And then she takes that club and …

Hannah Poturalski, "Basketball legend visits Kenton", Lima News, 6/19/2009:

Thursday evening nearly 70 members of the Ohio State Alumni Club of Hardin County, as well as community members, saw an animated presentation by [Jerry] Lucas on the new way he plans on revolutionizing learning.

Lucas, now 69, said he's been involved in memory training his entire life. As a boy he invented mind games to keep himself entertained.

Through conditioning his mind with new ways to learn and memorize things, Lucas has established the Lucas Learning System. The system focuses on linking visuals with things that don't have an identity, such as pronouns and Arkansas.

To remember a pronoun, Lucas created an image of a Catholic nun with a golf club. She was a professional golf player, hence pro-nun. Lucas ingrains that image in the mind, so every time you hear pronoun, you see the visual.

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Vuvuzela

When the U.S. soccer team plays Brazil this afternoon in the Confederations Cup final,  the stadium will be buzzing with the sound of plastic trumpets called vuvuzelas. (See Delia Robertson "Vuvuzela: Popular Symbol of South African Football", VOA News, 6/25/2009).

Here's an example (with simulated crowd noise) of how a vuvuzela sounds:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

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"ma ko MA ko SA" … "ma MA ku SA"

Yesterday, Ben Zimmer traced the nonsense-syllable chant at the end of Michael Jackson's Wanna Be Startin Somethin back to its roots in Manu Dibango's Soul Makossa, a 1973 Cameroonian hit that played a role in the origins of disco in New York City. The chants in these songs are nice examples of a phenomenon that I discussed a couple of years ago ("Rock syncopation: stress shifts or polyrhythms?", 11/26/2007), where linguistic accents and musical beats start off aligned at the beginning of a phrase, and then go out of sync, typically with one or more of the later textual accents shifted "to the left", i.e. ahead in time, relative to the apparent musical beat.

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Inventories of postings

Over on my blog, I've been posting inventories of postings (on Language Log and my blog) on various topics: back on 13 June, an inventory of postings on two-part back-formed verbs and one on split infinitives; today, one on Omit Needless advice and one on conflicts between faithfulness and well-formedness.

More to come.

[Added 6/28: Now an inventory on the usage advice One Right Way.]

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Ma ma se, ma ma sa, ma ma coo sa

Ever since Michael Jackson's unexpected death yesterday, his music has been omnipresent. The iTunes sales charts are overwhelmed by Michael Jackson songs: as of this afternoon, New York Magazine's Vulture blog reports, Jackson appears on 41 songs in the iTunes Top 100 singles chart. One of the top songs is "Wanna Be Startin' Somethin'," the infectious opening song from the 1982 album Thriller. The lyrics can be a bit befuddling ("You're a vegetable, you're a vegetable…"), but there's no denying the song's catchiness, especially the chant at the end: "Ma ma se, ma ma sa, ma ma coo sa." The story behind these seemingly nonsensical syllables is a fascinating one, originating in the Cameroonian language Duala.

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Wordnik

From Language Hat:

A couple of years ago, lexicographer Erin McKean … gave a TED talk about the evolution of language and the shortcomings of traditional dictionaries (an hour long, well worth your while). Since then she has been working on an entirely new sort of online dictionary to address some of those shortcomings, and it's now gone live (in beta) as Wordnik (great name). In the words of Maria Popova at Brain Pickings, "A crowdsourced toolkit for tracking and recording the evolution of language as it occurs, its goal is to gather as much information about a word as possible — not its mere definition, but also in-sentence examples, semantic “neighborhoods” of related words, images, statistics about usage, and more."

Check it out.

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Insufficient agency!

On her blog, Elizabeth Daingerfield Zwicky reports an encounter between her daughter Opal (now 5) and the passive voice:

Jun 23, 2009 Our worst moments today came with the best language. This morning Opal did not get to open the garage door, after an interaction she found unfair, and while she howled with fury I said to her "You feel cheated." She said, outraged, "I was NOT cheated. YOU cheated me." Ah, the importance of indicating agency.

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"Passive construction" means… nothing at all?

OK, I give up. I admit that I was wrong. I thought that the grammatical term passive had developed a spectrum of everyday meanings like "vague about agency", "listless writing, lacking in vigor", and "failure to take sides in a conflict". But I've now reluctantly concluded that for some members of the chattering classes, it now means nothing at all, except maybe "I dislike this person".

