Caesar and the power of No
I sometimes make my way to the multiplex to see and report to you on important films that bear on language-related matters. (Sometimes unsuccessfully. You may recall my glowing account of The Oxford Murders back in 2008. I do hope the director hasn't got out of hell yet.) Back in June I tried to report to you on a special advance showing of a documentary about a chimpanzee sign-language training experiment, Project Nim, but couldn't get in. I had forgotten to allow for the fact that it was part of the Edinburgh Film Festival and (typical of the intellectual enthusiasm of this city) the place was thronged. Not a ticket to be had for love or money. (I will try to catch Project Nim soon; it is on wider release in the UK as from today.) But last night I had a significant success in that I managed to actually get in through the doors (vital prerequisite for really informed movie review) for a screening of one of the most important recent films on primatology research.
Yes, I went to see Rise of the Planet of the Apes. A rare chance to see a depiction of the actual emergence of language in a new primate species in real time. I promise that very little of the plot will be spoiled if you read on.
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