Archive for Language and art

The Twittering Machine

Illustrating Ben Tarnoff's 11/11/2022  NY Review of Books article "In the Hothouse", Paul Klee's 1922 painting Die Zwitscher-Maschine ("The Twittering Machine"):

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Shimao, graphic arts, and long distance connections

Introduction to the site:

"The importance of archeology for historical linguistics, part 2" (5/11/20)

I have written about Shimao informally before, but the more we keep finding out about it, the more I come to believe that it is the most important archeological site in China from before the beginning of our era.

Li Jaang, Zhouyong Sun, Jing Shao, and Min Li, "When peripheries were centres: a preliminary study of the Shimao-centred polity in the loess highland, China", Antiquity, 92.364 (August 22, 2018), 1008-1022.

Chinese archeologists continue to do work at Shimao, although with restrictions because of the sensitive nature of the site.  We can expect additional publications about the site and its artifacts, including, for example, 20,000 bone needles (reported by Min Li who is writing a paper on the textile industry found at Shimao).

New article:

"King Carved In Stone Found at 4,200-Year-Old Chinese Pyramid Palace", by Sahir Pandey, Ancient Origins (8/11/22)

With copious illustrations from the site, including clear photographs of relief carvings and inscriptions.  Astonishingly, in some respects they resemble figures from the mysterious Bronze Age site of Sanxingdui in Sichuan (southwestern China)

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Archaic Greek in a modern world, part 3

As the art historians Richard Barnhart (Yale) and Lukas Nickel (Vienna) have shown, Greek elements, images, and techniques reached into the mausoleum of the First Emperor of the Qin (259-210 BC) and the massive terracotta army entombed there.  See "Of jackal and hide and Old Sinitic reconstructions" (12/16/18) and the many references thereto.  The continuing research of Lucas Christopolous has cemented the presence of things Greek in East Asia even more securely.  Here we present just one significant finding documented by Lucas' investigations, namely, the crouching position of warriors in the First Emperor's army and in my favorite artifact from Eastern Central Asia, a kneeling bronze statue from the south bank of the Künäs River, Xinyuan (Künäs) County, Xinjiang Uyghur Autonomous Region Museum Collection, exhibited in the University of Pennsylvania Museum in 2011.  See object 44 on p. 155 of Victor H. Mair, ed., Secrets of the Silk Road (Santa Ana, CA:  Bowers Museum, 2010).  See also p. 47 here and p. 163 of Mallory and Mair, The Tarim Mummies (London:  Thames and Hudson, 2000).

Notice that the bronze warrior is bare-chested, has a long nose and round eyes, is wearing a pleated kilt and helmet in a Trojan or other Greek style, and has additional Greek attributes.  Since another similar figure was found nearby, this is not a one-off fluke.  He is often said to be from the 5th c. BC, but see below for Lucas' slightly later dating.

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Calligraphic tie: "Letter on the Controversy over Seating Protocol"

On April 29, 2022, Bryan Van Norden (Vassar) gave students from the Penn Chinese Language Program a talk on the subject “What is happiness? Chinese and Western Conceptions,” in which he discussed several leading Chinese and Western views of what sort of life we should aim at.  During the talk, Bryan was sporting a striking red tie (the slide on the screen shows Socrates taking the cup of hemlock, with which the lecture began):

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Spring is sprung

The start of today's newsletter from Amy Stoller:

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Miniature Votive Stupa

One enigmatic artifact combines so many of my favorite things:  Dunhuang, Yi jing, Buddhism, cosmic symbols (e.g., Kunlun)….

clevelandart.org

[For an enlargement, click on the photograph to go to the thread, then click on the photograph again. It will be large enough to make the inscription legible.]

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Sobriquets, milk names, and monikers

Responding to the English translation of the Chinese epitaph on "Matteo Ricci's tombstone" (11/24/21), rit malors remarks:

It's the first time I encounter the word "sobriquet" for hào 號. Later I browse the Wikipedia and find that there is an entry for hào 號 as "Art Name" (in China, Japan, Korea, and Vietnam).

In it, "sobriquet" is not mentioned at all. I think "art name, pseudonym, or pen name" cannot really grasp the nature of hào 號. Do you think that you have to make a post about it as what you did in "Unmatched by no other philosopher" (11/6/21)?

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Data, information, knowledge, insight, wisdom, and Conspiracy Theory

The relationships among these different types of knowing has always been something that intrigued me.  Now it's all spelled out diagrammatically:

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Artistic Sinograph: Buddha

On the wall of an apartment complex in Dali, Yunnan, southwestern China:

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Womanless

Photograph of a work of art in a Berlin gallery, taken by Johan Elverskog:

Jia. One Hundred Women, 2016. Acrylic on canvas, 78 3/4 x 78 3/4 inches

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Arigatō

There's probably no other Japanese word that is better known to the world than "arigatō".  In this little essay, Kaki Okumura attempts to explain why "there is difficulty" means "thank you".  This is something that I have often pondered myself, but is that all there is to it?  And what about the alleged Buddhist aspects of the expression?

Even the rather full etymology I've quoted below doesn't do full justice to the word.

"The Strange Thing About Writing ‘Thank You’ in Japanese:  When life is full of good miracles"

Kaki Okumura, Medium (8/27/21)

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The African origins of the name of a black samurai

[The first part of this post, giving the historical background of the central figure, is by S. Robert Ramsey.]


Two joined panels of a Japanese folding screen painted in 1605

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Ashkenazi and Scythians

It is not my intention to stir up a firestorm, but I have for decades suspected that the names "Ashkenazi" and "Scythian" are related.  Now, after having sat on this for years and letting it gnaw away at my inwyt for far too long, I've decided to seek the collected expertise of the Language Log readership to see if there really is something to my suspicion.

Ashkenazi Jews (/ˌæʃ-, ɑːʃkəˈnɑːzi/ ASH-, AHSH-kə-NAH-zee), also known as Ashkenazic Jews or, by using the Hebrew plural suffix -im, Ashkenazim[a] are a Jewish diaspora population who coalesced in the Holy Roman Empire around the end of the first millennium.

The traditional diaspora language of Ashkenazi Jews is Yiddish (a Germanic language with elements of Hebrew, Aramaic, and Slavic languages), developed after they had moved into northern Europe: beginning with Germany and France in the Middle Ages. For centuries they used Hebrew only as a sacred language, until the revival of Hebrew as a common language in 20th century's Israel. Throughout their time in Europe, Ashkenazim have made many important contributions to its philosophy, scholarship, literature, art, music and science.

The term "Ashkenazi" refers to Jewish settlers who established communities along the Rhine river in Western Germany and in Northern France dating to the Middle Ages. Once there, they adapted traditions carried from Babylon, the Holy Land, and the Western Mediterranean to their new environment.  The Ashkenazi religious rite developed in cities such as Mainz, Worms, and Troyes. The eminent French Rishon Rabbi Shlomo Itzhaki (Rashi) would have a significant influence on the Jewish religion.

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