Thanks to Graeme Forbes for alerting me to this! He has given me permission to post his note to his pro-compositionality friends. [For readers for whom compositionality is a new concept: it's a central tenet of formal semantics, usually credited to Gottlob Frege (but not without some controversy): The meaning of the whole is a function of the meaning of the parts and of the way they are syntactically combined. See, for instance: this introductory handout or the entry on Compositionality in the Stanford Encyclopedia of Philosophy.]
From Graeme Forbes:
You may have already seen this, but in case not, here's an excerpt from an article in the current New Yorker, "Easy, Tiger", by David Sedaris (July 11/18 2011, p.40). It's an entertaining piece about how he "mastered" Mandarin, Japanese and German with the aid of tourist-courses on his iPod, including one from a company called Pimsleur. The "Easy, Tiger" alludes to a phrase in the section on romance in the Mandarin course. Or was it the German course? Surely not!
The key paragraph from Sedaris's piece:
Pimsleur's a big help when it comes to pronunciation. The actors are native speakers, and they don't slow down for your benefit. The drawbacks are that they never explain anything or teach you to think for yourself. Instead of being provided with building-blocks which would allow you to construct a sentence of your own, you're left using the hundreds or thousands of sentences you have memorized. That means waiting for a particular situation to arise in order to comment on it; either that or becoming one of those weird non-sequitur people, the kind who, when asked a question about paint color, answer, "There is a bank in front of the train station", or, "Mrs. Yamada Ito has been playing tennis for fifteen years."