- Website: http://benzimmer.com/
- I am the language columnist for The Wall Street Journal and formerly wrote language columns for The Boston Globe and The New York Times Magazine. I've worked as the executive editor of Vocabulary.com and the Visual Thesaurus, as editor for American dictionaries at Oxford University Press, and as a consultant to the Oxford English Dictionary. I currently serve as chair of the American Dialect Society's New Words Committee. You can follow me on Twitter or Facebook.
Posts by Ben Zimmer:
The latest quarterly update to the online Oxford English Dictionary includes a metalinguistic term all too familiar to Language Log readers: uptalk, defined as "a manner of speaking in which declarative sentences are uttered with rising intonation at the end, a type of intonation more typically associated with questions." It's high time that the OED created an entry for the word, given that it has had a significant media presence (for better or for worse) ever since it burst on the scene in 1993.
Hillary Clinton's "basket of deplorables" is destined to become one of the lasting catchphrases of the campaign season.
Clinton's use of the phrase (which she says she now regrets*) appeared in a speech delivered at a fundraiser on Friday night:
You know, to just be grossly generalistic, you could put half of Trump's supporters into what I call the basket of deplorables. Right? The racist, sexist, homophobic, xenophobic, Islamophobic — you name it.
A diplomatic rift between the United States and the Philippines was precipitated by comments that Philippine President Rodrigo Duterte made about President Obama at a Sept. 5 news conference.
Duterte's offensive comment was made in Tagalog (though most of his news conference was in English). In English-language press accounts, the Tagalog phrase putang ina has been translated as "son of a whore" or "son of a bitch." (NPR was less forthcoming today, variously referring to it as "an obscenity about Obama's mother" or "son of a fill-in-the-blank.") So what did Duterte really mean by putang ina? Chris Sundita, who has helped us with Tagalog translational issues in the past, comes to the rescue.
A few days ago I posted the trailer for the forthcoming science-fiction movie "Arrival," based on Ted Chiang's linguistically rich tale of alien contact, "Story of Your Life." While most commenters have wondered how well Chiang's xenolinguistics will translate to the big screen, a couple of eagle-eyed observers noted something worrying in the trailer: incredibly sloppy use of Arabic script.
In the new trailer for the science-fiction movie "Arrival," Amy Adams stars as Dr. Louise Banks, some sort of mastermind in xenolinguistics. "You're at the top of everyone's list when it comes to translations," says Colonel Weber (Forrest Whitaker), before whisking her off to meet the newly arrived aliens she's tasked with interpreting. She seems to get on with them just fine, while acknowledging that "language is messy."
In the Aug. 8 & 15 issue of The New Yorker, staff writer Lauren Collins has a "personal history" piece entitled "Love in Translation" (subtitled, "Learning about culture, communication, and intimacy in my husband's native French"). It's very nicely written and will surely be of interest to Language Log readers. But Collins relies on some linguistic research without giving proper credit, an oversight I've tried to rectify below.
Donald Trump supporter Sean O'Loughlin sent out a pro-Trump press release ("Dear America") with this bizarre passage:
When people on the news call Donald Trump a racist, I find that statement difficult to believe. Like myself, Donald Trump is a life-long New Yorker. Donald Trump lives, works, eats and employs people of all races and religions. Read the rest of this entry »
Read the rest of this entry »
In his Democratic National Convention speech, vice-presidential nominee Tim Kaine broke out a Donald Trump impression that focused on a signature phrase: "believe me."
Eric Garland of The Hill shares a video of Hillary Clinton at a June 22 campaign appearance in North Carolina, and it provides ammunition those who would like to portray her as a soulless automaton vainly trying to seem like an authentic human being.
In advance of tonight's Game 7 in the NBA Western Conference finals between the Golden State Warriors and the Oklahoma City Thunder, the New York Times recalls a similar Game 7 faced by the Chicago Bulls in 1998:
That spring, the top-seeded Bulls were taken to a seventh game by the Indiana Pacers in the Eastern Conference finals. Between Games 6 and 7, the Bulls’ coach, Phil Jackson, huddled with his players and told them not to fear failing.
“The fear is not losing,” Jackson told them. “The fear is not producing the effort needed.”
Phil Jackson is notoriously enigmatic (they don't call him the Zen master for nothing), but this pronouncement is particularly tough to unpack.
For Times Insider, David W. Dunlap has an article about some of the more entertaining errors and corrections that have graced the pages of The New York Times: "The Times Regrets the Error. Readers Don't."
Among the goofs is this one from a Q&A with Ivana Trump that appeared in the Oct. 15, 2000 New York Times Magazine:
After last night's doozy of a Republican debate, Meghan McCain tweeted the following this morning:
Every negative stereotype I have tried to combat for the last 8 years about republicans has been utterly destroyed in the past 9 months.
— Meghan McCain (@MeghanMcCain) March 4, 2016
McCain's dim view of the current crop of presidential candidates doesn't support the notion that they are "utterly destroying" negative stereotypes about Republicans, as several people pointed out. Quite the opposite, in fact.
The Bernie Sanders campaign sent out a tweet at 10 a.m., reading: "Greed, fraud, dishonesty, arrogance. These are just some of the adjectives we use to describe Wall Street." That got the attention of Jezebel blogger Joanna Rothkopf, who posted it under the headline, "These Are All Nouns, Bernie." Shortly thereafter, the tweet was deleted, but I was able to grab a screenshot in time.