Language Log

I'm going to play this for my morphology class next week when we start talking about affixation… but there's no reason why you all shouldn't enjoy it now, now, now!

Thanks to Alex Trueman.

If you enjoyed this, you may also want to check out this oldie but goodie: How I met my wife. Happy Valentine's, if you're into that sort of thing!

"The pit in Thomas Friedman's stomach" (5/23/2011) is back:

To observe the democratic awakenings happening in places like Egypt, Syria and Russia is to travel with a glow in your heart and a pit in your stomach. […]

But that pit in the stomach comes from knowing that while the protests are propelled by deep aspirations for dignity, justice and self-determination, such heroic emotions have to compete with other less noble impulses and embedded interests in these societies.
[Thomas Friedman, "Freedom at 4 Below", NYT 2/7/2012]

We inaugurated "The Trent Reznor Prize for Tricky Embedding" back in 2005 to honor this inspired effort:

When I look at people that I would like to feel have been a mentor or an inspiring kind of archetype of what I'd love to see my career eventually be mentioned as a footnote for in the same paragraph, it would be, like, Bowie.

While I don't think that we've actually ever gotten around to awarding the prize again, we've nominated other candidates intermittently over the years. The latest to deserve nomination is Mark Steyn, for his channeling of Mitt Romney in "The Man Who Gave Us Newt", National Review 1/22/2012 (emphasis added):

Why is the stump speech so awful? “I believe in an America where millions of Americans believe in an America that’s the America millions of Americans believe in. That’s the America I love.” Mitt paid some guy to write this insipid pap. And he paid others to approve it. Not only is it bland and generic, it’s lethal to him in a way that it wouldn’t be to Gingrich or Perry or Bachmann or Paul because it plays to his caricature — as a synthetic, stage-managed hollow man of no fixed beliefs. And, when Ron Paul’s going on about “fiat money” and Newt’s brimming with specifics on everything (he was great on the pipeline last night), Mitt’s generalities are awfully condescending: The finely calibrated inoffensiveness is kind of offensive.

Another linguistically interesting passage from Ed McBain's Long Time No See:

This bit of social commentary comes from the Latino Rebels website. Like many brilliant ads, its impact is multiplied by the fact that, even after you've had the Aha! instant of "getting it", your mind continues to unspool a series of relevant inferences.

I bet if you sat down and started listing them, you could easily reel off a good dozen or so.

I'm in Portland for the 2012 edition of the annual secret cabal.  This is what I had for lunch today:

From quickmeme:

[Tip of the hat to Dan Scherlis.]

In the spirit of this, this and this (but maybe not this):

Not long ago I went out to see Cockney comedian Micky Flanagan perform at the Festival Theatre in Edinburgh. (One man alone on stage with one microphone. His two-hour mission: to seek out new laughs and new ways to mock civilization; to boldly zing where no man has zinged before. Standup is the bravest of all the performing arts that don't involve a high wire.) Hearing that East London dialect again (I grew up in the London area) was like slipping into a comfortable old pair of shoes.

Flanagan says he was in a posh Italian restaurant in London and ordered the bruschetta for a starter, and the waiter had the nerve to correct his pronunciation. He had said -sh- for the -sch- part, and of course there were glottal stops where the geminate [t] should have been: [bɹʊˈʃɛʔɐ] is how he said it.

"Bruschetta, said the waiter; "Not broo-SHET-a: [bru&#x02C8sketta]. In our-a language, is pronounced, [bru&#x02C8sketta]."

And in a flash Flanagan retorted: "Yeah? Well in our language it's pronounced 'tomatoes on toast'."

Gene Buckley was surprised to learn that the U.N. is projecting a grade of A- for Iran's bomb work:

Lucy Jones, "Ralph Fiennes blames Twitter for 'eroding' language", The Telegraph 10/28/2011:

Speaking at the BFI London Film Festival awards in Old Street, London, the actor said that modern language "is being eroded" and blamed "a world of truncated sentences, soundbites and Twitter."

"Our expressiveness and our ease with some words is being diluted so that the sentence with more than one clause is a problem for us, and the word of more than two syllables is a problem for us," he said.

This sort of thing always makes me suspect that it's really our veracity and our ease with facts that is being diluted.

Combining two things from recent postings (linguist llama and referent finding):

(via Ellen Seebacher on Google+).

Linguist Llama: