Next Tuesday, David Skinner's The Story of Ain't is coming out in a new paperback edition, with a new epilog. I'm happy to have this occasion to post an enthusiastic recommendation: You should immediately run out (virtually or physically) and buy this book, in any of its editions.
I began a similarly enthusiastic recommendation back when the book was originally published, in the fall of 2012. As usual for me, I framed the post around some quotations from the text — but every time I made a selection, I recalled an even better section a bit later, or realized that the full impact of the passage that I'd chosen required some background from an earlier chapter. So my post never got posted.
This morning, I'll fall back on the publisher's blurb to tell you what the book is about:
Created by the most respected American publisher of dictionaries and supervised by the editor Philip Gove, Webster's Third broke with tradition, adding thousands of new words and eliminating "artificial notions of correctness," basing proper usage on how language was actually spoken. The dictionary's revolutionary style sparked what David Foster Wallace called "the Fort Sumter of the Usage Wars." Editors and scholars howled for Gove's blood, calling him an enemy of clear thinking, a great relativist who was trying to sweep the English language into chaos. Critics bayed at the dictionary's permissive handling of ain't. Literary intellectuals such as Dwight Macdonald believed the dictionary's scientific approach to language and its abandonment of the old standard of usage represented the unraveling of civilization.
Entertaining and erudite, The Story of Ain't describes a great societal metamorphosis, tracing the fallout of the world wars, the rise of an educated middle class, and the emergence of America as the undisputed leader of the free world, and illuminating how those forces shaped our language. Never before or since has a dictionary so embodied the cultural transformation of the United States.
And to back up my personal enthusiasm, I'll tell a story.
Last summer I taught a course at the LSA Institute in Ann Arbor, and I brought my copy of The Story of Ain't with me, in the hopes of resolving my dilemma and finally posting a recommendation. One afternoon, my roommate Pieter Muysken happened to pick this book off my desk and sat on the living room couch to skim it.
For the next hour or so, Pieter regaled me with a series of variously commented passages: "Listen to this…", "Oh, this is funny…", "This man can write…", punctuated with bursts of laughter, grunts of appreciation, and dramatic readings of selected sentences, paragraphs, or pages.
My sentiments exactly. Do yourself a favor and buy this book!