Language Log

"Koko, the Gorilla Who Knew Sign Language, Dies at 46", Associated Press 6/21/2018:

Koko the gorilla who mastered sign language, raised kittens and once playfully tried on the glasses of the late actor Robin Williams, has died. She was 46.

The Gorilla Foundation says the western lowland gorilla died in her sleep at the foundation's preserve in California's Santa Cruz mountains on Tuesday.

Koko's capacity for language and empathy opened the minds and hearts of millions of people, the foundation said. She appeared in many documentaries and twice in National Geographic. The gorilla's 1978 cover featured a photo that the animal had taken of herself in a mirror.

Yesterday's edition of the comedy radio news quiz "Wait, wait, don't tell me" featured some discussion of the Talking Orcas story that Geoff Pullum discussed a few days ago in "Orca emits speech-like sound; reporters go insane", 1/31/2018. The whole discussion is worth a listen:

Sometimes a new experimental result suggests a very different way of interpreting older results. On a visit a couple of days ago to Ofer Tchernichovski's lab at Hunter College, I encountered a striking example of this effect.

The background is the experimental literature on zebra finch song learning. If one of these birds is raised in acoustic and social isolation, it never learns to sing a species-typical song, but rather continues to produce "proto-song", which is a sort of songbird equivalent of grunts and groans. In contrast, with a relatively brief exposure to an example of adult song during a "critical period" early in life, a bird will (later on) learn to sing properly, in fact imitating the tutor's song quite closely. Crucially, species-typical zebra finch song is made up of discrete "syllables" arranged in regular "motifs", whereas proto-song is relatively diffuse and non-categorical at all time scales.

A decade ago, I reported on some fascinating work from Ofer's lab showing that species-typical song can emerge over a few generations in a colony raised in acoustic isolation, never encountering any external adult models ("Creole birdsong?" 5/9/2008).

Now a newer experiment (Olga Fehér et al., "Statistical learning in songbirds: from self-tutoring to song culture", Phil. Trans. R. Soc. B 2016) adds a result that makes us think differently about the earlier work.

"Who'll win at Wimbledon? Just listen to the pitch of the grunts", University of Sussex press release 7/4/2017:

Never mind counting aces and killer shots. If you want to predict the outcome of a tennis match, pay attention to the players’ grunts.

As Wimbledon prepares for another year of the on-court cacophony from the likes of Rafael Nadal and Victoria Azarenka, a new study has revealed that grunts produced by players during tennis matches they lost were higher in voice pitch than during the matches they won.

What’s more, psychologists at the University of Sussex found that players displayed differences in their grunt pitch long before the scoreboard made it clear whether they would win or lose.

From an anonymous correspondent:

I had wanted to ask you about niǎoyǔ 鸟语 ("bird language") after listening to an interview with Garry Kasparov. During the interview, he and the interviewer, the economist Tyler Cowen, get into a fairly abtruse discussion of chess. I'll paste the most relevant part of the transcript:

Ferris Jabr recently published in the New York Times Magazine an interesting article about the field research of Con Slobodchikoff, professor emeritus of biology at Northern Arizona University, on prairie dog alarm calls. The article title is "Can Prairie Dogs Talk?"

It is an interesting question. People who have read my earlier posts on animal communication have been pressing me to say something about my reaction to it. In this post I will do that. I will not be able to cover all the implications and ramifications of the question, of course; for one interesting discussion that has already appeared in the blogosphere, see this piece by Edmund Blair Bolles. But I will try to be careful and scholarly, and in an unusual departure (disappointingly, perhaps, to those who relished my bitterly sarcastic remarks on cow naming behavior), I will attempt to be courteous. Nonetheless, I will provide a clear and explicit answer to Jabr's question.

At last, an animal communication story involving healthy skepticism rather than vacant-eyed credulity, and human sagacity rather than wondrous communicative brilliance by our furry, finned, or feathered friends. Read on to be reassured about the intelligence of your species.

Rachel Premack, "Watch: This orangutan is uprooting what we previously knew about language", Washington Post 7/28/2016:

At first glance, this video of an orangutan imitating a trainer’s grunts may not seem incredibly significant. But primate researchers say Rocky, the 11-year-old orangutan in the video, could fundamentally alter how we think about spoken language.

“We don’t know exactly how human language emerged, but we do know that great apes have the cognitive ability to understand language,” said Robert Shumaker, executive vice president and zoo director at the Indianapolis Zoo. “We can no longer say that humans are the only species who can learn new vocalization and control [it] using the vocal folds or voice box.”

Peter Holley, "Foul-mouthed parrot may be used as evidence in murder trial, prosecutor says", WaPo 6/26/2016:

Family members believe Bud, an African gray parrot, may have witnessed the shooting that left Martin Duram dead and his wife severely injured.  

They believe this because the bird’s latest phrase — the one he won’t stop shouting at the top of his lungs mimicking his owner’s voice — is a chilling one: “Don’t f—ing shoot!”  

Duram’s body was found near his wife, who suffered a gunshot wound to her head but is alive. Although police initially assumed she was a victim of the shooting, police reports obtained by WOOD-TV revealed that she eventually became a suspect in the slaying. […]

Relatives told the station that they think Martin Duram’s final moments were imprinted in the bird’s memory and that he continues to relive the slaying. They noted that Bud mimicked both the victim and his wife.

Several people have asked me about an item that appeared this morning on the BBC's Breakfast on Sunday show, "Making sense of moggie meows":

Phonetics specialists at Lund University in Sweden hope to have cracked the feline code by the year 2021, to be able to interpret a whole range of 'meowings' and 'purrings'.

Susanne Schotz, Associate Professor of Phonetics at the University, said "about 90%" of the meows are likely to be cries for human attention, but that the study may allow us to learn how our dialects might affect our cat's own accent.  

Ms Schotz said she hopes learning to understand cats better will help provide a better way of life for our feline friends as well as aiding vets and other people who work with cats professionally.

A 3/10/2016 Lund University press release includes this YouTube video:

Toshitaka N. Suzuki, David Wheatcroft & Michael Griesser, "Experimental evidence for compositional syntax in bird calls", Nature Communications 2016:

Human language can express limitless meanings from a finite set of words based on combinatorial rules (i.e., compositional syntax). Although animal vocalizations may be comprised of different basic elements (notes), it remains unknown whether compositional syntax has also evolved in animals. Here we report the first experimental evidence for compositional syntax in a wild animal species, the Japanese great tit (Parus minor). Tits have over ten different notes in their vocal repertoire and use them either solely or in combination with other notes. Experiments reveal that receivers extract different meanings from ‘ABC’ (scan for danger) and ‘D’ notes (approach the caller), and a compound meaning from ‘ABC–D’ combinations. However, receivers rarely scan and approach when note ordering is artificially reversed (‘D–ABC’). Thus, compositional syntax is not unique to human language but may have evolved independently in animals as one of the basic mechanisms of information transmission.

From Natasha Fijn, Living With The Herds: Human-Animal Coexistence in Mongolia, 2011:

Living with Herds: Vocalisation Dictionary from Natasha Fijn on Vimeo.

Today's SMBC, oddly out of phase with the seasons, starts this way: