Someone recently told Tom Bishop (creator of Wenlin software for learning Chinese) that Google Translate is really good now, so he tried translating this English paragraph into Chinese (chosen randomly from the cave adventure game):
You are on one side of a large, deep chasm. A heavy white mist rising up from below obscures all view of the far side. A southwest path leads away from the chasm into a winding corridor.
The result is:
Nín shì yīgè dà de, shēn de hónggōu de yībiān. Yīgè chénzhòng de bái wù, cóng xiàmiàn shàngshēng yǎngàile suǒyǒu de yuǎnfāng de kànfǎ. Xīnán lùjìng xìnxī hónggōu, chéngwéi yīgè huíláng. 您是一个大的,深的鸿沟的一边。一个沉重的白雾,从下面上升掩盖了所有的远方的看法。西南路径信息鸿沟,成为一个回廊。
Following the wreck of the Costa Concordia last weekend (one Italian comic suggested it should be renamed Costa Codardia, where codardia means "cowardice"), I've been temporarily taken on as a correspondent by Language Log's Italian desk in order to report on a few linguistic aspects of the already notorious telephone call between the Coast Guard captain De Falco and the ship's much criticized captain Schettino.
We'd better get used to it; pinyin romanizations will be showing up in English with increasing regularity. For example, someone who catches a glimpse of this sign may think that it has something to do with writing instruments:
Minru Li sent me this photograph which appears at the top of the China English blog:
Upon first glance, I was mystified because of the large space between the first three Chinese characters and three English words in red, and the last two Chinese characters and two English words in green. Within two seconds, however, I figured out what had happened to bring about such a hilarious translation, but was still curious what the missing top half of the first character was.
Michael Kaan poses a tough question about how to make cōngyóubǐng 葱油饼 ("green onion pancakes"; lit., "scallion oil pancakes"):
I was watching a recipe on YouTube for one of my favorite Chinese snacks, con you bing, and I used Google's translate function to get the recipe in English (I watched it in Chrome and right-clicked to get it). As you can see in the attachment with screen shots [VHM: copied below], the fifth step in the recipe is quite technically elaborate: you have to use the Jaws of Death to twist the dough.
[VHM: because I'm in China, I can't see this or any other YouTube video — YouTube is completely blocked by the PRC authorities.]
My cooking skills are limited and I really don't want to purchase Jaws of Death just for one recipe. Is there something in the original Taiwanese Mandarin that I'm missing?
"As Eskimos do with snow," wrote Emma Brockes yesterday in a New York Times review of Alan Hollinghurst's new novel (and the hairs rose on the back of my neck as I saw those words), "the English see gradations of social inadequacy invisible to the rest of the world; Mr. Hollinghurst separates them with a very sharp knife."
If Emma Brockes were one of the sharper knives in the journalistic cutlery drawer she might have avoided becoming the 4,285th writer since the 21st century began who has used in print some variant of the original snowclone. (I didn't count to get that figure of 4,285, I just chose a number at random. Why the hell not? People make up the number of words for snow found in Eskimoan languages that they know absolutely nothing about. I might as well just make stuff up like everybody else.)
Laura Bailey sent in this Chinglish specimen from Jingzhou, China which was spotted by John Hotchkiss and published as sign of the week no. 181 in the travel section of the Telegraph:
A few weeks ago I stayed in the Xiányáng hángkōng dà jiǔdiàn / Xianyang Aviation Hotel (a more idiomatic English translation of that would be Xianyang Airport Hotel) 咸阳航空大酒店 near Xi'an, Shaanxi, China. When I went to the bathroom, I was much intrigued to see this sign over the sink:
Tonight is the opening night for a new Broadway play called "Chinglish." I first heard "Chinglish" was coming to Broadway from, appropriately enough, Victor Mair, Language Log's resident expert on the tricky Mandarin-English translational divide. At first all I knew about it was the stylized logo for the show, with the title as Ch'ing·lish. (I thought the diacritic in the first syllable might be some sort of homage to the old Wade-Giles romanization of the aspirated voiceless alveopalatal affricate / t͡ɕʰ/ as ch', as in the Ch'ing Dynasty, now pinyinized as q. But I think it's also supposed to evoke the syllabic stress mark used for headwords in English dictionaries, since the syllable break has the conventional dictionary-style centered dot.) When I saw that the play was written by David Henry Hwang, who won a Tony Award for "M. Butterfly," I was hopeful. And now that I've seen the play and had a chance to interview Hwang about it, I can report that there is much about this funny, poignant play for Language Log fans to love.
Last weekend I was on the NPR show "On the Media" to talk about how the word occupy has evolved since the beginning of the Occupy Wall Street movement in mid-September. I reiterated a point I had made in my Word Routes column the previous week, namely that the success of the movement has been helped along by the modular nature of the Occupy slogan, allowing any place name to fill the "Occupy ___" template. That template has shown up in protests around the world, from Frankfurt to Tokyo, with English Occupy generally left intact (perhaps for maximum media impact). In China, meanwhile, Occupy has a translation-equivalent that is being censored online.