Language Log

From California, Julie Wei sends me "tidbits:  curious words":

At the Barcelona airport, near the parking structure where I was waiting for a Plana bus to Tarragona yesterday (two hours on the flight; two hours waiting for a bus: sigh), is a large and prominent box of what is obviously important equipment of some kind; and it is clearly labeled as being exclusively for the use of bombers.

Since Westerners first encountered Chinese characters centuries ago, they have been confused over how the characters convey meaning.  It was obvious from the beginning that the characters are very different from a simple syllabary in that they do not directly and unmistakably signify the sounds of whole syllables on a one-for-one basis; all the more, they are unlike alphabets in not indicating phonemes.  The earliest Western interpreters tended to think of the characters as pictographs and ideographs that somehow indicated meanings directly without the intervention of sounds.  In time, however, as scholars came to better understand how the characters are constructed, many of them realized that sound plays an important role in conveying meaning, as it does in all other full writing systems ("full" in the sense of being able to convey all the main aspects of living and dead languages, including morphology and grammar).  John DeFrancis wrote two wonderful books that grappled successfully with the explication of these thorny issues:  The Chinese Language:  Fact and Fantasy (Honolulu: University of Hawai'i Press, 1984) and Visible Speech: The Diverse Oneness of Writing (Honolulu: University of Hawai'i Press, 1989).