.) (of a woman) to bring one's children into a second marriage / children by a previous marriage" (MDBG).

This amazing song from Taiwan seems to have been inspired by some Japanese cultural practices, which we will explore later in this post.

In our "unfair but funny" series —  Nathan Sanders has  provided an Alignment Chart for subdisciplines of linguistics:

As a counterpoint to "Peeving and breeding", 3/4/2018, here's Lorenzo Baglioni's "Il Congiuntivo":

Linda Qiu, "President Trump’s Exaggerated and Misleading Claims on Trade", NYT 2/6/2018:

Correction: March 7, 2018 Because of an editing error involving a satirical text-swapping web browser extension, an earlier version of this article misquoted a passage from an article by the Times reporter Jim Tankersley. The sentence referred to America’s narrowing trade deficit during “the Great Recession,” not during “the Time of Shedding and Cold Rocks.” (Pro tip: Disable your “Millennials to Snake People” extension when copying and pasting.)

The "satirical text-swapping web browser extension" in question is Millennials to Snake People — source code available on GitHub — discussion in Slate.

I suspect that this is just as unfair as the old ASR elevator in Scotland skit was, but I don't have time to try it out.

H/t (via retweet) Hugo Mercier.

UPDATE:

From the Washington Post:

Jan. 30, fine, but Jan. 31? Apology required.

Yesterday's edition of the comedy radio news quiz "Wait, wait, don't tell me" featured some discussion of the Talking Orcas story that Geoff Pullum discussed a few days ago in "Orca emits speech-like sound; reporters go insane", 1/31/2018. The whole discussion is worth a listen:

Currently making the rounds is a video from Conan showing a standup appearance by the Finnish comedian Ismo Leikola. In his experience of learning English as a second language, he says, "I think the hardest word to truly master has been the word ass." He muses on the peculiar application of -ass as a slangy suffix in words like lazy-ass, long-ass, grown-ass, bad-ass, and dumb-ass.

Stan Carey discussed the video on the Strong Language blog ("A paradoxical-ass word"), and he links to Mark Liberman's 2014 roundup of scholarship on -ass (on Language Log and elsewhere), "Ignoble-ass citation practices."

According to Andrew Higgins ("Kazakhstan Cheers New Alphabet, Except for All Those Apostrophes", NYT 1/15/2018), the pending turn to a Latin alphabet for Kazakh has run into a pothole: the 77-year-old dictator Nursultan A. Nazarbayev, who apparently has not yet been informed about Unicode, or the possibility of varied computer keyboard layouts.

Mr. Higgins also seems to be in the dark about such arcana — he refers to characters (or maybe diacritics) as "markers", for some reason, and apparently thinks that the Latin alphabet is nothing but good old US ASCII, with none of those furrin umlauts and accents and cedillas and such:

Because Kazakh features many sounds that are not easily rendered into either the Cyrillic or Latin alphabets without additional markers, a decision needed to be made whether to follow Turkish, which uses the Latin script but includes cedillas, tildes, breves, dots and other markers to clarify pronunciation, or invent alternative phonetic pointers.