Language Log

Yesterday I pointed out the trombonish glissando in Bobby Vinton's "Blue Velvet"; today, during my morning ablutions, on the radio I heard a jazz singer do a whole song sounding like a musical instrument.  I don't think there was any digital or electronic assistance, just his natually endowed voice.

Just listened to the classic rendition of that song by Bobby Vinton. I was struck by the way he executed the long drawn-out glissando from the close back rounded vowel to the voiced labiodental fricative.

That's the title of a 9:23 video by a mysterious figure named Ming that was posted a month ago and that I happened upon several days later:

'Tis the season of sneezing, and I'm doing a lot of it these days.  At 5 AM this morning, I was awakened by my own sneezing.   It was completely unpremeditated and unexpected.  The sounds that came out were aaah-HOOOOO!!!!!  Low level / high rising.  

The conventional representation of this sound in writing is "achoo".  Other variations include "kerchoo" and "hachao", etc.  In German, I think that the sound of a sneeze is represented as "hatschee" and in Japanese it is "hakushon".

This morning, the sound that I explosively emitted was aaah-HOOOOO!!!!!  Twice.

Since I have a large, Alpine schnoz that acts as an echo chamber, causing the sound to reverberate in my nasal passages, it is extremely loud and ends shrilly.  It can be heard a block away, or all the way down the turn of the corridor from my office to the departmental office about 40 paces distant.

Julesy just keeps getting better and better:

I don't know why, but the first time I came upon this marvelous site, in Mark's March 5, 2021 post, it didn't make much of an impression on me.  Maybe I was too busy to explore it at that time or was just not in the right mood.  Four days ago, however, when my old Peace Corps buddy, Bob Kambic, called it to my attention, Radio Garden just blew my mind away.  I kept exclaiming, "This is the most exciting, happiest day of my life!"

From Alex Baumans:

Hyeri needs translation by Haneul while talking with Kiss of Life! #kissoflife #키스오브라이프 #혜리

https://www.youtube.com/shorts/zv6hFvQyiDM

The title of this song attracted my attention:  "Fāngyán de ànshāng 方言的黯伤" ("The sadness of topolect"). 

I listened to it here, but couldn't catch everything that the singer was saying.  I asked Zhaofei Chen what she heard, and here's what she gleaned from listening to the recording:

This is a problem we've raised and discussed many times on Language Log, and I've always been dissatisfied with the results.  With the following video, I've finally found a scholarly, convincing approach.

Julesy, "How do you sing in a tonal language like Chinese?" (a week ago)

I seldom dream, but last night a line got stuck in my brain:  "dub it up", repeated over and over, with a crisp reggae beat.  I couldn't figure it out, and was annoyed that I didn't know what it meant.

I don't think that I had ever heard it before in my waking life.

The first thing I did after washing up in the morning was google it.  Turns out there was a record called "Let's dub it up" by a male British artist named Dee Sharp (b. 1956 in London; to be distinguished from the more famous American female singer Dee Dee Sharp [b. Philadelphia 1945]).  I listened to the Dee Sharp song here (Fashion records 1980), and was astonished to find that it had the same melody and beat as the repeated line in my dream, so I must have heard it at some time in my life, whether I was aware of it or not.

"Superficial auditory (dis)fluency biases higher-level social judgment." Walter-Terrill, Robert, et al. Proceedings of the National Academy of Sciences 122, no. 13 (March 24, 2025): e2415254122 

[This is a guest post by AntC]