Birdtalk

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As is wont for The New Yorker, this article is long, and it is particularly fascinating, so it is hard to resist quoting many of its more breathtaking revelations:

"How Scientists Started to Decode Birdsong:  Language is said to make us human. What if birds talk, too?"  By Rivka Galchen, The New Yorker (October 14, 2024)

Of course, we've been through the business of animal communication countless times on Language Log, but where this article differs from previous discussions is that it concentrates on content and consciousness rather than vocables and sounds.

On a drizzly day in Grünau im Almtal, Austria, a gaggle of greylag geese shared a peaceful moment on a grassy field near a stream. One goose, named Edes, was preening quietly; others were resting with their beaks pointed tailward, nestled into their feathers. Then a camouflaged speaker that scientists had placed nearby started to play. First came a recorded honk from an unpartnered male goose named Joshua. Edes went on with his preening. Next came a honk that was lower in pitch than the first, with a slight bray. Edes looked up. As the other geese remained tucked in their warm positions, incurious, Edes scanned the field. He had just heard a recorded “distance call” from his life partner, a female goose whom scientists had named Bon Jovi.

Edes and his fellow-geese live near the Konrad Lorenz Research Center for Behavior and Cognition, which is named for a Nobel laureate whose imprinting experiments, in the nineteen-thirties, convinced goslings that he was their mother. (They took to following him in a downy line.) Greylag geese in the area have been studied continually ever since. The director of the center, a biologist and bird ecologist named Sonia Kleindorfer, showed me footage of Edes to demonstrate the subtlety of goose communication.

Geese maintain elaborate social structures, travel in family groups, and can navigate from Sweden to Spain. In a fight, an unpartnered greylag goose has a higher heart rate than a partnered one, and the heart rate of a recently widowed goose can remain depressed for about a year. These birds have things to discuss. Still, geese are not the Ciceros of the bird world. A lyrebird sings long, elaborate songs; ravens really can say “nevermore.” Geese are known for nasal honks. How much nuance can there be in a honk?

Greylag geese, it turns out, have at least ten different kinds of calls. “We are completely underappreciating the way they communicate,” Kleindorfer told me. “They give a departure call when they leave, and a contact call after they arrive. They know if their allies are there, if the bold geese are there. There is so much information that geese are getting from calls.”

Bird vocalizations are usually divided into songs and calls, but these are wobbly categories. What is designated a song in one species may be shorter in duration than what, in another species, is termed a call. Onomatopoeic groupings such as tseets, chirrups, rreeyoos, seeew-soooos, and dahs are also indeterminate: people transcribe the same sounds in different ways, and no bird version of the Académie Française exists to adjudicate. The vocalizations of birds are fundamentally incommensurate with human ones. We have a larynx and two vocal cords; they have what’s called a syrinx, which is a bit like having two larynxes that you can use at the same time.

Kleindorfer, the daughter of a mathematician and an actress, looks like a cross between a hiker and the film star Sophia Loren. From February to April, she researches Darwin’s finches in the Galápagos; from September to December, songbirds in Australia; and, for the rest of the year, the geese outside her office door. Early in her education, as an undergraduate at the University of Pennsylvania, she was taught that “male songbirds sing, females don’t, and if females do sing it’s an error.” The attitude at the time, she told me, was that “females are drab, inconspicuous, and quiet.” A few years after earning a Ph.D. in zoology at the University of Vienna, Kleindorfer took a job as a research biologist at Flinders University, in Australia, where songbird species originally evolved. “Imagine my surprise,” she told me. “I heard all these females singing songs as complex as the male songs.” Much of her ensuing career has focussed on bird vocalizations that were either underappreciated or unknown.

So many fascinating aspects of bird communication.  Now we find that fairy wren mothers sing to their eggs:

Kleindorfer also studied the superb fairy wren, a songbird that weighs about as much as a walnut and sports a flirty, upright tail. Despite their fanciful names, fairy wrens are commonplace in Australia. They are socially monogamous but sexually promiscuous—they are essentially in open marriages—and they bring up their young collectively. Arguably, they have even more to chat about than geese do. Fairy-wren nests are about the size of cupped human hands, built to contain pale, speckled eggs that are smaller than thumbnails. Kleindorfer and her team wired up nests with cameras and microphones and soon discovered something that they hadn’t known to look for. “The mothers in nests were producing an incubation call—a call to the eggs,” she told me. It was like a lullaby. Why would a mother bird make any sound that could attract predators to the nest? “Songbird embryos don’t have well-developed ears, so this was completely unexpected,” she said. “That started a twenty-year project—why is she calling to the eggs?”