The evidence that drove me over the edge? Hank Stuever and Wil Haygood, "Parsing The Book Of Mark", Washington Post, 6/25/2009:

Wow. Was that a press conference or was that a press conference? That genteel lilt of hubris, sorrow, guilt! But other than a very slow, meandering build to I just needed a little strange, what did it all mean? What language was South Carolina's Republican governor speaking yesterday as he forlornly told the world of his travels and travails, of how sorry he is to his wife, to his sons, to his staff, to "the Tom Davises of the world" (not the Virginia one, all the other ones)? Is it a new Pat Conroy novel? Is it a megachurch sermon? Is it the language of couples therapy? The metaphysics of Oprah? Shakespeare? The psychobabble of cheating husbands? (Note all the passive constructions, the avoidance of first person.) [emphasis added]

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Slang affixation: it's all mystery-y-ish-y

If you haven't picked up a copy of Michael Adams' new book, Slang: The People's Poetry, well, what are you waiting for? For starters, it's a lively and engaging look at English slang and its multitudinous forms. At the same time, it's a thoughtful interrogation of what "slang" actually is, and how we might determine its boundaries. One way that Michael expands traditional notions of slang is in his treatment of affixation, or what he amusingly calls "unorthodox lexifabricology." I talked to Michael about slangy affixation in the second part of my two-part interview with him for the Visual Thesaurus. An excerpt follows below.

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The biggest self of self is indeed self

Gov. Mark Sanford, back in pocket, explained himself (from the NYT transcript of his statement):

I'm here because if you were to look at God's laws, they're in every instance designed to protect people from themselves. I think that that is the bottom line of God's law, that it's not a moral, rigid list of do's and don'ts just for the heck of do's and don'ts. It is indeed to protect us from ourselves. And the biggest self of self is, indeed, self; that sin is, in fact, grounded in this notion of what is it that I want as opposed to somebody else?

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"The risk that the taxpayer does not bear a disproportionate burden"

In a recent IMF report on Ireland, point 47 of the "Staff Appraisal" (p. 28), dealing with a proposed "National Asset Management Agency" (aka "Bad Bank"), reads:

47. With regard to NAMA, risk-sharing structures should be considered to address the well-known pricing problem. The pricing of distressed assets is complex and can slow down the transfer of assets from the troubled bank. Risk-sharing can potentially create better incentives for managing the bad assets. And they also guard against the risk that the taxpayer does not bear a disproportionate burden of the costs cleaning up the banks. [emphasis added]

Breffni O'Rourke, who sent in this example of overnegation, comments that "My fear is that they actually mean exactly what they say."

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Ancient Cybertronian text

Tomorrow is the U.S. release of Transformers: Revenge of the Fallen. (Warning: clicking on that link will cause Linkin Park to start playing the chorus of New Divide through your computer's sound system, which may not be what you want…)

Some parts of the movie were shot here at Penn — including one scene in the Quad, where I live:

In this screenshot from the trailer, the (added by me) red ellipse marks my dining room window, next to which I generally sit while blogging at breakfast. The trailer suggests that I can expect to get cinematically blown to CGI bits along with pretty much every everything else in the movie.

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A head wound from a falling what?

I'm sitting at San Francsico Airport waiting for my ride (my plane came in half an hour early from London — take that, air travel grumblers!), and beside me is a British Airways cabin crew member waiting for a friend. He just told me about a flight he was once on where an overhead bin opened accidentally and a didgeridoo fell out and hit a passenger on the head so hard that medics on the flight recommended he be taken off the flight at the first opportunity to land. It's hard to believe people would take seriously the idea that you were just sitting reading when you suffered a head wound from a falling didgeridoo. On the same flight there had been a case of vomiting, and a passenger who had fouled his pants. At the end of the whole flight the pilot said to the crew, "Let's take stock. We've had a spew, a poo, and a didgeridoo. You couldn't make it up, could you?" And I swear I didn't. Poetry in real life. My flight to California, I'm so glad to say, was much less eventful; nothing to write poetry about.

[This post is uncategorized, and I really think it has to be. If our system of categories allowed it, I would mark it "uncategorizable".]

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