The team compared incubation calls to the begging calls of young chicks. “It was very odd,” Kleindorfer recalled. “Each nest had its own distinct begging call.” What’s more, each begging call matched an element from the mother’s incubation call. This suggested, startlingly, that birds could learn a literal mother tongue while still in ovo. (Humans do this, too; French and German babies have distinct cries.) Even “foster” chicks, who as eggs were physically moved from one nest to another, learned begging calls from their foster mothers, rather than from their genetic mothers. This was big news in the ornithology world. “The paradigm of how songbirds learn—after hatching, from their father’s song—was overthrown,” she said. The same process was soon documented in more songbird species.

But this is Language Log, not Songbird Blog, so we now have to face the perennial problem of how human speech differs from avian calls.

Language is often cited as the quality that distinguishes us as humans. When I asked Robert Berwick, an M.I.T. computational linguist, about birds, he argued that “they’re not trying to say anything in the sense of James Joyce trying to say something.” Still, he and Kleindorfer both pointed out that humans and songbirds share a trait that many animals lack: we are “vocal learners,” meaning that we can learn to make new sounds throughout our lives. (Bats, whales, dolphins, and elephants can, too.) “To me, the most amazing thing is that every generation of vocal learners has its own sound,” Kleindorfer said. “So, just like our English is different from Shakespeare’s English, the songbirds, too, have very different songs from five hundred years ago. I am sure of it.” We humans have long tried, often mistakenly, to differentiate ourselves from nonhuman animals—by arguing that only we have souls, or use tools, or are capable of self-awareness. Perhaps we should see what the birds have to say.

Animals have prominent speaking roles in many of our oldest stories. Eve has a memorable conversation with a snake. In Norse mythology, two ravens, Huginn and Muninn, serve as spies to the god Odin, whispering to him the news of the world. In many cultures, the “language of birds” refers to a divine or perfect language—the language of angels. In the scientific realm, however, the notion that nonhuman animals use language is often seen as foolish or naïve. Some birds may be excellent mimics, like parrots, but they can also mimic chainsaws or barking dogs; scholars don’t usually consider imitation a form of understanding. The prevailing dogma is that birds sing either to impress mates or to defend their territory. (I suspect that most of human communication could also be slotted into those categories.) In college, I was taught a stranger but similarly diminishing idea: that songbirds sing in the morning to burn fat, so that they are light enough to fly around during the day. Apparently, this idea is no longer taken seriously.

There is a difference between human language and animal communication:

Even among species we view as being closer to ourselves, such as primates, scientists have tended to talk about “communication” instead of “language.” But it’s tricky to say where the line is, or what we mean by “communication,” since even bacteria communicate, as Berwick pointed out to me. “I think it’s best to think of language not as speech but as a cognitive ability in the mind that sometimes leads to speech,” he said, giving the example of inward conversations we have with ourselves. The linguist Noam Chomsky has said, “It’s about as likely that an ape will prove to have a language ability as there is an island somewhere with a species of flightless birds waiting for humans to teach them to fly.” Chomsky’s 2017 book on the evolution of language, co-authored with Berwick, is titled“Why Only Us.”

Over the years, however, some researchers have looked closely at the contexts in which certain animal vocalizations are made. In the late nineteen-seventies, two primatologists, Dorothy Cheney and Robert Seyfarth, were studying vervet monkeys in Kenya. Vervets have dark faces and pale fur; they are about the size of a small backpack and are hunted by pythons, eagles, and leopards. Cheney and Seyfarth documented something remarkable: one recorded vervet vocalization made vervets look up, presumably for eagles; another made them look down, presumably for pythons; and a third sent them running up into the trees, a good defense against approaching leopards. Young vervets sometimes use these calls faultily, perhaps sounding a leopard alarm for a warthog. But they get better as they grow up. They learn.

Apparently, birds engage in lies and misinformation.

Some birds even lie. Fork-tailed drongos—common, innocuous-looking little dark birds that live in Africa—sometimes mimic the alarm calls of starlings or meerkats. Duped listeners flee the nonexistent threat, leaving behind a buffet for the drongo.

Upon seeing an owl, a chickadee might sound a loud chick-a-dee-dee-dee, adding dees in relation to how dangerous the predator is perceived to be. This call is also understood by nuthatches, which will join in to mob and harass the predator, forming a kind of defensive alliance. If you record an Australian bird warning of a nearby cuckoo—cuckoos leave their eggs in the nests of other species and often kill their step-siblings—birds in China will understand the call.

Avian familects,

Kleindorfer considers Cheney and Seyfarth, the primatologists, to be important sources of inspiration. After she moved to Australia, she and her colleagues built up a sound library of Australian songbirds. They also made recordings of quieter, familial bird sounds, such as the incubation calls. Each family unit, they discovered, had its own “familect,” a system of sounds that chicks learn from their parents. Curiously, chicks seemed to adopt sounds sung either by their mother or by their father—but they avoided the sounds used by both parents. If the mother sings ABCXYZ and the father sings ABCGHI, then the chicks tend to sing the sound units X, Y, Z, G, H, and I. It’s as if the young birds separate themselves from their parents by not speaking the shared sounds, but also stay close to their parents by learning what’s unique to Mom and unique to Dad. When female chicks grow up, they are attracted to mates whose repertoire is familiar (he’s one of us!), but not too familiar (he’s not my brother or dad).

Learning capacity:  birds have a considerable amount of it.

Birds in general are turning out to have intellectual abilities far greater than most people had imagined. It’s not just that parrots and crows can do math as ably as young children, or that scrub jays cleverly cache and then uncache their food to fool other jays. Even inconspicuous and uncelebrated birds are capable of learning, and of sharing their learning with others. In the nineteen-twenties, tits from Swaythling, England, figured out how to open the caps of milk bottles, and by the late forties tits across Ireland, Wales, and England had learned the trick. If language is more a capacity than it is a speech act, it seems possible that birds possess it.

There is much, much more in Galchen's outstanding article about Kleindorfer's mind-inspiriting work that is memorable, but I'll just close with her final paragraph, which leaves us with a profound imponderable:

When I started researching this story, I was amazed by each additional avian accomplishment that I learned about, especially in small, ordinary birds. It wasn’t only that they communicated this or that to one another but that they were full of concerns—that they were at the center of their own worlds. But shouldn’t I have intuited that this was the case all along? I had baselessly assumed that birds had little on their minds. The other day, my daughter and I were walking to her soccer practice, passing by sparrows and also people. “We know almost nothing about birds,” she told me. “There’s so much we don’t even notice.” She thought for a moment. “I think they have just as much language as we do, but a lot of it is in their mind. So we don’t hear it.”

I have always wondered what animals are thinking, not just what they're saying.  It's a matter of cognition versus expression, about which AIO offers the following helpful suggestions:

Cognition is the ability to process information, store memories, and select actions, while expression is the ability to convey information through words:

    • Cognition: Also known as thinking, cognition is the ability to process information, store memories, and select actions. It also includes the ability to understand others and express oneself.
    • Expression: Expression is the ability to convey information through words.

Fair enough, but I would expand the notion of "words" to include other means of thought description and evocation, such as gestures, movements, dance, music, art….

 

Selected readings

  • "Bird language" (6/15/17) — chess master Gary Kasparov on "bird language" in Russia and a correspondent on "bird language" in ancient Chinese
  • "Know your bird" (7/29/16)

[Thanks to Don Keyser]



12 Comments »

  1. Tim Leonard said,

    October 22, 2024 @ 12:36 pm

    Chimpanzees sometimes hunt cooperatively. When doing so, they are careful to maintain silence, to avoid alerting their prey. But they also coordinate their individual roles, presumably by observing each others' behavior. I wonder what aspects of observable behavior they use as cues, and whether any are intentionally produced.

  2. Mark Liberman said,

    October 22, 2024 @ 2:15 pm

    See also Julia Hyland Bruno, Erich Jarvis, Mark Liberman, and Ofer Tchernichovski, "Birdsong Learning and Culture: Analogies with Human Spoken Language", Annual Review of Linguistics 2021.

    Some relevant past LLOG posts:

    "Emergence of birdsong phonology", 10/11/2003
    "Signs or symbols? Words or tools?", 6/15/2004
    "Starlings", 4/27/2006
    "New and old stuff on animal grammar", 5/2/2006
    "Starlings, darlings", 5/17/2006
    "Watch out for those Wallonian finches", 5/22/2007
    "Dialect variation in the terminal flourishes of Flemish Chaffinches", 5/25/2007
    "Finches again", 6/9/2007
    "Finch linguistics", 7/13/2011
    "Finch phrase structure", 10/1/2007
    "Creole birdsong?", 5/9/2008
    "Finch song learning in the news again", 6/30/2013
    "Modeling repetitive behavior", 5/15/2015
    "Mr. Finch", 7/11/2015
    "Birdsong battles: two versions", 8/7/2015
    "Tom Wolfe discovers language", 8/28/2016
    "Zebra finch self-tutoring", 12/23/2017
    "Audiobooks as birdsong", 6/10/2018

  3. Barbara Phillips Long said,

    October 22, 2024 @ 2:32 pm

    Editing fail, or, one too many commas;

    “A few years after earning a Ph.D. in zoology at the University of Vienna, Kleindorfer took a job as a research biologist at Flinders University, in Australia, where songbird species originally evolved.”

    I did not know all songbird evolution originated at Flinders University.

  4. KeithB said,

    October 22, 2024 @ 4:23 pm

    Must be a Flinder's comma. 8^)

  5. Heino said,

    October 22, 2024 @ 4:45 pm

    There’s a bit more to the fairy wren learning-in-egg story (and it may well be included in the non-excerpted part of the New Yorker article). By the time a fairy wren chick has hatched from its egg it has learnt the begging call that will ensure it is fed. At least one species of cuckoo lays its eggs in fairy wren nests. However, a cuckoo chick cannot give the right begging call, so won’t get fed and the fairy wren parents will abandon that nest (and cuckoo chick) to try again elsewhere.

  6. Viseguy said,

    October 22, 2024 @ 10:10 pm

    @Barbara Phillips Long: "… one too many commas".

    That's The New Yorker for you — because, you know, the reference is to the Flinders University — the one in Australia! — not one of many eponymous institutions scattered around the globe. See Mary Norris, “Between You & Me: Confessions of a Comma Queen” (2015), the memoir of a long-time New Yorker editor. As I recall, she makes a distinction between "open" and "closed" styles of comma usage, The New Yorker being "open" to the max. The extreme opposite, in my experience, is a certain British legal style which abhors commas because you know they can only introduce ambiguities not avoid them and we have to be absolutely precise because we're lawyers after all and that's that. Most writers, I think, are able navigate between Scylla and Charybdis without undue angst.

  7. Philip Spaelti said,

    October 22, 2024 @ 11:31 pm

    But is this really just a problem of "(too many) commas"?
    I think the writer is just trying to be too clever. The statement "All songbirds evolved in Australia" is too much information to stuff in an adjunct clause, about where a researcher did their studies.

  8. JPL said,

    October 23, 2024 @ 12:48 am

    "I did not know all songbird evolution originated at Flinders University."

    I'm so tired right now that I doubt my ability to make a sensible comment, but it seems that the above quoted interpretation is precisely the inference the editor was trying to block, with the comma after "Flinders University", if that's what you were talking about.

    (I do have an interesting set of observations about the ability of animals (birds in particular) to express thought about the real world they interact with, but not now.)

  9. Philip Taylor said,

    October 23, 2024 @ 4:41 am

    "Kleindorfer, the daughter of a mathematician and an actress, looks like a cross between a hiker and the film star Sophia Loren" — I am possibly the last person to seek to call out sexism, agism, or any other -ism. but I cannot help but wonder if the New Yorker would have written an analogous observation about a male researcher ?

  10. Robert Coren said,

    October 23, 2024 @ 9:06 am

    Since I work my way through my New Yorker subscription chronologically, and am now about 6 months behind, I can only hope that I'll remember some of this discussion next April when I finally get around to reading the article.

    @Philip Taylor: 20 years ago, probably not; but these days the magazine's writers will also often tell you what their male subjects look like, and even how they dress.

  11. John from Cincinnati said,

    October 23, 2024 @ 10:19 am

    The opening line of the post begins “As is wont for The New Yorker, this article is long”, and I found that to be a bit off-putting even though the rest of the sentence praises the article as particularly fascinating.

    Among many reasons I admire The New Yorker is its continuing devotion to long-form journalism. Hiroshima by John Hersey, 1946. Silent Spring by Rachel Carson, 1962. Oswald in the U.S.S.R., 1995. The Plague Year by Lawrence Wright, 2021. Of course I also enjoy the “drawings”, but I don’t live by sound bites alone.

    Based on the post, I’m eagerly looking forward to reading How Scientists Started to Decode Birdsong by Rivka Galchen, when my reading stack gets to the October 14 issue, under Annals of Zoölogy. I wrote that last phrase just so I could use The New Yorker diaeresis.

  12. JPL said,

    October 24, 2024 @ 1:42 am

    @John from Cincinnati:

    The article in question (under the title "Pecking order") does not appear in the Oct. 14 print issue, but rather in the Oct. 21 print issue. The title used above is for the online version, which is dated Oct. 14.

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